Browse Results
Search returned 22 record(s). Results sorted by publication date.
1
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Watt, Stephen. "The Performance of Excess and Joyce's 'Irish Jews'." "Something Dreadful and Grand": American Literature and the Irish-Jewish Unconscious.
Oxford:
Oxford University Press,
2015.
9-18.
ISBN 978-0-19-022795-1.
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2
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Watt, Stephen. "Theatrical Failure: A Success." Review of Kurnick, David,
Empty Houses: Theatrical Failure and the Novel,
2012.
James Joyce Literary Supplement 27,
i (Spring 2013):
21-22.
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3
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Watt, Stephen. "`Oirish' Inventions: James Joyce, Samuel Beckett, Paul Muldoon." From Elvish to Klingon: Exploring Invented Languages.
Ed. Adams, Michael.
Oxford:
Oxford University Press,
2011.
161-83.
ISBN 978-0-19-280709-0.
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4
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Watt, Stephen. "A Peristalsis of Dim Light: Joyce, Beckett, and Postmodernism." Postmodern/ Drama: Reading the Contemporary Stage.
Theater: Theory/ Text/ Performance. Ann Arbor:
University of Michigan Press,
1998.
65-87.
ISBN 0-472-10872-7.
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5
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Osteen, Mark. "Modernism in the Marketplace." Review of Dettmar, Kevin J.H.;
Watt, Stephen,
Marketing Modernisms: Self-Promotion, Canonization, Rereading,
1996.
James Joyce Literary Supplement 11,
ii (Fall 1997):
19.
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7
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Boscagli, Maurizia;
Duffy, Enda. "Joyce's Face." Marketing Modernisms: Self-Promotion, Canonization, Rereading.
Ed. Dettmar, Kevin J.H.;
Watt, Stephen.
Ann Arbor:
University of Michigan Press,
1996.
133-59.
ISBN 0-472-09641-9.
In part on Judge Woolsey's 1933 decision re U.
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Watt, Stephen. "'Nothing for a Woman in That': James Lovebirch and Masochistic Fantasy in Ulysses." Joyce and Popular Culture.
Ed. Kershner, R.B.
Gainesville:
University Press of Florida,
1996.
74-88.
ISBN 0-8130-1396-8.
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Watt, Stephen. "Photographs in Biographies: Joyce, Voyeurism, and the 'Real' Nora Barnacle." Photo-textualities: Reading Photographs and Literature.
Ed. Bryant, Marsha.
Newark:
University of Delaware Press; London: Associated University Presses,
1996.
57-72.
ISBN 0-87413-551-6.
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10
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Wexler, Joyce. "Selling Sex as Art." Marketing Modernisms: Self-Promotion, Canonization, Rereading.
Ed. Dettmar, Kevin J.H.;
Watt, Stephen.
Ann Arbor:
University of Michigan Press,
1996.
91-108.
ISBN 0-472-09641-9.
In part on Judge Woolsey's 1933 decision re U.
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11
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Pilkington, Lionel. Review of Watt, Stephen,
Joyce, O'Casey, and the Irish Popular Theatre,
1991.
Modern Drama 38,
i (Spring 1995):
132-34.
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12
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Watt, Stephen. Review of Thornton, Weldon,
The Antimodernism of Joyce's Portrait of the Artist as a Young Man,
1994.
Modern Fiction Studies 40,
iv (Winter 1994):
891-94.
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13
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Watt, Stephen. "A Peristalsis of Dim Light: Joyce, Beckett, and Postmodernism." In Principle, Beckett is Joyce.
Ed. Rathjen, Friedhelm.
Edinburgh:
Split Pea Press,
1994.
127-42.
ISBN 0-9512899-6-9.
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16
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Stewart, Bruce. Review of Watt, Stephen,
Joyce, O'Casey, and the Irish Popular Theatre,
1991.
Books Ireland no. 160,
(June-August 1992):
133-34.
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17
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Thompson, R.J. Review of Watt, Stephen,
Joyce, O'Casey, and the Irish Popular Theatre,
1991.
Choice 29,
v (January 1992):
29-2598.
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18
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Power, Henriette Lazaridis. "Joyce Tops High Mod Pop Cult Show Biz Irish-Style." Review of Watt, Stephen,
Joyce, O'Casey, and the Irish Popular Theatre,
1991.
James Joyce Literary Supplement 6,
ii (Fall 1992):
28-29.
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19
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Carpentier, Godeleine. Review of Watt, Stephen,
Joyce, O'Casey, and the Irish Popular Theatre,
1991.
Études Irlandaises 17,
i (December 1992):
247-48.
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20
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Weaver, Jack W. Review of Watt, Stephen,
Joyce, O'Casey, and the Irish Popular Theatre,
1991.
English Literature in Transition 1880-1920 35,
iii (1992):
400-02.
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21
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Review of Watt, Stephen,
Joyce, O'Casey, and the Irish Popular Theatre,
1991.
Books Ireland no. 154,
(November 1991):
224.
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22
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Watt, Stephen.
Joyce, O'Casey, and the Irish Popular Theater. Irish Studies.
Syracuse:
Syracuse University Press,
1991.
xvi, 277 pp.
ISBN 0-8156-2527-8.
Includes appendix, "Dublin Theatrical Calendar, 1898-1904," comp. Nona K. Watt, 201-39.
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