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Robert Lee Wolff:

A Preliminary Inventory of his Collection of 19th Century Fiction in the Manuscript Collection at the Harry Ransom Humanities Research Center

Creator: Wolff, Robert Lee (1915-1980)
Title: Collection of 19th Century Fiction
Dates: Circa 1800s-1984
Extent: 59 document boxes, 5 card boxes, 1 oversize box, 1 oversize folder (29.40 linear feet)
Abstract: This collection contains correspondence, manuscripts, proofs, review clippings, and other pre- and post-publication materials associated with particular Victorian-era authors and works, as well as some of Wolff's own manuscripts and academic papers.
Language: English
Access:

Open for research




Acquisition:

Gifts, 1990 (G8697), 1996 (G10506), 1999 (G11493)

Processed by:

Katy Hill, Stephen Mielke, 2008

Repository:

The University of Texas at Austin, Harry Ransom Humanities Research Center


Robert Lee Wolff, a professor of history at Harvard University, assembled a library of more than 18,000 volumes of Victorian fiction published in Britain between 1820 and 1910. The library consists of "triple deckers" (novels in three volumes), issues in monthly parts, yellowback and other reprint editions, and magazine appearances. Acquired by the Ransom Center in 1984, these published materials are listed in the University of Texas online library catalog and are available for viewing in the Harry Ransom Center reading room.

Along with Wolff's library of published materials, the Ransom Center acquired Wolff's collection of correspondence, manuscripts, proofs, review clippings, and other pre- and post-publication materials associated with particular Victorian-era authors and works. This collection, which also contains some of Wolff's own manuscripts and academic papers, is also available for viewing at the Ransom Center and is described in this preliminary inventory.

The Wolff Collection is arranged in five series: I. Materials Described in Wolff Bibliography, II. Materials Not Described in Wolff Bibliography, III. Book Withdrawals, IV. Mary Elizabeth Braddon, and V. Wolff Works and Research. The bulk of the material is located in Series I. and consists of original Victorian-era materials described in the five volume Nineteenth-Century Fiction: A Bibliographical Catalogue Based on the Collection Formed by Robert Lee Wolff (1981-1986). Series II. also contains Victorian-era materials, but these are not listed in the Wolff bibliography.

Series I. and II. materials are in alphabetical order by author. Materials from individual authors may be located in both Series I. and II., as well as in other series in the collection. The Series I. container list includes the unique number associated with each item's entry in the Wolff bibliography. The collection includes materials from major Victorian writers, such as Wilkie Collins, H. Rider Haggard, and George MacDonald, but also contains material from minor writers. Women authors are well represented, with materials from authors Anna Eliza Bray, Marie Corelli, and Marie Louise de la Ramée, who wrote under the pseudonym Ouida. Original drawings and prints from illustrators such as Hablot Knight Browne (known as Phiz), Harry French, John Leech, and Frederick H. Townsend are also present in the collection.

Series III. Book Withdrawals is the smallest series in the collection and, as its title indicates, contains materials such as letters or inserts removed from the Wolff Library books. It is in alphabetical order by author and arranged in two parts: items listed in the Wolff bibliography and items not listed.

Series IV. Mary Elizabeth Braddon contains materials similar in type to those in Series I. and II., but focuses solely on Braddon and contains original Braddon diaries, journals, photographs, drawings, and correspondence. Included in the correspondence are letters from Wilson Barrett, J. M. Barrie, Herbert Beerbohm Tree, Arthur Conan Doyle, Thomas Hardy, Henry Irving, Henry James, and Arthur W. Pinero. This series reflects Wolff's particular interest in Braddon and includes copies and transcripts of original Braddon material as well as Wolff's research, correspondence, and drafts related to his work on the author, predominantly documenting his 1979 book Sensational Victorian: The Life and Fiction of Mary Elizabeth Braddon .

Wolff's other academic pursuits and writings are documented with drafts, research, and correspondence located in Series V. The bulk of this series consists of correspondence, invoices and catalogs from rare book dealers. Also present are correspondence, research files, and other materials related to several of Wolff's published works. Of special significance are Wolff's bibliographic note cards which provided the descriptive text used in Nineteenth-Century Fiction: A Bibliographical Catalogue Based on the Collection Formed by Robert Lee Wolff (1981-1986). The cards contain the typed text replicated in the published bibliography, but also contain extensive handwritten annotations by Wolff, which do not appear in the published work. Also of note in the series is a fan letter from Maurice Sendak describing Sendak's appreciation of Wolff's The Golden Key: A Study of the Fiction of George MacDonald and MacDonald's influence on Sendak's own work.


In addition to the book and manuscript Wolff holdings, other Ransom Center collections contain Wolff material. The Robert Lee Wolff Art Collection consists of twenty-three drawings by Francis Donkin Bedford used to illustrate Billy Barnicoat by Greville MacDonald, published by George Allen and Unwin in 1922. The Robert Lee Wolff Literary File in the Photography Collection contains three images: 1) P1, "R. L. W. on the moors in Scotland," circa 1975; 2) 988:0070:0001, "R. L. W. in a book room at 10 Follen St.," circa 1977; and 3) 997:0079:0037, Albumen print of a man in an early automobile, removed from Wolff collection book The Magic Ink and Other Tales by William Black. The Ransom Center Vertical File contains forty-two folders of printed materials withdrawn from books in the Wolff Book Collection.