Biographical Sketch
Denis Hale Johnson was born in Munich, Germany, on July 1, 1949, to Vera and Alfred
Johnson. His father was in the U.S. Information Service, and Johnson and his brother, Randy,
spent their childhoods living in Japan, the Philippines, and the suburbs of Washington D.C.
While Johnson was an undergraduate at the University of Iowa, the
North American Review published three of his poems in their
November-December 1968 issue. His first book, a collection of poetry called The Man among the Seals (1969), was published to great acclaim when
he was only nineteen. Johnson was briefly married during this period and had a son. He
received a B.A. in English (1971), and went on to earn an M.F.A. in poetry and fiction
(1974) from the Iowa Writers’ Workshop.
After graduating, Johnson taught for one year at Lake Forest College. He spent the next
several years moving around and working a series of jobs in the Seattle area. He published
his second poetry collection,
Inner Weather, in 1976. In 1979,
the Arizona Commission on the Arts and Humanities awarded him a fellowship, and he taught
creative writing at the state prison in Florence, Arizona, from 1979 to 1981. This
life-changing experience, in particular his work with two death-row inmates, impelled
Johnson to finish Angels, a novel he had started years before.
In 1981, Johnson was awarded a fellowship to the Fine Arts Work Center in Provincetown,
Massachusetts, where he met his second wife, Lucinda, a sculptor and painter. While living
in Cape Cod, he completed
Angels (1983) and his next two
novels, Fiskadoro (1985) and The Stars at Noon (1986). In 1986, he moved to Gualala, California,
and in 1989 settled in the remote wilderness of northern Idaho. During this period he
published a third poetry collection, The Veil (1987), and a fourth
novel, Resuscitation of a Hanged Man (1991).
Johnson's stories and novel excerpts appeared in
Esquire, McSweeney's, the New Yorker, the Paris Review, and numerous
literary journals. In 1992, he published Jesus' Son, a collection of
semi-autobiographical, interconnected short stories about a drifting addict, set in the
1970s. The book was enthusiastically received by readers and critics, who appreciated
Johnson's realistic and nightmarish portrayal of addiction. The stories were adapted into a
screenplay of the same name, and the film was released in 1999. Johnson appears in a brief,
but memorable cameo role as Terrance Weber, the hospital patient with a knife stabbed in his
eye.
Similarly to his fiction, Johnson's essays explored curious people and desperate
situations. As a correspondent for
Esquire, Harper's, Rolling Stone, and Salon magazines, he traveled to war-ravaged Liberia,
Afghanistan, and Iraq, as well as to America's backcountry to report on, among other things,
the Liberian civil war, a Christian biker rally, and a Texas execution. Eleven of his essays
were re-edited and collected into a published volume, Seek: Reports from the Edge of America and Beyond (2001), which was
nominated for the PEN/Martha Albrand Nonfiction Award.
In addition to his success as a novelist, poet, screenwriter, and essayist, Johnson was also
an accomplished playwright. He was Playwright-In-Residence for San Francisco's Campo Santo
Theater Company at Intersection for the Arts, which premiered each installment of his
Cassandra family trilogy,
Hellhound On My Trail, Shoppers Carried by Escalators Into the Flames, and Soul of a Whore. His other plays include Des Moines and Psychos Never Dream.
Johnson's works frequently appeared on Best of
lists, and he received numerous grants, awards, and fellowships from the National
Endowment for the Arts, the Guggenheim, Whiting, and Lannan Foundations, and the American
Institute for Arts and Letters. In 2007, he was awarded the National Book Award for
Tree of Smoke, an epic novel about the Vietnam War that he worked on
sporadically for over fourteen years. The novel features characters from previous Johnson
novels, most notably Angels' Bill Houston.
Critics and readers regard Johnson's stories of the fallen
world as honest, human, and compassionate portrayals of fictional and real
characters that are isolated and searching on the fringes of society. Both his fiction and
nonfiction works explore themes of forgiveness and redemption. Publications not mentioned
above include:
The Throne of the Third Heaven of the Nations Millennium
Assembly (poetry, 1995), Already Dead: A California
Gothic (novel, 1997), The Name of the World (novella,
2000), Nobody Move (serialized in Playboy and published in 2009), and Train Dreams (novella, 2002).
In addition to the creative writing programs already listed, Johnson taught at Columbia
University, the Writer's Voice program (New York City), the University of Iowa's Writers'
Workshop, and on several occasions at the University of Texas Michener Center for Writers.
Johnson died on May 24, 2017.
Scope and Contents
The Denis Johnson Papers consist of manuscript drafts, notes, notebooks, research material,
screenplays, scripts, poems, publication proofs, clippings, scrapbook material,
correspondence, printed material, photographs, posters, and childhood papers belonging to
the American writer Denis Johnson. The professional and personal papers document Johnson's
diverse writing career and range of creative output which includes poetry, short stories,
novels, essays, journalism articles, screenplays, and scripts. The papers are organized into
two series: I. Literary Activities, circa 1970s-2009, undated; and II. Personal and
Professional Files, 1939-2009, undated.
Series I. Literary Activities makes up the bulk of the papers and includes materials
associated with Johnson's writings. It is arranged into four subseries: A. Novels and
Collections, circa 1975-2009, undated; B. Short Stories and Essays, circa 1970s-2008,
undated; C. Poetry, circa 1980s-2008, undated; and D. Film and Theater Projects, circa
1980s-2009. Materials in each of these subseries are arranged in alphabetical order by
title, and within each title, the material generally follows the chronological order of
literary production, from research and notes to publication drafts. When applicable, related
material such as book dust jackets, reviews, publicity material, and/or adaptations follow
the drafts.
Johnson created extensive notes, drafts, and outlines for most of his works. He apparently
wrote on whatever was at hand, and his notes appear as full-page, typed sheets, as well as
writings on the back of checks and receipts, paper coasters, a paper plate, a paper towel,
and envelopes. Johnson often inserted the handwritten material in with his typed notes and
draft fragments, making it sometimes difficult to discern if the intended order remains
intact. Much of the material is in chronological order, but page numbers are not always
sequential, and the notes and drafts sometimes stop and start, even in mid paragraph.
Furthermore, the notes and draft fragments are heavily revised and indicate a constant
re-working of the material. As a result, no attempt was made to arrange these materials
within folders, and they remain foldered as they arrived at the Ransom Center, with all
original folder titles created by Johnson indicated by single quotes in the container
list.
Subseries A. Novels and Collections represents most of Johnson's novels and collections;
however, some important works are not represented, including Johnson's first poetry
collections,
The Man among the Seals, Inner Weather, and The Veil, and his first three
novels, Angels, Fiskadoro, and The Stars at Noon. Johnson has
said that earlier in his career, he often did not keep working drafts because he found it
necessary to shed them in order for his writing to
evolve.
Johnson often worked on multiple pieces simultaneously, as in the case of three novellas,
The Name of the World, Door in a Blank Wall, and Train Dreams. Johnson planned to publish these together in a single
volume titled Name of the World. As a result, some drafts and notes are filed with material
from the other works. Ultimately, Johnson published Name of the World and Train Dreams separately (first in the Paris Review and in Europe, then later in the U.S.), and aspects of
Door in a Blank Wall appear with material from Tree of Smoke.
Johnson frequently referred to previous ideas or notes as he worked and sometimes re-filed
them with subsequent projects. For example, Johnson's work
Seek, a collection of essays previously published in Esquire, Harper's, and other popular
magazines, includes materials from his two articles Civil War in Hell (1990) and Small Boys' Unit (2000). Because Johnson used his original notes,
research, and cassette tapes to write these essays, as well as a screenplay about Liberia,
and then later referenced this combined material during the editing of Seek, the material was filed with drafts of Seek.
The first segment of
Seek is arranged in alphabetical order by published
essay title or by Johnson's original folder title. Following the essays are pages used
specifically for the publication of the final Seek manuscript, such as drafts for the piece called Three Desserts (which is a combination of three separate essays) and
proofs of the completed manuscript. Correspondence indicates that Johnson added and deleted
essays during the editing process, and some of these discarded essays remain filed with this
work. Series I., Subseries B. Short Stories and Essays contains additional files related to
the original Liberian magazine essay, and Series II. Personal and Professional Files
contains materials related to the screenplay.
Tree of Smoke, which won the National Book Award in 2007, is
represented by the largest volume of material in the collection. Johnson worked on this
novel for almost fifteen years, and the research and notes show his frequent starts and
stops. These notes, outlines, and draft fragments date from 1993 to the book's publication
in 2007. Included are research files containing notes, travel photos, and ephemera from
trips to the Philippines and Malaysia, as well as previous writings used for reference, and
internet research about Vietnam, military operations, and other topics. Also present are
chapter draft fragments and note files, organized by story timeline and labeled using
Johnson's original folder titles. The bulk of the manuscript material for the book is
comprised of loose drafts of undated and unnumbered pages. These fragments were very much
working notes and drafts and contain Johnson's frequent handwritten edits throughout. The
pages were, for the most part, left in their original order as it is difficult to discern a
clear arrangement.
Following the loose manuscript material for
Tree of Smoke are six binder notebooks, many with embellished
covers, corresponding to the chapter years in the book. These appear to be the final
versions of the working drafts of the novel. For preservation purposes, the contents were
removed from the binders, and in cases where the binder was decorated, the pages and
corresponding binder were filed together. In addition, Johnson's Tree of Smoke materials include one complete, near-final typescript,
one typescript with typesetting marks, two sets of page proofs, and an advanced reader's
copy of the novel that includes a sample of the audiobook.
Subseries B. Short Stories and Essays contains Johnson's shorter fiction and non-fiction
works and is arranged in alphabetical order by work title or Johnson's original folder
title. The
Seek material in Subseries A. Novels and Collections
also includes magazine essay drafts.
Subseries C. Poetry contains working and final drafts of Johnson's poems. Of particular
interest is the Slide Show file, which contains material
Johnson wrote for Sam Messer's art show in 1982. Johnson and Messer were frequent
collaborators at different points in their careers, and Series II. Personal and Professional
Files also includes Messer-related material. Of additional note in Subseries C. are drafts
for Johnson's poem
The Throne of the Third Heaven of the Nations
Millennium General Assembly. Subseries A. includes material related to Johnson's
published poetry collections.
Subseries D. Film and Theater Projects contains correspondence, reviews, publicity
material, and scripts for some of Johnson's screenplays and theater productions. Johnson did
not retain many of his screenplays, but his papers do include materials for his adaptation
of his own novel
Angels. Most of the material in this subseries
pertains to public readings and the theatrical productions of Hellhound on My Trail, Shoppers Carried By Escalators into the Flames, and Soul of a Whore; however, only Soul of a Whore is documented with a play script.
Series II. Personal and Professional Files contains papers and documents related to
Johnson's childhood, family life, and writing career. Awards, book jackets, contracts,
correspondence, ephemera, identification cards and passports, photographs, printed material,
publicity clippings, reading and workshop materials, report cards, research files, scrapbook
material, and travel files are found in this series.
Of particular interest is the scrapbook material, apparently assembled into notebooks by
Johnson's mother, Vera. The first notebook contains Johnson's birth certificate, school
report cards, and letters to his parents while in college. These letters are very personal
and candid, with Johnson describing daily happenings, his home life with his wife and baby,
and the progress of his writing. The other notebooks contain clippings and printed material
that document Johnson's writing career, his awards, and readings. Due to preservation
considerations, these materials were removed from their original binders and rehoused, but
their original order was maintained.
Overall, there is relatively little correspondence in Johnson's papers. What is present
includes letters from publishers, professional associates, other writers, and writing
program requests. The material is arranged chronologically, with a separate segment of Prison Correspondence from two death row inmates, Charlie Doss
and Robert Smith, whom Johnson taught while working at an Arizona state prison. A few of
these letters include some of these inmates' writings. Scrapbook notebooks in this series
contain letters Johnson sent to his parents during the 1970s and 1980s.
In addition to the photos in the scrapbooks and album, there is a small amount of loose candid and
publicity photographs of Johnson. Many of these are reproduced prints of Johnson while in
college.
Publications and journal issues containing Johnson's short stories, essays, and poems are
also located in this series. One copy of each title was retained.