Norman Bel Geddes Theater and Industrial Design Papers

Scope and Contents

The voluminous papers of Norman Bel Geddes, 1873-1964 (bulk 1914-1958), document his industrial design and theater work in equal measure and, frequently, in great detail. The papers are divided into three series: I. Industrial Design and Theater Files, 1873-1964 (bulk 1915-1958), II. Office and Clipping Files, 1917-1961 (bulk 1945-1958), and III. Personal Files, 1870-1959 (bulk 1930-1958). Within each series, materials are arranged by job number (000-988), then by format. Most job numbers correspond either to theatrical productions staged or designed by Bel Geddes, or to design projects undertaken on behalf of corporate clients. Coverage ranges from a single folder to hundreds of items. The collection also reveals the contributions and perspectives of Bel Geddes? clients and collaborators, in particular the photographers Francis Bruguière, Maurice Goldberg, and Frances Waite whose photographs and negatives are found throughout the collection.

Bel Geddes's industrial design work is documented with client correspondence, proposals, presentation books, contracts, research data, budgets, estimates, specifications, drawings, models, and publicity materials such as clippings and photographs. In addition, files for most projects from the 1930s and 1940s include job diaries and photographic record copy books.

Works represented in the theater segment of the collection include theatrical productions (dramas, spectacles, marionette plays, musical comedies, motion pictures, operas, and the circus) as well as architectural structures (theaters and television studios), writings by Bel Geddes, and sources of design ideas. Documentation of theatrical productions and architectural structures includes models, renderings, drawings, scripts, scores, production record books, photographs, publicity materials, correspondence, programs, legal documents and contracts, specifications, and source data. Notable among the original writings is Bel Geddes' autobiography, Miracle in the Evening, the working papers for which contain information Bel Geddes gathered as well as manuscript drafts, galley proofs, correspondence with the publisher, and photographs. Other publishing efforts are documented, including Horizons, Inwhich, and Magic Motorways.

The Office and Clipping Files contain correspondence with prospective clients, contracts, information about plays Bel Geddes considered producing, directing, or writing, articles by and about Bel Geddes, and information about exhibitions of his works. Also included are a large number of clippings arranged by subject, and other sources of design ideas such as manuscripts of plays and pictorial and graphic materials. The largest office file, "Prospects" (job no. 936), contains records of work that did not lead to job contracts. "Publicity" (937) contains material that was not necessarily related to a particular job. The clipping files include files on architecture, costume, interior sets, arts and crafts, natural phenomena, sculpture, and theater buildings.

The Personal Files document Bel Geddes' personal life, from the cars and homes he owned to travel and family matters. "Correspondence and Autographs" (957) contains letters that were removed by Bel Geddes from other job files. Correspondents include authors, architects, journalists, actors, designers, directors, and photographers. Family correspondence (960) is also extensive, particularly between Norman and his wives Helen Belle Sneider, Frances Waite, Ann Howe Hilliard, and Edith Lutyens. Some family photographs are located in this file; others are located in "Photographs: Personal and Family" (977) which holds a number of photographs of Bel Geddes. Files for "Jamaica" (973) and "Spain - Operations" (985) document Bel Geddes' overseas offices and residences during the 1950s.

In lieu of a folder list, this inventory contains an index of job numbers for each series. Detailed folder descriptions are available in a searchable database. The theater portion of the collection was previously cataloged in Frederick J. Hunter, Catalog of the Norman Bel Geddes Theatre Collection (Boston: G. K. Hall, 1973).

Note on Arrangement

The order of the job numbers reflects the practice Bel Geddes developed in the 1940s when he began to assign a number to each design project as it was undertaken. He then applied the system retrospectively to earlier projects, and the resulting arrangement is roughly chronological. For each series, job numbers are as follows: Industrial Design and Theater Files, 0-899; Office and Clipping Files, 900-950; Personal Files, 951-988. Within each job number, materials are arranged by formats which correspond to the classification codes used by Frederick J. Hunter in his Catalog of the Norman Bel Geddes Theatre Collection, q.v. page 19.


Norman Bel Geddes Theater and Industrial Design Papers Finding Aid
Title Page Biographical
Scope and
Index of
Series I
Index of
Series II
Index of
Series III

(Last modified: 11 September 2006)

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