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Diego Rivera was born December 8, 1886, in Guanajuato, Mexico. At the age of ten,
he began
studying art at the San Carlos Academy in Mexico City, in the shop of Félix Parra.
In 1907,
Rivera received a travel grant and went to Spain to study under Eduardo Chicharro.
While in
Europe, he traveled to England and Belgium, but he eventually settled in Paris. It
was in
Paris that Rivera was influenced by Picasso, Braque, Klee, Dérain, Mondrian, and Cézanne.
From 1909 to 1920, Rivera traveled around Europe with Angelina Beloff, a young Russian
painter. Between 1913 and 1917, Rivera made more than 200 Cubist paintings, but after
a
falling out with Picasso, and a dispute with the critic Pierre Reverdy, he turned
away from
Cubism, and began to work more in the style of Cézanne. |
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While in Paris, Rivera also met fellow Mexican artist David Alfaro Siqueiros. In 1921,
following the Mexican Revolution, Rivera and Siqueiros returned to Mexico. There,
together
with other artists, including José Clemente Orozco, they formed the Painters' Syndicate,
which issued a manifesto promoting public murals with social context. It was during
this
time that Rivera joined the Mexican Communist Party. In December 1921, Rivera started
painting his first major mural for the Bolivar Auditorium of the National Preparatory
School
in Mexico City. Murals that followed included works for the Ministry of Public Education
building in Mexico City, the National School of Agriculture at Chapingo, the Cortés
Palace
at Cuernavaca, and the National Palace in Mexico City. In 1922, Rivera married Guadalupe
Marin, by whom he had two daughters. Their marriage fell apart in 1924, and in August
1929
Rivera married the artist Frida Kahlo. |
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In the early 1930s, Rivera traveled to the United States, where he created murals
which
included works for the Pacific Stock Exchange in San Francisco, the San Francisco
Art
Institute, the Detroit Institute of Arts, and the Rockefeller Center and the New Workers’
School in New York City. His Rockefeller Center mural, Man at the Crossroads, was unfinished and subsequently destroyed by
the Center because one of the depicted figures resembled Vladimir Lenin. (Rivera later
reproduced this mural at the Palace of Fine Arts, Mexico City.) |
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As a result of the Rockefeller Center scandal, Rivera was without mural commissions
for a
few years. During this time he produced more portraits and easel paintings. |
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In Rivera’s last years, he created several murals for buildings in Mexico City, including
Dream of a Sunday Afternoon in Alameda Park for the Hotel del Prado
in Mexico City, and From the Pre-Hispanic Civilization to the Conquest
for the National Palace. Rivera died November 24, 1957, in Mexico City. |