|
Manuscripts for Anita Desai's published works make up a significant portion of this
collection, which also includes materials concerning public appearances, awards,
and
writings about her works. The collection is organized into two series: I. Works,
1958-2013; and II. Career Related Materials, 1962-2013. |
|
The Works Series is divided into four subseries: A. Major Works, B. Short Stories,
C.
Introductions and Prefaces, and D. Articles and Reviews, with items within the
subseries arranged alphabetically by title. Included are manuscripts and typescripts
in various stages of editing and revision, such as Desai’s award-winning novels
Baumgartner’s Bombay, Fire
on the Mountain, Clear Light of Day,
In Custody, and Fasting,
Feasting. The latter three were short-listed for the Booker Prize in
1980, 1984, and 1999, respectively. In Custody was
also made into a film by Merchant Ivory Productions in 1993. The short stories
include works published as early as 1958, preceding her first novel by several
years. Desai’s work on introductions for books by authors from Anne Brontë to
Salman
Rushdie and several articles addressing the treatment of women and children around
the world are also present. Correspondence directly related to her works has been
maintained with the respective work throughout the series and subsequently arranged
alphabetically by author. |
|
The Career Related Material is also divided into four subseries: A. Speeches,
Interviews, Lectures, and Radio; B. Honors and Public Appearances; C. Articles
and
Reviews of Desai; and D. Correspondence, Finances, and Other Papers. Included
are
materials from the PEN International Writer's Day conference and the Flair
Symposium, both from 1994. Present as well are her honorary degrees, in addition
to
publicity materials from her awards, including the Royal Society of Literature
Award
in 1977 and the Sahitya Akademi Fellowship in 2007, and clippings on her works
and
career from around the world. Correspondence in this series is more general and
does
not address any single work, and includes letters between Desai and her first
English publisher, Peter Owen. Her royalty statements and tax information are
also
present along with subsequent correspondence. |
|
The collection does not contain materials related to Desai's personal life or her
career as a professor, though it does several theses written by students on the
subject of Desai’s work. Access to those papers is restricted. |