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Scope and Contents |
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The papers of Isaac Bashevis Singer primarily date from his immigration to the U.S.
in 1935 until his death in 1991, although a few manuscripts from as early as 1923
and as late as 1995 are present. The collection has been organized in seven series:
I. Works, 1926-1994, undated (103 boxes); II. Correspondence, 1923, 1930-1994,
undated (28 boxes);
III. Financial and Legal Papers, 1940-1995, undated (11 boxes); IV. Photographs
and Works
of Art, 1930-1995, undated (7.5 boxes); V. Personal Files, 1935-1994 (11 boxes);
VI. Works
about Singer and His Work, 1951-1994 (6 boxes); and VII. Works by Other Authors,
1775,
1929-1991 (9.5 boxes). |
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Most of Singer's fictional works and many of his nonfiction essays and reviews are
represented in the papers. The Works series includes Singer's short stories, novels,
radio scripts, stage and screenplays, articles, reviews, poems, introductions
to
books by other authors, and lectures. Most of Singer's translated novels and short
stories appeared originally in Yiddish in the Jewish Daily
Forward, (Forverts,) and so exist in both
Yiddish and English, as well as other languages. For any given work, there may
be
handwritten and typescript drafts, including printer's copies; proofs; layout
material; dust jackets; tearsheets; clippings of the printed text; translations;
advertisements; or reviews. Many works were adapted for radio, the stage, or the
screen, and these may also be represented by programs, production photographs,
or
posters. Numerous unidentified works and fragments, many of which are probably
unpublished, are filed at the end of the series. |
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Correspondence primarily consists of letters to Singer (although his outgoing letters
to Alma Singer and a few others are present) and dates mostly from the 1940s until
Singer's death in 1991, with a few exceptions. The majority of the letters are
from
fans, friends, family members, agents, publishers, periodicals, translators, and
colleges or organizations arranging lecture appearances. Languages represented
in
the correspondence include English, Yiddish, Hebrew, Polish, German, French,
Italian, Spanish, and Russian. Among notable correspondents are family members
Israel Joshua Singer, Ester Kreytman, Runia Pontsch, Israel Zamir, and Batsheve
Zylberman; friends and fellow authors Melech Ravitch, Abraham Sutzkever, and Itzhak
Yanazowicz; literary agents at Lescher & Lescher; and publisher Farrar,
Straus & Giroux. |
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Financial and legal papers provide information about Singer's publishing income;
among these are contracts and agreements, royalty and earnings statements, checking
and savings account information, and tax files. Passports, copyrights, and estate
papers are also present. |
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Numerous photographs and snapshots of Singer, his family, and friends are present,
as
are portraits of Singer by various artists and other artwork by well-known artists
and admirers. |
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Notebooks and notes, various clippings and ephemera, and appointment books are among
Singer's personal files in the archive. Singer's many awards and honors are
represented by diplomas, certificates, programs, and correspondence. Materials
relating to Singer's memberships in various organizations include identification
cards, receipts, and newsletters. Programs, correspondence, and other items
concerning his lecture appearances conclude the personal files. |
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Works about Singer consist of clippings, interviews, and bibliographies, as well as
articles, theses, poems, and books. |
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Works by other authors include published and unpublished works which for the most
part were sent to Singer by their authors, either in admiration of his work, or
for
his advice or approval. Although Singer's sister, Ester Kreytman, and his brother
Israel Joshua Singer were both novelists, their manuscripts are not present. |
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Books, personal effects, and sound and video recordings have been removed from the
archive and cataloged separately. |
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A Note about Translation:
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Translations of titles and information about contents of Yiddish and Hebrew
manuscripts was provided by Joseph Sherman, Stephen Naron, Sarah Ponichtera, and
Ilana Krygier. Their translation notes are written on yellow paper and are scattered
throughout the manuscripts. Spellings of Yiddish titles of Singer's works, and
their
English equivalents, are primarily taken from bibliographies by Roberta Saltzman
(Isaac Bashevis Singer: A Bibliography of His Works in
Yiddish and English, 1960-1991, Lanham, Md.: Scarecrow Press, 2002) and
David Neal Miller (Bibliography of Isaac Bashevis Singer,
1924-1949, New York: P. Lang, 1983 ). Sarah Ponichtera also transcribed
the names of many Yiddish and Hebrew correspondents. |
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Series Descriptions |
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Series I. Works, 1926-1994, undated (103 boxes) |
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Singer's short stories, novels, plays, essays, introductions to books by
other authors, poems, reviews, speeches, and lectures are arranged
alphabetically by their English titles; if a work has not been published in
English, it is filed under an English translation of its Yiddish title. For
the most part, bibliographies by Roberta Saltzman and David Neal Miller have
been the source of those English translations. Many works are present in
both Yiddish and English form. Manuscripts are in English unless described
otherwise. Descriptions of Singer's typescripts do not include information
about duplicate copies and do not distinguish between photocopies and
originals unless the work is a composite of different formats or a printer's
copy. When two separate works share a title, they are filed separately. |
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Most of Singer's fiction from his arrival in the United States in 1935 until
1987 was first published in The Jewish Daily
Forward (Forverts) and is represented
in some form. However, while some of his nonfiction essays and reviews are
present, most are not. For any given work, there may be handwritten and
typescript drafts, including printer's copies; proofs; layout material; dust
jackets; tearsheets; clippings of the printed text; translations;
advertisements; or reviews. In addition, Singer's notebooks, located in
Series V., contain some ideas and drafts for works. Many works were adapted
for radio, the stage, or the screen, and these may also be represented by
programs, production photographs, or posters. |
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Unidentified works are located at the end of the series. While no titles are
available, for complete drafts and the larger fragments, other identifying
information has been supplied in the folder list. This information can
include character names, settings, or plots, as well as the format of the
manuscript. Translation assistance for Yiddish and Hebrew works was provided
by Joseph Sherman, and his notes on yellow paper are scattered throughout
the manuscripts. |
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Series II. Correspondence, 1923, 1930-1994, undated (28 boxes) |
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Correspondence is filed alphabetically and primarily consists of incoming
letters, with some letters predating Singer's immigration to the United
States but the majority dating from the 1940s until Singer's death in 1991.
Letters dated after Singer's death in 1991 include condolence letters to his
widow, Alma Singer, and her business correspondence with Singer's publishers
and literary agent. A small amount of unidentified correspondence is filed
at the end of the series. |
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Most of the letters are from fans, friends, family members, agents,
publishers, translators, and universities or organizations arranging lecture
appearances. Many of the fan letters are addressed to Singer's pseudonyms at
Forverts and are in Yiddish. Numerous
letters to and from Alma Singer before and during their marriage are
present. Letters from other family members include those from Singer's
brother, Israel Joshua Singer; his sister, Ester Kreytman; his nephew
Maurice Carr; the mother of his son, Runia Pontsch; his son, Israel Zamir;
and his mother, Batsheve Zylberman Singer. Among other personal
correspondents are his friends and fellow authors A.M. Fuchs, Rachel Korn,
Itzjok Perlow, Melech Ravitch, Morris Spiegel, Abraham Sutzkever, Shea
Tenenbaum, Itzhak Yanazowicz, and Aaron Zeitlin; artists Sylvia Ary, Joyce
Cutler-Shaw, Anna Maria Levine, Honey Rovit, and Nathan Hendel; and Sarah
Hamer-Jacklyn, Frida Lurie, Mashe Shtuker-Payuk, Elizabeth Shub, Mona Shub,
and Anna Welczer. Business correspondence includes letters from Singer's
literary agent, Robert Lescher at Lescher & Lescher; publishers Bra
Böcker, Brombergs Bokforlag, Carl Hanser Verlag, Doubleday and
Company, Farrar Straus & Giroux, Harper & Row, and Stock
(Firm); periodicals Forverts, Goldene Keyt, The New
Yorker, and Harper's Magazine;
translators Marie-Pierre Bay, Cecil Hemley, Elaine Gottlieb, Channah
Klienerman, and Aliza Shevrin; and the National Jewish Welfare Board Lecture
Bureau, which scheduled lecture and speaking engagements for Singer. |
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A complete list of correspondents may be found in the Index of Correspondents
at the end of this inventory. Because of various transliteration
possiblities, correspondence from a particular person may be found under
more than one form of spelling. The limited amount of correspondence from
Singer, which includes actual letters, photocopies of letters, or drafts in
his hand or in Alma Singer's hand, is indicated in the index by a "(from Singer)" notation in the recipient's
entry. |
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Series III. Financial and Legal Papers, 1940-1995, undated (11 boxes) |
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Singer's financial papers are categorized as pertaining to income or
expenses. Papers relating to Singer's income include publishing and
production contracts and agreements; royalties and earnings statements; and
contracts, invoices, and receipts for lectures and appearances. Papers
related to expenditures include invoices, receipts, and other documents
relating to travel, housing, medical, and insurance matters. Among other
financial records are statements, cancelled checks, and other papers
concerning checking and savings accounts, as well as investment and income
tax papers. Legal papers, including literary copyrights, voter
registrations, passports, Singer's death certificate, wills, and estate
papers, conclude the series. |
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Series IV. Photographs and Works of Art, 1930-1995, undated (7.5 boxes) |
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Numerous photographs of Singer at various times in his life are present.
While most are portraits, others show Singer receiving honorary degrees and
other awards (including the Nobel Prize), attending various functions and
dinners, or giving talks. Photographs are subdivided by black and white or
color processing and are grouped according to whether or not Singer is a
subject. Among notable photographers are Jaacov Agor, Jerry Bauer, Nancy
Crampton, Stefan Congrat-Butler, Bruce Davidson, and Thomas Victor.
Snapshots are grouped separately, as are photographs of miscellaneous
subjects. Portraits of Singer by artists Anna Barry, Gene Bonini, and Laura
Ziegler, and artwork by Marton Garchik, Chris Pelletiere, Karl Schrag,
Herschel Stroyman, and others conclude the series. |
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Series V. Personal Files, 1935-1994 (11 boxes) |
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Personal Files include Singer's notebooks with Yiddish and English notes and
drafts; miscellaneous notes made by Singer and his wife, Alma Singer;
Singer's doodles; notebooks and flashcards made by Singer as an aid in
learning French and English; appointment books, business cards, and resumes
gathered by Singer during the course of his career; programs, flyers,
notices, newsletters, and other printed matter mailed to Singer or acquired
at exhibitions, lectures, etc.; and clippings regarding a variety of topics,
blank greeting cards, and similar ephemera. Drawings made by children to
illustrate stories they read are also present. Singer was the recipient of
numerous awards and honors, and material relating to those are also included
in this series. In particular, Nobel Prize material includes correspondence,
travel papers, and clippings. Singer's Nobel Prize medal and certificate
were previously on deposit at the Ransom Center. They were returned to
Singer's heirs in May 2012. Singer's memberships in PEN and other
organizations are represented by membership cards, receipts, newsletters,
and other papers. Singer frequently gave lectures and made other
appearances, and invitations, programs, advertisements, and similar material
relating to those are present. Papers concerning Singer's funeral and his
memorial monument conclude the series |
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Series VI. Works about Singer and His Work, 1951-1994 (6 boxes) |
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Works about Singer and his writings include clippings about Singer;
interviews, including material related to Richard Burgin's Conversations with Isaac Bashevis Singer; and
bibliographies. Other works, such as articles, theses, poems, and books, are
filed alphabetically by author and are comprised of typescripts, tearsheets,
reprints, transcripts, and reviews. |
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Series VII. Works by Other Authors, 1775, 1929-1991 (9.5 boxes) |
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Works by other authors include playscripts, short stories, memoirs, books,
treatises, articles, poems, and screenplays. Items lacking any
identification precede titled works by unidentified authors and titled works
by identified authors. Titled works by unidentified authors are filed
alphabetically by title, while works with identified authors are filed
alphabetically by author. Of particular note are a photocopy of a Yiddish
handwritten poem by Aaron Isak dated 1775, a Yiddish translation of Allen
Ginsberg's "Kaddish," a typescript speech
by Erica Jong about Henry Miller, a photocopy typescript of "A Planet in Exile" by Chaim Potok, a
corrected photocopy of a printer's copy typescript of Susan Fromberg
Schaeffer's The Queen of Egypt and Other
Stories, a photocopy typescript of Neil Simon's Plaza Suite, poems and memoirs by Alma Singer,
and manuscripts of "Free Will and Extant
Future" by Aaron Zeitlin. |