Purchase, 1982
Open for research
Teresa J. Bogar and Rebecca Altermatt, 1997
Wilfred Dudley Smithers was born in San Luis Potosi, Mexico, August 31, 1895, where his father was employed as a bookkeeper for the American Mine and Smelting Company. When he was 10, his family moved to San Antonio, Texas. He started his career in commercial photography in 1910, taking pictures at Fort Sam Houston in San Antonio of pioneer aviation. He became an aerial photographer for the U.S. Army Aviation Service during World War I and he worked with the Army Civil Service as a wagon master, until his retirement shortly before the outbreak of World War II.
Between 1935-1939, under a contract with the International Boundary and Water Commission, Smithers photographed the entire U.S.-Mexican Border from Brownsville, Texas to San Diego, California. During the 1930s, while living in El Paso, he also took photographs for the U.S. Border Patrol. He had opened a commercial photography shop in San Antonio in the 1920s and after his retirement from the Army, moved the shop to Alpine, Texas, where he operated it for another 30 years. While living in Alpine, Smithers wrote articles for the
Shortly before his death, Smithers' book
The Smithers collection comprises primarily photographs of the Texas borderlands and peoples, and military camps and forts. Most of the photographs were taken in Texas but there are also images of Mexico, Utah, New Mexico and other western states. Other subject matter that is of note are photographs of early aviators and airplanes, as well as the Nature's Pharmacy Series which details uses for several herbs and plants as used by the native peoples of the region. Other series include those of images of schools and universities in Texas and Mexico, newsworthy events, such as a trainwreck and construction of the McDonald Observatory and Telescope, and religous subjects, such as iconography and architecutre, Mexican religious festivities, and even the Mormon Church. The dates of the photographs range from 1910 to 1968.
The collection is arranged according to the notes, written by Smithers, that accompanied the photographs. These extensive notations on each photograph are housed in a set of 3-ring binders in the Photography Department's Reference Room. The photographs are boxed and numbered according to Smithers' arrangement which has been preserved in this finding aid. They are grouped by subject matter which are not in chronological order from series to series. Almost the entire collection of prints is 20.2 x 25.5 cm, with the exception of the last box of miscellaneous prints which are not listed in Smithers' inventory and range from snapshots to a print to be used for a lampshade. In addition, some newspaper clippings and other print items have been removed from the photograph collection and housed in the Smithers' Manuscript Collection, also at the HRHRC.
Images of airplanes (Wright models, Model Curtiss, DeHaviland, Vin-viz); air pilots (Marjorie and Katherine Stinson, Charles Lindbergh, Glenn H. Curtiss, Ruth Law, James H. Doolittle, Frank P. Lahm, Gen. William Mitchell); air bases (Ellington, Kelly, Marfa, and Maneuver Fields in Texas, Rockwell Field in California); aerial photography of Big Bend area and the Mexican border; also features the Border Air Patrol, the Globe Flyers, and newspaper articles from the San Antonio Times and the El Paso Times.
Images of numerous varieties of cactus, aloe vera, chia, herbs, chiles, and plant life, taken in Texas, New Mexico, and Mexico. The captions describe locale, what the medicinal uses are, and any unique properties of the specimen. Many of the plants featured are used in treatments by curanderos.
Aerial photographs of the South Texas and Mexico border, including numerous Forts (Brown, Bliss, Ringgold, McIntosh), Johnson's Ranch, and International Boundary Monuments.
Images of Mexican goat herders and their dogs, seen out on the range and in local communities where they live. Many of these herders, known as El Pastores, are also curanderos. These pictures are significant because there are very few goat herders left in Mexico today.
These images form a subseries to Nature's Pharmacy, depicting various plants, herbs and flowers in the Big Bend region. Also included are portraits of herb vendors (yerberos) and their apothecaries, Indians, snake catchers and charmers, and some wildlife such as roadrunners.
Aerial views of Santa Helena Mountains, canyons and mines, with captions detailing the historical significance of the region.
Images of Cargueros (packers), pack trains, mule rides, wagons, burros (donkeys), and social life and customs along the Mexican border.
Images of Mexican homes made from adobe bricks and cliff dwellers who construct homes from boulders and adobe. Several mines are shown, including the Chisos mines near Terlingua, the Rainbow mines in Study Butte, Waldron mine, and various images of Mexican miners and tram cars.
Images of Mexican Avisadores, or messengers, sending avisos using mirror flashes, arms, hands and hat, to relay signals. Ben Cobos is the first avisodore who agreed to be photographed; many of these messages pertained to warnings of the U. S. Cavalry Patrol raids. Photocopies of Senate documents, Vol. I about Mexican affairs 1919-20 depict testimonies of witnesses, mainly by Judge John I. Kleiber.
Images of pack wagon trains, packmasters, army wagons, cavalry men, the twenty mule Borax team of Death Valley, California and other less infamous teams, plus drawings and sketches of types of hitches (e. g. diamond, double diamond).
Images of the wax refinery and equipment, Candelilla plants, and El Canyon de los Muertos.
Images of caves, cliffs, bluffs and mountains in Big Bend and New Mexico, Montezuma National Monument, in addition to Mexican Basket Makers who are known as the cave dwellers.
Numerous images illustrating Mexico's history: pyramids (Cuicuilco, Tenayuca), Aztec temples and ruins, lava bluffs, Zopotec Indians, assorted altars, carvings, idols and jewelry, chiefly from Mexico City and Oaxaca.
Images of Army camps in Big Bend area with captions detailing their historical context.
Images of life along the Mexican border, shown are burros loaded with merchandise, wagon trains, fur traders, the Johnson Trading Post and the Castalon Post, aerial views of the Rio Grande, and Mexican families divided by the border.
Images of Mexican revolutionists, prisoners and jails. Included are numerous photographs of Pancho Villa and his troop. Photocopies of Miss Lucy Smithers diary in Mexico City, and of testimonies from the Investigation of Mexican Affairs, 1919-20. Additional photographers credited in this series are W. H. Horne and Aultman.
Aerial views of the Texas and Mexico border including many trading posts.
Images of camps, field hospitals, wards, medics, nurses, ambulances, and horses. Camp Marfa, Texas figures predominantly.
Images taken in New Mexico of rock mesas, Isleta mission, Acoma Indians and their homes and churches.
These images depict a variety of Spanish influence. Churches shown include Guadeloupe Cathedral in Juarez, San Antonio de Ysleta Mission in Texas, Gran Qivira in New Mexico, and San Xavier in Arizona. Villages, Acoma Pueblos and numerous altars are also contained in this series. Padre Kino is a notable figure.
Images of a Southern Pacific Railroad wreck in 1921, construction by the Texas Highway Department, construction of the McDonald observatory and telescope (the 1942 image used in the General Electric calendar) with some including Dr. George Van Biesbrook, and aerial views of Mount Locke.
Images of colleges and universities in Texas and Mexico. Aerial views of The University of Texas at Austin and the surrounding area, featuring the Tower, football stadium, State Capitol, Miller Dam and Lake Austin. Other schools include A & M, Agricultural and Mechanical College, Southern Methodist University, Baylor, University of Houston, Texas Christian University, Sul Ross State College, and University of Mexico.
Images of Big Bend National Park (1935), Davis Mountains State Park, Pinto and Boquillas canyons, Johnson's ranch, pioneers and ranch men (Tom Miller the one-armed Texas Ranger), cowboys doing round-ups, Indian villages, and U. S. horse cavalry posts (1916-30).
Images of troops and outposts along the Mexican border, including the Pershing Expedition, 1917, withdrawn from Mexico in its pursuit of Pancho Villa in New Mexico. Photograph of Buffalo Bill (William F. Cody), Indian scout, at Fort Bliss in 1915. Other notable figures found in this series are Generals John J. Pershing and George S. Patton.
Images of early trucks, trains and tractors around Army posts in the Big Bend region with captions describing the cargo, routes and historical contexts. Names include Motor Truck Company, Nash, White, Packard, Dodge, and Holt. Also contains some road scenes, mechanics and operating crews.
Group portraits of Texas Rangers in their offices around Lajitas and Del Rio, Texas. Images from the Prohibition period such as liquor smugglers; also U. S. Surveyors, train robbers, steam engines and coaches, Border Patrol, and Yaqui Indians.
Portraits of early Texas ranchers, notably Captain Richard King and Mrs. King of King Ranch; others ranches include Brown, Burke, Wilson and Rancho Escondido. Cowboy images of Will Rogers, John Blocker (of `Blocker Loop' fame) roping cattle, and assorted rodeo shots. Also found are views of livestock such as bulls, buffalo, longhorn (#6357), cattle, horses and sheep.
Images pertaining to Mexican iconography and Church architecture. Pictured are numerous altars, paintings, stained glass, statues, and worshipers with their offerings. Views of Guadelupe Cathedral in Mexico City, San Cayetano in Valencia, San Miguel de Allende in Guanajuato, among others. Many feast days and religious holidays are represented such as Guadelupe Day, Dios de los Muertos, Christmas and Easter. Images of Mexican people from daily life.
Group portraits of congregations and spectators at Baptist camp meetings, images of cowboy preachers and circuit riders, various services and pageants; also some Roman Catholic priests and churches.
Images from the Mormon religion: statues, monuments (Brigham Young), and The Great Temple.
Images of deer, elk, antelope, eagles, owl and rabbits. Views of trapping animals and of Game Wardens, namely Ray Williams of Big Bend.
Assorted images of courthouses, county fairs, local establishments (dry goods stores, homes), aerial views of the Pecos railroad, portraits of Judge Roy Bean (`law west of the Pecos'), and ranching history. Also found are images of the San Jacinto Monument and the Battleship Texas, The Alamo and downtown San Antonio, and San Jose Mission. There are production shots from Smithers' Photo Color Lamp Shades business, showing women workers coloring and lacing the lamp shades.
Images of cactus plants in the Big Bend region. Assorted images of National and State Parks in the Western United States, featuring Yellowstone, Yosemite, and Tetons, with views of landmarks such as Pike's Peak and Mount Rushmore. Photographs of Texas towns and rural life, some early circus images.
This series is made up of a box of photographs both of and by Smithers. In addition to the photographs in this series, there are also two albums, one titled
This series contains two boxes of matted copy prints, used for exhibition, that are somewhat larger than the original prints in the collection. They are identified by number and by a caption used for the exhibit, the titles were most likely created by the exhibit staff.
This series comprises 6 boxes of nitrate negatives. Many of these were made by Duncan. An inventory list of the contents follows at the end of this finding aid. For the most part, the negatives correspond to the prints in the Smithers' boxes in the collection, but some do not have identifying numbers and could be of prints not part of this particular group of images.
20 folders:
Items: 4003C; Big Bend - Men on horses; Mexican Women; Mexcian family(personal neg in Personal Box); Old Freighters; San Pedro park 4/12/1924; WWI Vets; eagle attacking; Mexican Religions; street scene in Mexico; clavaryman with hourse, Tzarragna Fals, Mexico; Sanderson Texas- Saloon; Plant; Smithers' car; Dancers and Pirates; 1950 Oaxaco, Mex; Airforce Officer; Hotel Proscreso, Mex; Mex restaurant w/ppl; Michoacan Mex Water Falls; big bend - pple near car and truck
5 x 10 - 8
5 x 5 - 5
6-1/2 x 8 - 3
Big Bend Scenes - others some have copy prints in Box x of smithers
Big Bend Scenes 5557 - 8 5559, 5561-2, 5564,
Numbered Items:
144; 2986-2; 2986-1; 3043-4; 4451-B; 4991; 5017-1; 5025-1; 5032; 5203; 5225-1; 5256-1; 5300-1; 5414-1; 5417-1; 5482; 6191; 6362-1; 6453-1; 6649-1; 6676-1; 11051;
No numbers: