<?xml version="1.0" encoding="UTF-8"?>
<ead xmlns="urn:isbn:1-931666-22-9" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="urn:isbn:1-931666-22-9 ead.xsd" relatedencoding="MARC21">
  <eadheader audience="internal" countryencoding="iso3166-1" dateencoding="iso8601" langencoding="iso639-2b" repositoryencoding="iso15511" scriptencoding="iso15924">
    <eadid mainagencycode="US-txauhrh" countrycode="US" encodinganalog="852$a">urn:taro:utexas.hrc.00317</eadid>
    <filedesc>
      <titlestmt>
        <titleproper>Edmund Dulac:</titleproper>
        <subtitle>An Inventory of His Collection at the Harry Ransom Center</subtitle>
        <author encodinganalog="245$c">Finding aid created by Stephanie Hays
			 and Richard Workman</author>
      </titlestmt>
      <publicationstmt>
        <publisher encodinganalog="260$b">Harry Ransom Humanities Research
			 Center, </publisher>
        <date encodinganalog="260$c" calendar="gregorian" era="ce">2003</date>
      </publicationstmt>
    </filedesc>
    <profiledesc>
      <creation>Finding aid encoded by Lisa Schmidt, 
		  <date calendar="gregorian" era="ce">2006</date></creation>
      <langusage>Finding aid written in <language langcode="eng" scriptcode="Latn">English.</language></langusage>
    </profiledesc>
  </eadheader>
  <archdesc level="collection" type="inventory" audience="external">
    <did>
      <head>Collection Summary</head>
      <repository label="Repository:" encodinganalog="852$a">
        <extref xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" xlink:show="new" xlink:actuate="onRequest" xlink:href="http://www.hrc.utexas.edu/">
          <corpname><subarea>Harry Ransom Center, </subarea>The University of Texas at Austin </corpname>
        </extref>
      </repository>
      <origination label="Creator:">
        <persname source="lcnaf" encodinganalog="100">Dulac, Edmund, 1882-1953</persname>
      </origination>
      <unittitle encodinganalog="245$a" label="Title:">Edmund Dulac
		  Collection</unittitle>
      <unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian" label="Dates:" normal="1818/1948">1818, 1889-1948, undated</unitdate>
      <unitid label="Call Number: " countrycode="US" repositorycode="US-txauhrh" encodinganalog="099">Manuscript Collection MS-01239</unitid>
      <physdesc label="Extent:" encodinganalog="300$a">
        <extent>1 box (.42 linear feet)  </extent>
      </physdesc>
      <abstract label="Abstract:" encodinganalog="520$a">This collection
		  contains items documenting Dulac's roles as artist, composer, and writer as
		  well as some correspondence, family papers, and school records. Musical
		  compositions include his work for W. B. Yeats's radio broadcast 
		  <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">My Own Poetry</title> .</abstract>
      <langmaterial label="Language: " encodinganalog="546$a"><language langcode="eng" scriptcode="Latn">English</language>
		and <language langcode="fre" scriptcode="Latn">French</language>. </langmaterial>

    </did>
    <bioghist encodinganalog="545">
      <head>Biographical Sketch</head>
      <p>Born in Toulouse, France, on 22
		  October 1882, Edmond Dulac was the only child of Pierre Henri Aristide Dulac
		  and Marie Catherine Pauline Rieu. The boy grew up in a comfortable petit
		  bourgeois home. Educated at the Lycée de Toulouse, Dulac showed an early
		  introversion and talent for drawing. By age sixteen he was able to render
		  professional art nouveau work. After studying law at the University of Toulouse
		  for two years, Dulac enrolled full time at the École des Beaux Arts in 1900.
		  There he roomed with close friend and fellow student Émile Rixens. In 1903
		  Dulac won a scholarship to the Académie Julien in Paris. His December 1903
		  marriage to Alice May de Marini, an American thirteen years his senior, quickly
		  dissolved and by 1904 he had left for England to start his artistic career.
		  Enamored of British culture, he changed the spelling of his first name to
		  <emph render="doublequote">Edmund.</emph></p>
      <p>Dulac was an immediate success in England. He joined the London Sketch
		  Club soon after his arrival and later St. John's Art Club. His first commission
		  was the illustration of 
		<title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Jane Eyre</title>, a quintessentially British
		project with which he was entrusted at the age of twenty-two. In April 1911 he
		married Elsa Arnalice Bignardi, a shy, graceful girl of Italian and German
		descent.</p>
      <p>Dulac is best known as an illustrator of gift books and
		  children's books. His favorite medium was watercolor. From 1890 to 1920,
		  British book illustration was preeminent and Dulac's career flourished. He also
		  collaborated with his friends W. B. Yeats and Sir Thomas Beecham on various
		  theater projects. In 1920 he composed music for a production of Yeats's 
		<title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">At the Hawk's Well</title>. Yeats, Dulac, and Ezra
		Pound staged Japanese Nō plays, with Dulac designing costumes, sets, and makeup
		and composing music.</p>
      <p>The hardships of World War I were still keenly felt
		  by 1920, a year which signaled the death of the gift book and the start of
		  Dulac's financial insecurity. In the same year 
		<title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">The Outlook</title> stopped running Dulac's
		cartoon drawings, which had been his only steady source of income. Though he
		managed on income from portraits and frequent commissions for 
		<title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">American Weekly</title> covers and postage stamps,
		money was always to be a concern. In August 1923 Dulac and Elsa separated,
		Dulac complaining that she was unable to challenge him intellectually. Close
		friend Helen de Vere Beauclerk apparently was his equal in this respect,
		however, and she moved in within the year. She was to be Dulac's companion
		until his death. </p>
      <p>Yeats dedicated 
		<title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">The Winding Stair</title> to Dulac in 1933. In
		1937 Dulac collaborated with Yeats on the BBC radio program, 
		<title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">My Own Poetry</title>. Yeats selected seven of his
		own poems, five to be spoken and two to be sung, with Dulac composing music for
		the songs, accompaniment for the spoken poems, and interludes between. Partly
		owing to the intervention of the producer in the choice of performers, the
		performance did not come up to either man's expectations, with Yeats feeling
		that the singing style and accompaniment were not true to his vision and Dulac
		feeling that the two sung pieces were the only bright spots in a performance
		that Yeats had sabotaged in rehearsal. Hostilities flared briefly but were soon
		smoothed over. Yeats died on 28 January 1939 and was buried in France; when his
		body was reinterred in his native Ireland after the war, Dulac designed the
		memorial for his friend's former resting place in Roquebrune.</p>
      <p>By World
		  War II, Dulac had become the leading authority on postage stamp design. When
		  occupied France wanted to unify its colonies against Germany by issuing stamps
		  with the Cross of Lorraine, this project naturally fell to an enthusiastic
		  Dulac. The project was commissioned by Charles de Gaulle, who travelled to
		  Britain to discuss the matter. Dulac's wartime work culiminated in the Victory
		  stamp for France, using Léa Rixens, Émile Rixens's widow, as the model for
		  Marianne de Londres. For once he used the French spelling of his name in his
		  signature: <emph render="doublequote">Edmond Dulac.</emph></p>
      <p>At the close
		  of his career, Dulac returned to illustrating children's books with the same
		  perfectionism that had characterized the rest of his work. He was in the middle
		  of one such project when he had his third heart attack and died 25 May 1953, at
		  the age of seventy.</p>
    </bioghist>
    <bibliography>
      <head>Sources:</head>
      <p>White, Colin. 
		<title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Edmund Dulac</title>. New York: Charles Scribner's
		Sons, 1976.</p>
    </bibliography>
    <controlaccess>
      <head>Index Terms</head>
      <controlaccess>
        <head>People</head>
        <persname source="lcnaf" encodinganalog="700">Sheringham,
			 Sibyl.</persname>
      </controlaccess>
      <controlaccess>
        <head>Subjects</head>
        <subject source="lcsh" encodinganalog="650">Sheringham,
			 Sibyl.</subject>
        <subject source="lcsh" encodinganalog="650">Commercial art.</subject>
        <subject source="lcsh" encodinganalog="650">Culture
			 diffusion.</subject>
        <subject source="lcsh" encodinganalog="650">Illustration of
			 books.</subject>
        <subject source="lcsh" encodinganalog="650">Nō plays.</subject>
        <subject source="lcsh" encodinganalog="650">Piano music.</subject>
      </controlaccess>
      <controlaccess>
        <head>Document Types</head>
        <genreform encodinganalog="655" source="aat">Drawings.</genreform>
        <genreform encodinganalog="655" source="aat">Watercolors.</genreform>
        <genreform encodinganalog="655" source="aat">Scores.</genreform>
      </controlaccess>
    </controlaccess>
    <scopecontent id="a3" encodinganalog="520$b">
      <head>Scope and Contents</head>
      <p>The Edmund Dulac Collection consists
		  mainly of items documenting Dulac's roles as artist, composer, and writer,
		  supplemented with small amounts of correspondence, family papers, and school
		  records. The collection is arranged in two series: I. Works, 1899-1948, and II.
		  Personal, 1818, 1889-1926. Much of the material is undated.</p>
      <p>Dulac's works include a few artworks, some musical compositions, and a
		  number of articles, lectures, notes, and reviews. Among the small drawings and
		  watercolors (the largest 4-1/4 x 6-3/4 inches) are menu cards, portraits,
		  depictions of animals, and a theater program from 1899. The musical
		  compositions are mainly the work he did for W. B. Yeats's radio broadcast, 
		<title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">My Own Poetry</title>, in 1937. There are also a
		few pieces for piano or voice, mostly incomplete, an arrangement for piano of 
		<title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="doublequote" xlink:href="">The Twelve Days of Christmas,</title> a large
		number of sketches, and jottings of musical themes, not all of them composed by
		Dulac. The writings include articles, a book review, lectures, and notes,
		covering such varied topics as art and artists, Japanese Nō theater,
		philosophy, religion, symbolism, the question of diffusion of culture (a
		favorite topic), and W. B. Yeats. An index of writings is included in this
		finding aid.</p>
      <p>Among Dulac's personal papers is a small amount of
		  correspondence: two outgoing letters by Dulac (one regarding Hesketh Pearson's
		  biography of George Bernard Shaw, n.d., the other to the editor of the 
		<title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">British Music Bulletin</title>, 1921) and one
		incoming letter (from Sibyl Sheringham, 1926). This series also includes a
		French passport issued to a young man named Bataille in 1818, presumably a
		relative, and a handmade birthday card from a young Edmund to his father. Also
		present are Dulac's school records, including identification cards, notebooks
		containing certificates and exercises, progress reports, physical reports, and
		awards. Schools represented are the Lycée de Toulouse (1893-1899), the Grand
		Gymnase Vallée (1894-1895), and l'École des Beaux Arts (n.d.).</p>
      <p>Dulac's
		  manuscripts for the music to Yeats's 
		<title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">At the Hawk's Well</title> and correspondence
		between Yeats and Dulac, including letters regarding the 1937 broadcast, can be
		found in the W. B. Yeats Collection at the Ransom Center, and a small
		collection of drawings and watercolors is located in the Art Collection.</p>
    </scopecontent>
    <acqinfo encodinganalog="541">
      <head>Acquisition: </head>
      <p>Purchases,1970 (R5331)</p>
    </acqinfo>
    <accessrestrict encodinganalog="506">
      <head>Access: </head>
      <p>Open for research</p>
    </accessrestrict>
    <prefercite>
      <head>URL:</head>
      <p>http://www.hrc.utexas.edu/research/fa/dulac.html</p>
    </prefercite>
    <processinfo encodinganalog="583">
      <head>Processed by: </head>
      <p>Stephanie Hays, 2002; Richard Workman,
		  2003</p>
    </processinfo>
    <dsc type="combined">
      <head>Edmund Dulac Collection--Folder List</head>
      <c01 level="series">
        <did>
          <unittitle>Series I. Works, 1899-1948, n.d.</unittitle>
        </did>
        <c02>
          <did>
            <container type="Box">1</container>
            <container type="Folder">1</container>
            <unittitle>Art, 1899, 1903, n.d.</unittitle>
          </did>
          <c03>
            <did>
              <unittitle>Aimée De Burgh (actress), pencil, n.d.</unittitle>
            </did>
          </c03>
          <c03>
            <did>
              <unittitle><title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="doublequote" xlink:href="">The Donkey,</title> watercolor, 
					 <unitdate>1903</unitdate></unittitle>
            </did>
          </c03>
          <c03>
            <did>
              <unittitle>Menu card, ink and watercolor, n.d. (2
					 items)</unittitle>
            </did>
          </c03>
          <c03>
            <did>
              <unittitle><title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="doublequote" xlink:href="">The Owl,</title> watercolor, 
					 <unitdate>1903</unitdate></unittitle>
            </did>
          </c03>
          <c03>
            <did>
              <unittitle>Priest, ink, n.d.</unittitle>
            </did>
          </c03>
          <c03>
            <did>
              <unittitle>Theatre program, printed, 
					 <unitdate>1899</unitdate></unittitle>
            </did>
          </c03>
          <c03>
            <did>
              <unittitle>Thistle, watercolor, n.d.</unittitle>
            </did>
          </c03>
          <c03>
            <did>
              <unittitle>Women and child in park, watercolor, n.d.</unittitle>
            </did>
          </c03>
        </c02>
        <c02>
          <did>
            <container type="Box">1</container>
            <container type="Folder">2</container>
            <unittitle>Music manuscripts, 1905, 1937, n.d.</unittitle>
          </did>
          <c03>
            <did>
              <unittitle><title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" xlink:href="">Au Trot en Sol Maj</title> (incomplete), 
					 <unitdate>1905</unitdate></unittitle>
            </did>
          </c03>
          <c03>
            <did>
              <unittitle><title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" xlink:href="">Étude en Sol Mineur</title>, 
					 <unitdate>1905</unitdate></unittitle>
            </did>
          </c03>
          <c03>
            <did>
              <unittitle>Hitotsu Toya, n.d.</unittitle>
            </did>
          </c03>
          <c03>
            <did>
              <unittitle><title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">My Own Poetry</title> broadcast (poems
					 by Yeats), 
					 <unitdate>1937</unitdate></unittitle>
            </did>
            <c04>
              <did>
                <unittitle>Production notes</unittitle>
              </did>
            </c04>
            <c04>
              <did>
                <unittitle>Complete score and sketches</unittitle>
              </did>
            </c04>
            <c04>
              <did>
                <unittitle>
                  <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="doublequote" xlink:href="">Curse of
						  Cromwell</title>
                </unittitle>
              </did>
            </c04>
            <c04>
              <did>
                <unittitle>
                  <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="doublequote" xlink:href="">He and She</title>
                </unittitle>
              </did>
            </c04>
            <c04>
              <did>
                <unittitle>
                  <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="doublequote" xlink:href="">Mad as the Mist and
						  Snow</title>
                </unittitle>
              </did>
            </c04>
            <c04>
              <did>
                <unittitle>
                  <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="doublequote" xlink:href="">Running to
						  Paradise</title>
                </unittitle>
              </did>
            </c04>
          </c03>
          <c03>
            <did>
              <unittitle><title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" xlink:href="">Round about the Fire</title>, n.d.</unittitle>
            </did>
          </c03>
          <c03>
            <did>
              <unittitle><title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="doublequote" xlink:href="">The Three Bushes</title> (poem by
					 Yeats), n.d.</unittitle>
            </did>
          </c03>
          <c03>
            <did>
              <unittitle><title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" xlink:href="">Vocale Seulement</title> (includes 
					 <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="doublequote" xlink:href="">The Twelve Days of
						Christmas</title> and another untitled piece), n.d.</unittitle>
            </did>
          </c03>
          <c03>
            <did>
              <unittitle>Untitled, fragments, n.d.</unittitle>
            </did>
          </c03>
          <c03>
            <did>
              <unittitle>Writings, 1924, 1948, n.d.</unittitle>
            </did>
            <c04>
              <did>
                <container type="Box">1</container>
                <container type="Folder">3</container>
                <unittitle>A-M</unittitle>
              </did>
            </c04>
            <c04>
              <did>
                <container type="Box">1</container>
                <container type="Folder">4</container>
                <unittitle>Methods of Expression in Art</unittitle>
              </did>
            </c04>
            <c04>
              <did>
                <container type="Box">1</container>
                <container type="Folder">5</container>
                <unittitle>N-Z, unidentified</unittitle>
              </did>
            </c04>
          </c03>
        </c02>
      </c01>
      <c01>
        <did>
          <unittitle>Series II. Personal, 1818, 1889-1926, n.d.</unittitle>
        </did>
        <c02>
          <did>
            <container type="Box">1</container>
            <container type="Folder">6</container>
            <unittitle>Correspondence, 1921, 1926, n.d.</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <container type="Box">1</container>
            <container type="Folder">7</container>
            <unittitle>Family papers, 1818, n.d.</unittitle>
          </did>
        </c02>
        <c02>
          <did>
            <unittitle>School records</unittitle>
          </did>
          <c03>
            <did>
              <container type="Box">1</container>
              <container type="Folder">8</container>
              <unittitle>
                <unitdate>1889-1903</unitdate>
              </unittitle>
            </did>
          </c03>
          <c03>
            <did>
              <container type="Box">1</container>
              <container type="Folder">9</container>
              <unittitle>1890, 1903, n.d.</unittitle>
            </did>
          </c03>
        </c02>
        <c02>
          <did>
            <container type="Box">1</container>
            <container type="Folder">10</container>
            <unittitle>Miscellaneous, clippings, n.d.</unittitle>
          </did>
        </c02>
      </c01>
    </dsc>
    <odd type="index">
      <head>Index of Writings</head>
      <list>
        <item>Art and Industry (review of 
			 <persname>Herbert Read</persname>'s 
			 <title xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" render="italic" xlink:href="">Art in Industry</title>)--1.3</item>
        <item>Commercial Art--1.3</item>
        <item>Difference between Spirit and Matter--1.3</item>
        <item>Diffusions, Infusions, &amp; Illusions--1.3</item>
        <item>Foreword (brochure on 
			 <persname>Maurice Lambert</persname>)--1.3</item>
        <item>Instability in Artists--1.3</item>
        <item>Lecture on art and magic, 1924--1.3</item>
        <item>Methods of Expression in Art (with illustrations)--1.4</item>
        <item>Notes on Diffusion--1.5</item>
        <item>Notes on Existence--1.5</item>
        <item>Notes on Japanese Noh Theatre--1.5</item>
        <item>On Diffusion for George's Benefit--1.5</item>
        <item>On Religion--1.5</item>
        <item>On Symbolism Good and Bad--1.5</item>
        <item>Personality and Art--1.5</item>
        <item>Story about cultural diffusion (set in Egypt)--1.5</item>
        <item>Symbolism--1.5</item>
        <item>Why I Shall Not Mind Old Age--1.5</item>
        <item>Yeats as I Knew Him, 1948--1.5</item>
      </list>
    </odd>
  </archdesc>
</ead>




