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	<eadheader langencoding="iso639-2b" audience="internal" repositoryencoding="iso15511"
		countryencoding="iso3166-1" scriptencoding="iso15924" dateencoding="iso8601">
		<eadid countrycode="US" mainagencycode="US-txauhrh"
			>urn:taro:utexas.hrc.01221<!-- Enter TARO repository code -->.<!-- five-digit number unique for your repository (from 00000 to 99999) --></eadid>
		
		<!--DO NOT MODIFY ANY OF THE BOILERPLATE TEXT ABOVE THIS LINE-->
		<!-- revised 14 October 2016 -->
		<filedesc>
			<titlestmt>
				<titleproper><emph render="italic">The Sufferers</emph></titleproper>

				<subtitle>An Inventory of the Portfolio in the Art Collection at the Harry Ransom
					Center</subtitle>
				<author encodinganalog="245$c">Finding aid created by Jill Morena</author>

			</titlestmt>
			<publicationstmt>
				<publisher encodinganalog="260$b">Harry Ransom Center, </publisher>
				<date encodinganalog="260$c" calendar="gregorian" era="ce">2017</date>
			</publicationstmt>
		</filedesc>
		<profiledesc>
			<creation>Finding aid encoded by Jill Morena, <date calendar="gregorian" era="ce">11
					September 2017</date>
			</creation>
			<langusage>Finding aid written in <language langcode="eng" scriptcode="Latn">English.</language></langusage>
		</profiledesc>
	</eadheader>
	<archdesc level="collection">
		<did>
		      <head>Collection Summary</head>
			<repository label="Repository:" encodinganalog="852$a">
        <extref xmlns:xlink="http://www.w3.org/1999/xlink" xlink:type="simple" xlink:show="new" xlink:actuate="onRequest" xlink:href="http://www.hrc.utexas.edu/">
          <corpname><subarea>Harry Ransom Center, </subarea>The University of Texas at Austin </corpname>
        </extref>
      </repository>
			<origination label="Creator:">
				<persname source="lcnaf" encodinganalog="100">Stevens, Elisabeth</persname>
			</origination>
			<unittitle encodinganalog="245$a" label="Title:">The Sufferers</unittitle>

			<unitdate type="inclusive" encodinganalog="245$f" era="ce" calendar="gregorian"
				label="Dates:" normal="2015/2015">2015</unitdate>
			<physdesc label="Extent:" encodinganalog="300$a">
				<extent>1 portfolio of 4 etchings</extent>
			</physdesc>

			<abstract label="Abstract:" encodinganalog="520$a">Limited edition published portfolio,
				entitled <title render="italic">The Sufferers</title>, comprised of four original
				etchings by Elisabeth Stevens (American, born 1929).</abstract>

			<langmaterial label="Language: " encodinganalog="546$a"><language langcode="eng" scriptcode="Latn">English</language>
				<!--Add other languages, if any. Make sure to surround each language with 
		  tags. --></langmaterial>
			<unitid label="Call Number: " countrycode="US" repositorycode="US-txauhrh" encodinganalog="099">Art Collection AR-00379</unitid>
		</did>
		<acqinfo encodinganalog="541">
			<head>Acquisition: </head>
			<p>Gift of the artist, 2016 (17-09-002-G)</p>

		</acqinfo>
		<accessrestrict encodinganalog="506">
			<head>Access: </head>
			<p>Open for research. Please note that a minimum of 24 hours notice is required to pull
				art materials to the Ransom Center's Reading and Viewing Room. Some materials may be
				restricted from viewing. To make an appointment or to reserve Art Collection
				materials, please contact the Center's staff at art@hrc.utexas.edu. Researchers must
				create an online Research Account and agree to the Materials Use Policy before using
				archival materials.</p>
		</accessrestrict>
		<accessrestrict encodinganalog="506">
			<head>Use Policies:</head>
			<p> Ransom Center collections may contain material with sensitive or confidential
				information that is protected under federal or state right to privacy laws and
				regulations. Researchers are advised that the disclosure of certain information
				pertaining to identifiable living individuals represented in the collections without
				the consent of those individuals may have legal ramifications (e.g., a cause of
				action under common law for invasion of privacy may arise if facts concerning an
				individual's private life are published that would be deemed highly offensive to a
				reasonable person) for which the Ransom Center and The University of Texas at Austin
				assume no responsibility. </p>
		</accessrestrict>
		<userestrict encodinganalog="540">
			<head>Restrictions on Use:</head>

			<p>Authorization for publication is given on behalf of the University of Texas as the
				owner of the collection and is not intended to include or imply permission of the
				copyright holder which must be obtained by the researcher. For more information
				please see the Ransom Centers' Open Access and Use Policies.</p>
		</userestrict>
		<processinfo encodinganalog="583">
			<head>Processed by: </head>
			<p>Jill Morena, 2017</p>
		</processinfo>
		<bioghist encodinganalog="545">
			<head>Biographical Sketch</head>
			<p>Elisabeth Goss Stevens was born in Rome, New York. She graduated from Wellesley College,
				and received an MA from Columbia University in Modern Literature. As an artist,
				Stevens produced etchings, silverpoints, linocuts, and illustrations for her own
				books, other authors, and various periodicals. As a journalist and critic, she wrote articles and reviews on art, architecture, drama, and film for a number of
				major national magazines and newspapers, such as <title render="italic">The Washington Post</title> and <title render="italic">The Wall Street Journal</title>. She was also the author of several works of
				fiction and poetry. She died at her home in Sarasota, Florida on June 10, 2018.</p>

		</bioghist>
		<bibliography>
			<head>Sources:</head>
			<p>Goss Press, <title render="doublequote">Elisabeth Stevens Schleussner, writer and graphic artist, dies at 88,</title>,
				http://www.gosspress.com/elisabeth-goss-obituary/ (accessed on 27 June
				2018).</p>
		</bibliography>
		<scopecontent encodinganalog="520">
			<head>Scope and Contents</head>
			<p>Limited edition published portfolio, entitled <title render="italic">The
					Sufferers</title> ([Sarasota, Fla.: Goss Press, 2015), comprised of four
				original etchings by Elisabeth Stevens (American, born 1929) in a clamshell box.
				Stevens took two quotes from Charles Baudelaire's <title render="italic">Les Fleurs
					du Mal</title> as her inspiration for the portfolio. Each of the four etchings
				depict men and women burdened by their respective appendages, and either troubled or
				elated by love and erotic life.</p>
		</scopecontent>
		<relatedmaterial encodinganalog="544 1">
			<p>The Ransom Center holds two artist's books by Elisabeth Stevens, <title
					render="italic">Eranos</title> (AR-00263), which contains aquatint etchings, and
					<title render="italic">Sirens’ Songs: Livre d’Artiste</title>, which contains
				original poems and etchings.</p>

		</relatedmaterial>
		<controlaccess>
			<head>Index Terms</head>

			<controlaccess>
				<head>Subjects</head>
				<subject source="lcsh" encodinganalog="650">Erotic art.</subject>
				<subject source="lcsh" encodinganalog="650">Female nude in art.</subject>
				<subject source="lcsh" encodinganalog="650">Male nude in art.</subject>
			</controlaccess>
			<controlaccess>
				<head>Document Types</head>
				<genreform encodinganalog="655" source="tgm">Etchings--2010-2020.</genreform>
				<genreform encodinganalog="655" source="tgm">Intaglio prints--2010-2020.</genreform>
				<genreform encodinganalog="655" source="tgm">Portfolios--2010-2020.</genreform>
				

			</controlaccess>
		</controlaccess>

		<dsc type="in-depth">
			<head>Item List</head>
			<c01 level="series">
				<did>
					<unittitle><!--series title-->
						<unitdate era="ce" calendar="gregorian" type="inclusive"
							 encodinganalog="245$f"><!--dates in format xxxx-xxxx--></unitdate>
					</unittitle>
				</did>
				<c02>
					<did>
						<container type="Location">  -q- N 7433.4 S748 S87 2015 </container>
						<unitid label="Accession Number">
							<emph render="bold"> 2016.3.1 </emph></unitid>
						<unittitle> The Sufferers I, 2015.</unittitle>
						
						<physdesc> Printing ink on paper, <dimensions> 20 x 15 cm (image); 30.5 x 25
								cm (sheet). </dimensions>
						</physdesc>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Location">  -q- N 7433.4 S748 S87 2015 </container>
						<unitid label="Accession Number">
							<emph render="bold"> 2016.3.2 </emph></unitid>
						<unittitle> The Sufferers II, 2015.</unittitle>
						
						<physdesc> Printing ink on paper, <dimensions> 21 x 15 cm (image); 30.5 x 25
								cm (sheet). </dimensions>
						</physdesc>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Location">  -q- N 7433.4 S748 S87 2015 </container>
						<unitid label="Accession Number">
							<emph render="bold"> 2016.3.3 </emph></unitid>
						<unittitle> The Sufferers III, 2015.</unittitle>
						
						<physdesc> Printing ink on paper, <dimensions> 22 x 15 cm (image); 30.5 x 25
								cm (sheet). </dimensions>
						</physdesc>
					</did>
				</c02>
				<c02>
					<did>
						<container type="Location">  -q- N 7433.4 S748 S87 2015 </container>
						<unitid label="Accession Number">
							<emph render="bold"> 2016.3.4 </emph></unitid>
						<unittitle> The Sufferers IV, 2015.</unittitle>
						
						<physdesc> Printing ink on paper, <dimensions> 23 x 15 cm (image); 30.5 x 25
								cm (sheet). </dimensions>
						</physdesc>
					</did>
				</c02>

			</c01>

		</dsc>

	</archdesc>
</ead>
