Collection Summary
O'Toole, Peter, 1932-2013
Peter O'Toole Papers
circa 1792-2015 (bulk 1953-2015)
Performing Arts Collection PA-00405
72 document boxes, 26 oversize boxes (osb) (41.64 linear feet), 25 oversize folders
(osf), and 26 electronic files (49 MB)
Harry Ransom Center, The University of Texas at Austin
The Peter O'Toole Papers consist of
scripts, production materials, manuscript drafts, correspondence, photographs, and other
professional and personal papers belonging to actor Peter O'Toole. The collection documents
the span of O'Toole's nearly sixty-year career on stage and screen as well as the research
and writing process for his two-volume autobiographical work Loitering
with Intent.
English, French, German, and Japanese
Biographical Sketch
Peter James O'Toole was born in Leeds, England on August 2, 1932. His father, Patrick, was
of Irish ancestry and had worked as a ship fitter in the shipyards of Sunderland, England as
a young man. While earning a living as a racetrack bookmaker in Leeds, Patrick O'Toole met
and married Constance Jane Ferguson. Their two children, Patricia and Peter, were raised in
Hunslet, a working-class neighborhood of inner city Leeds. Peter O'Toole attended Catholic
parochial school in Leeds and was evacuated to rural England during the Second World War. He
left school as a teenager and worked a variety of odd jobs before finding a position at the
Yorkshire Evening Post newspaper. His budding newspaper
career interrupted by two years of compulsory service in the Royal Navy, on his return to
Leeds, O'Toole found himself drawn to the city's Civic Theatre. After playing a small part
in a Christmas pantomime there, in 1953 O'Toole was offered the lead role in Spring at Marino, an adaptation of Turgenev's Fathers and Sons. Having enjoyed the acclaim he received for his performance in
Leeds, on impulse during a trip to London O'Toole applied for admission to the Royal Academy
of Dramatic Arts (RADA). O'Toole was accepted and awarded a full scholarship; he graduated
from RADA in 1955.
Following his graduation from RADA, O'Toole was accepted as a member of the company at the
Theatre Royal, Bristol (now known as the Bristol Old Vic). He acted in over a dozen plays
there from 1955 to 1957. His final production of the 1956-1957 season, a musical named Oh! My Papa!, transferred to London for a brief run. O'Toole
remained in the city, where he acted in various plays over the next few years, including
Willis Hall's anti-war play The Long and the Short and the Tall
(1959), and picked up small roles in television and film. After seeing his performance in
The Long and the Short and the Tall, American producer Jules
Buck offered to represent O'Toole as an agent and got him cast in a film he was producing,
The Day They Robbed the Bank of England (1960). O'Toole's
performance in that movie attracted the attention of producer Sam Spiegel and director David
Lean, who were looking for an actor to play the lead role in their film Lawrence of Arabia (1962). O'Toole's iconic performance in that
film led to his first Academy Award nomination for Best Actor, and O'Toole and Buck formed a
production company together, Keep Films, which produced several of the films O'Toole starred
in during the 1960s and 1970s, including Becket (1964), Lord Jim (1965), Great Catherine
(1968), and The Ruling Class (1972). Meanwhile, O'Toole's stage
career continued with great success throughout the 1960s. Among his most critically
acclaimed roles of the decade were his performance as Shylock in The
Merchant of Venice at the Shakespeare Memorial Theatre, Stratford-upon-Avon in
1960; his Hamlet, directed by Laurence Olivier in the inaugural
production of London's National Theatre in 1963; and his portrayal of John Tanner in Man and Superman at the Abbey Theatre, Dublin in 1969.
O'Toole's film and stage career waned during the 1970s, as ill health led to a series of
hospitalizations and his experiences filming Man of La Mancha
(1972) and Caligula (1980) stoked feelings of dissatisfaction
with the movie business. Keep Films produced its last feature film in 1976 and Jules Buck
formally withdrew his partnership in 1980. O'Toole increasingly became interested in
writing, creating his own adaptations of Uncle Vanya and Juno and the Paycock under a pen name, Frederick Monnoyer, and recording stories from his life for a planned memoir
titled Thus Far. By the early 1980s, things were looking
up for O'Toole as he received his sixth and seventh Academy Award nominations for The Stunt Man (1980) and My Favorite
Year (1982). After starring in a production of Macbeth
in 1980 at London's Old Vic Theatre that was reviled by critics, his stage career was
similarly revitalized when he appeared as Professor Higgins in Pygmalion on the London stage in 1983 and Broadway in 1987. Perhaps his most
celebrated stage role was that of journalist Jeffrey Bernard (a real-life friend of O'Toole)
in Keith Waterhouse's Jeffrey Bernard Is Unwell, which ran in
London at the Apollo Theatre in 1989, the Shaftesbury Theatre in 1991, and at the Old Vic in
1999. O'Toole won a Laurence Olivier Award for Outstanding Achievement from the Society for
London Theatre for Jeffrey Bernard Is Unwell in 2000.
In 1990, O'Toole returned to the memoir he had worked on intermittently throughout the
1980s and composed the manuscript for the first volume of his autobiography, Loitering with Intent: The Child (1992). A second volume, Loitering with Intent: The Apprentice followed in 1996. O'Toole
employed a non-linear, stream of consciousness style to tell the story of his life from
early childhood through his education at RADA, interweaving his own memories with world
events. A third volume tentatively titled Loitering with Intent:
The Actor (or The Professional) focusing primarily on his years in Bristol was
planned but never completed. O'Toole continued to act in film and television roles
throughout the decade of the 2000s. He received an Honorary Award from the Academy of Motion
Picture Arts and Sciences in 2003, and subsequently his eighth Academy Award nomination for
Best Actor for Venus (2006). In addition to his home in London,
for many decades O'Toole maintained a residence in Clifden, Ireland. He was an avid sports
fan, particularly interested in horseracing, rugby, and cricket. In the 1980s, O'Toole
founded the Lazarusians Cricket Club, an amateur team, and continued to play matches with
them into the 1990s.
Peter O'Toole died in London on December 14, 2013. He was survived by his sister, Patricia
Coombs-O'Toole; his former wife, actress Siân Phillips; and his children, Kate, Pat, and
Lorcan.
Sources:
In addition to materials within the collection, the following sources were used:
O'Toole, Peter. Loitering with Intent: The Child. London:
Macmillan, 1992.
O'Toole, Peter. Loitering with Intent: The Apprentice. London:
Pan Books, 1997.
Sellers, Robert. Peter O'Toole: The Definitive Biography. New
York: Thomas Dunne Books, St. Martin's Press, 2015.
Scope and Contents
The Peter O'Toole Papers consist of scripts and production materials, manuscript drafts,
correspondence, photographs, and other professional and personal papers belonging to actor
Peter O'Toole. The collection documents the span of O'Toole's nearly sixty-year career on
stage and screen as well as the research and writing process for his two-volume
autobiographical work Loitering with Intent. The collection is
divided into five series: I. Plays, 1953-2002; II. Film and Television, 1961-2012; III.
Projects, 1967-2011; IV. Writings, 1968-2012; and V. Personal and Career-Related, circa
1792-2015.
The original order of materials kept in vertical files by O'Toole's assistants (such as
financial and legal documents and materials related to Loitering with
Intent) has been preserved and these materials remain as they arrived at the Ransom
Center. Folder titles are transcribed in the container list where present and indicated by
single quotes. A photocopy of the folder label has been placed with materials that came to
the Center in labeled file folders. However, many collection materials arrived in storage
containers of unlabeled loose items and were subsequently arranged by order of production
title, date, or subject for ease of access. Groupings of correspondence by date and
photographs by subject, for example, were created by the archivist and do not reflect an
original order that was present in the collection.
Series I. Plays contains scripts, production photographs, programs, posters, and other
materials associated with plays O'Toole acted in from 1953 to 1999. The theater and year of
production is identified within the container list wherever possible, either directly
following the title of the play if all materials relate to a single production, or as part
of an item or folder description if O'Toole acted in multiple productions of a play at
different theaters. Because the majority of O'Toole's theatrical performances took place in
London, the location of a theatre is only identified if it is not in London. Materials
related to O'Toole's many performances as a member of the company of the Bristol Old Vic
(formerly known as Theatre Royal, Bristol) are filed together under Bristol Old Vic. The
most significant volume of material in this series relates to the play Jeffrey Bernard Is Unwell in its successive productions from 1989 to 1999. In
addition to annotated scripts, there is a particularly large volume of correspondence with
author Keith Waterhouse and others involved with the production, fan mail from O'Toole's
friends and acquaintances as well as the general public, and production documents such as
contracts and box office statements. The scripts for Uncle
Vanya in this series are a version that O'Toole wrote under the pen name Frederick Monnoyer that was produced for a brief North
American tour in 1978.
Screenplays, production and publicity photographs, correspondence, posters, and various
production documents related to O'Toole's film and television roles make up Series II. Film
and Television. Of particular interest in this series are the production journals O'Toole
kept on the sets of Man of La Mancha, Caligula, and The Last Emperor, which detail his
experiences during the making of those films. Although many film and television productions
are represented by only a few items, larger volumes of materials exist for The Last Emperor and Lawrence of
Arabia. The collection is particularly rich in behind-the-scenes photographs taken
during the production of Lawrence of Arabia in Jordan and other
locations. Also of note is a scene painting of the abandoned building at the Suez Canal by
Lawrence of Arabia's production designer, John Box. Although
screenplays are present for many of his films, O'Toole did not annotate those from his
early- and mid-career; many of the screenplays from the 2000s, however, do contain
annotations. In order to maintain standardized language across Ransom Center finding aids
and render descriptions accessible to a broad English-reading audience, documents from
O'Toole's agent labeled remittance advice statements are
described in the container list as pay statements and a
casting advice statement is described as a deal memo.
Series III. Projects is comprised of scripts, correspondence, and other materials related
to stage and screen productions that were considered by O'Toole but either remained
unproduced or were produced without his involvement. Noteworthy in this series are O'Toole's
extensive correspondence with playwright John Osborne regarding Déjàvu, Osborne's sequel to Look Back in Anger, in
which O'Toole was originally to play the lead. Also present in this series are files on some
of O'Toole's own unrealized projects, including a one-man show, a documentary on Shakespeare
as an actor, and a film about artist J. M. W. Turner.
Drafts, correspondence, publicity materials, and research materials for the two published
volumes and an unfinished third volume of Loitering with Intent
comprise the bulk of Series IV. Writings. Also in this series, however, are forewords
O'Toole wrote for several of his friends' autobiographies (including Jeffrey Bernard), an
unproduced screenplay for Juno and the Paycock written under
the pen name Frederick Monnoyer, and a few pieces of
poetry and fiction.
Series V. Personal and Career-Related contains the largest volume of items in the
collection. It contains materials related to awards, speeches, television appearances on
talk shows and commercials, and other professional appearances at various events. Personal
materials in the series include address books; business and membership cards; passports and
driver's licenses; financial, legal, and medical documents; and scrapbooks. O'Toole's desk
diaries and daily itineraries (printed on index cards by his assistants) document his
activities from the 1980s through 2012, along with invitations, tickets, and programs
collected from various artistic, social, and sporting events. The series also contains a
wide variety of materials collected by O'Toole, including theater programs, magazines, and
subject files kept about family members and close friends. Artworks, posters, playbills,
programs, and photographs that originally hung on the walls of the greenroom in O'Toole's London home have been unframed and are
described in the finding aid as greenroom materials where
that information is known.
Personal correspondence in this series is chiefly arranged by date, with some folder
groupings of correspondence from specific individuals and correspondence from important or notable people
maintained in their original order. Among the notable individuals that O'Toole corresponded
with are actors Kenneth Griffith, John Standing, Katharine Hepburn, Joyce Carey, Edward
Hardwicke, Laurence Olivier, John Gielgud, Donald Wolfit, Alec Guinness, and Sophia Loren,
and his personal friends Sir John Ackroyd and Charles, Earl Spencer. The largest volumes of
correspondence in the collection are with his lawyer, David Wills, and his agent, Steve
Kenis. Some folders in this series contain materials related to theatrical, film, and
television productions not found elsewhere in the collection. For example, the folder of
correspondence with the William Morris Agency documents several unrealized film and
television projects not listed in the Projects series, and folders of legal documents
contain contracts for various film and television appearances that are not duplicated in the
Film and Television series. Selected correspondence from this and other series is indexed at
this end of this finding aid. In general, fan mail and other letters from the general public
are not indexed.
O'Toole frequently carried a small notebook or notepad around with him in which he recorded
ideas and information, a habit said to have begun when he was a reporter in training at the
Yorkshire Evening Post. The Personal and Career-Related
series contains dozens of notebooks kept by O'Toole from the 1960s or 1970s to the 2010s.
Some contained inserted material relating to theatrical and film productions. All inserted
material is filed with the notebook it was removed from and is described in the container
list. Also present in this series is a significant volume of photographs. In addition to a
few folders containing photographs of O'Toole with members of the British royal family and
other specific individuals, the photographs are roughly arranged in the following subject
groupings: family photographs, head shots and other portraits of O'Toole, snapshots (casual
photographs that may include O'Toole and/or other people), and travel photographs. The
snapshots include photographs of O'Toole with various notable individuals including Noel
Coward, Richard Harris, John Huston, Richard Burton, Kenneth Griffith, Charlotte Rampling,
Sophia Loren, Michael Caine, and Geoffrey Household, and photographs of O'Toole with his
racehorse, Eric the Red.
A few documents in the collection contain private information about living persons,
including Social Security numbers, bank account numbers, and personal phone numbers. These
documents are restricted during the lifetime of the individuals mentioned. Redacted
photocopies of these materials are provided in place of the original documents.
Some posters, artworks, and photographs from the greenroom in O'Toole's London home were found to have mold contamination and were
treated to remove spores. These materials are filed with a notice that they were treated for
mold contamination; researchers with a high level of sensitivity to mold may wish to wear
gloves and/or a mask while viewing these items.
Acquisition:
Purchase, 2016; Gift, 2019 (16-08-028-P, 16-12-009-P, and 19-07-005-G)
Access:
Open for research. A few documents in the collection contain private information about
living persons, including Social Security numbers, bank account numbers, and personal phone
numbers. These documents are restricted during the lifetime of the individuals mentioned.
Redacted photocopies of these materials are provided in place of the original documents.
Researchers must create an online Research Account and agree to the Materials Use Policy
before using archival materials.
Researchers must create an online Research Account and agree to the Materials Use Policy
before using archival materials. To request access to electronic files, please email Reference.
Part or all of this collection is housed off-site and may require up to
three business days' notice for access in the Ransom Center's Reading and Viewing Room.
Please contact the Center before requesting this material:
reference@hrc.utexas.edu
Use Policies:
Ransom Center collections may contain material with sensitive or confidential information
that is protected under federal or state right to privacy laws and regulations. Researchers
are advised that the disclosure of certain information pertaining to identifiable living
individuals represented in the collections without the consent of those individuals may have
legal ramifications (e.g., a cause of action under common law for invasion of privacy may
arise if facts concerning an individual's private life are published that would be deemed
highly offensive to a reasonable person) for which the Ransom Center and The University of
Texas at Austin assume no responsibility.
Restrictions on Use:
Certain restrictions apply to the use of electronic files. Researchers must agree to the
Materials Use Policy for Electronic Files before accessing them. Original computer disks and
forensic disk images are restricted. Copying electronic files, including screenshots and
printouts, is not permitted.
Authorization for publication is given on behalf of the University of Texas as the owner of
the collection and is not intended to include or imply permission of the copyright holder
which must be obtained by the researcher. For more information please see the Ransom
Center's Open Access and Use Policies.
Index Terms
People
O'Toole, Peter, 1932-2013.
Subjects
Actors--Great Britain.
Autobiographies.
Made-for-TV movies.
Motion picture actors and actresses.
Motion pictures.
Shakespeare, William, 1564-1616--Dramatic
production.
Television actors and actresses.
Television mini-series.
Television series.
Theaters--Great Britain--History.
Theatrical productions.
Document Types
Address books.
Appointment books.
Blueprints.
Clippings.
Correspondence.
Costume design drawings.
Electronic documents.
Film stills.
Journals.
Legal documents.
Manuscripts.
Notebooks.
Notes.
Photographs.
Playbills.
Postcards.
Posters.
Programs.
Scrapbooks.
Screenplays.
Scripts.
Serials (publications).
Sheet music.
Storyboards.
Preferred Citation
Peter O'Toole Papers (Performing Arts Collection PA-00405). Harry Ransom Center, The
University of Texas at Austin.
Processed by:
Ancelyn Krivak, 2019
Born digital materials processed, arranged, and described by Chance Adams and Brenna
Edwards, 2016-2022.
Related Material
The Ransom Center holds additional materials relating to Peter O'Toole in several other
manuscript collections. The Peter Glenville Papers contain correspondence from Peter O'Toole
and other materials related to the film Becket. The John
Osborne Papers contain correspondence from Peter O'Toole. The John Hall Papers contain
scripts for the play The Holiday. The Anne Jackson and Eli
Wallach Papers contain production photographs and other materials from the film Lord Jim. The Ransom Center's T. E. Lawrence Collection contains
correspondence related to the film Lawrence of Arabia , and its
Irwin Margulies Collection is comprised primarily of production materials from that
film.
Separated Material
The following materials were transferred for specialized housing or description:
80 books owned by Peter O'Toole were transferred to the Ransom Center Library.
128 costumes, props, and personal effects were transferred to the Center's Costume and
Personal Effects Collection.
151 unpublished, non-commercial audio recordings were transferred to the Center's Sound
Recordings Collection.
31 unpublished, non-commercial video recordings were transferred to the Center's Moving
Image Collection.
5 computer disks were transferred to the Center's Electronic Records Collection.
Container List
Series I. Plays, 1953-2002
osf 1
The Apple Cart (Theatre Royal, Haymarket, 1986). Poster (from Hampstead greenroom), 1986
Baal (Phoenix Theatre, 1963)
osf 13
Poster (from Hampstead greenroom),
1963
1.1
Program, 1963
Bristol Old Vic Theatre Royal
osb 22
It's All Got to Stop. Collage created to
commemorate Bristol Old Vic season, 1973
osb 17.1
King Lear. Playbill (from Hampstead greenroom), 1956
1.2
Look Back in Anger. Sheet music (Two Songs from
the play Look Back in Anger), 1957
1.3
Production stills, circa 1955-1957, 1973
Programs
1.4
The Matchmaker, Volpone: Or, the Fox, The Empty Chair, The Rivals, The
Recruiting Officer, The Queen and the Rebels, The Slave of Truth and Sganarelle,
Sleeping Beauty, Great Expectations, A Midsummer Night's Dream, Romanoff and
Juliet, and Waiting for Godot (1955-1957), and 1957-1958 season
program
1.5
Photocopies of various programs, 1956-1958
1.6
The Apple Cart, Plunder, and Uncle Vanya (1973), and Autumn Season
1973
osf 14
Programs from 1973 season and photograph of Ralph Lynn mounted on top of
Theatre Royal, Haymarket playbill (from Hampstead greenroom) (removed from frame), undated
1.7
Dead Eyed Dicks (1976). Notebooks with Peter O'Toole (POT)'s notes on cast
and travel to Sydney, transcriptions of lines, and stage diagrams, 1976
Hamlet (National Theatre, 1963)
osf 15
Cartoon of duck with beer mug autographed by members of the Royal
Shakespeare Company with best wishes for Hamlet, circa 1963
1.8
Correspondence, sword fighting notes, running order, and script pages,
1963
osf 15
Poster, 1963
osb 4.1
Production photographs, 1963
1.9, osb 17.2
Program (two copies) and program mounted on board (from Hampstead greenroom), 1963
The Holiday (1958)
osf 16
Poster, 1958
1.10
Programs from Cambridge Arts Theatre and King's Theatre, Glasgow
productions, 1958
Jeffrey Bernard Is Unwell
Script by Keith Waterhouse
Revised, May 1989
1.11
Copy one, with POT's annotations, and correspondence
1.12
Copy two
1.13
Bound, with POT's annotations, and correspondence, undated
2.1
Final production script, undated
osf 17
Artwork of POT as Jeffrey Bernard by Simon Redington, 1990
2.2
Box office statements, 1991, undated
2.3
Certificate of Achievement for Lorcan O'Toole for his appearance at the Old
Vic, 1999
2.4, osb 5
Clippings, 1999
2.5
Contracts, 1989
2.6
Correspondence, clippings, and pay statements. 1989-1991
2.7
Correspondence and pay statements, 1994-1997
2.8-9
Correspondence, 1999
osb 19.1
Photograph of POT in dressing room and group photograph of POT, Keith
Waterhouse, Ned Sherrin, and Jeffrey Bernard, undated
2.10
Postcards of POT as Jeffrey Bernard by Simon Redington, undated
Posters
osf 2
Apollo Theatre, 1989
osf 3
Old Vic (nine copies), 1999
2.11, 3.1-2
Production and publicity materials, including correspondence, notes,
contact list, royalty statement for video recording, contract for publicity
appearance, and pay statements, 1998-2002
Programs
3.3
Apollo Theatre, 1989
3.4
Theatre Royal, Bath, 1989
3.5
Theatre Royal, Brighton, 1989
3.6
Shaftesbury Theatre, 1991
3.7
Old Vic (four copies), 1999
3.8
Scrapbook of correspondence (removed from binder), 1999
Juno and the Paycock (Gaiety Theatre, Dublin, 1966)
3.9, osb 21.1
Production photographs, 1966
osf 4
Poster, 1966
3.10, osb 17.3
Program (two copies) and program mounted on board (from Hampstead greenroom), 1966
3.11
Rehearsal call list and correspondence, 1966
The Long and the Short and the Tall (1959)
osf 5
Poster, Royal Court Theatre (from Hampstead greenroom), 1959
3.12
Program, New Theatre, 1959
Macbeth (Old Vic, 1980)
osf 18
Cartoon of POT as Macbeth by Jak (from Hampstead greenroom?), 1980
3.13
Clipping, undated
3.14
Menu from Garrick Club dinner in honor of POT, autographed by cast, 10
December 1980
3.15
Transcripts of meetings between POT and Timothy West, 1980
Man and Superman
osb 17.4
Caricature of Henry Irving in The Bells from Vanity Fair, 1874, inscribed
to POT by Michael Byrne? (from Hampstead greenroom?), 1982
Posters (from Hampstead greenroom)
osf 6
Gaiety Theatre, Dublin, 1969
osf 7
Cambridge Theatre, 1983
Production stills
3.16
Circa 1969
3.17
Circa 1982
Programs
3.18
Gaiety Theatre, Dublin (two copies), 1969
3.19
Cambridge Theatre, 1983
The Merchant of Venice (Shakespeare Memorial Theatre, Stratford-upon-Avon,
1960)
4.1, osb 17.5, osb 21.2
Production photographs, 1960
4.2
Publicity clippings, 1960
4.3
Research materials, circa 1960
Oh! My Papa! (1957)
osb 21.3
Costume sketch autographed to POT by Rosemary Vercoe (from Hampstead greenroom), circa 1957
4.4
Script, 1957
4.5
Program, Theatre Royal, Brighton, 1957
Our Song (Apollo Theatre, 1992)
Script by Keith Waterhouse, September 1991
4.6
Copy one, with note from Waterhouse
4.7
Copy two
4.8
Contract, 1992
4.9
Correspondence regarding insurance payments, 1999
4.10
Production and publicity materials, including correspondence, casting
notes, pay statements, and clippings, 1992-1993
4.11
Program (two copies), 1992
4.12
Publicity clippings, 1992-1993
4.13
Present Laughter (1978). Cast photograph, 1978
Pygmalion
4.14
Contract, 1983
4.15
Clipping and note, 1987
osb 17.6
The Gay Photographer. Sheet music cover
autographed to POT by Lionel Jeffries (from Hampstead greenroom?), 1987
Posters (from Hampstead greenroom)
osf 8
Haymarket Theatre, Leicester, 1984
osf 9
Shaftesbury Theatre, 1984
osf 10
Plymouth Theatre, New York, 1987
4.16
Program, Shaftesbury Theatre, 1984
Ride a Cock Horse (1965)
4.17
Script by David Mercer, autographed by Sian Phillips, circa
1965
osf 19
Poster (two copies), 1965
5.1
Production stills, 1965
osb 18.1
Programs, Theatre Royal Nottingham and Piccadilly Theatre, mounted on board
(from Hampstead greenroom), 1965
5.2
Spring at Marino (Leeds Civic Theatre, 1953). Program
The Taming of the Shrew (Shakespeare Memorial Theatre, Stratford-upon-Avon,
1960)
5.3
Postcard with caricatures of POT and Dame Peggy Ashcroft by Ronald Searle,
undated
5.4, osb 18.2
Production photographs, 1960
osb 4.2
Program (two copies), 1960
Uncle Vanya (1978)
Scripts, a version by Frederick Monnoyer,
circa 1970s
5.5
Original text, typescript
Bound script
5.6
Copy one
5.7
Copy two
5.8
Copy three
5.9
Photograph of poster outside Royal Alexandra Theatre, Toronto,
1978
Waiting for Godot
5.10
Notes, undated
osf 20
Poster (two copies), Nottingham Playhouse (from Hampstead greenroom), 1971
5.11
Production stills, Nottingham Playhouse, 1971
5.12
Program (two copies), Abbey Theatre, Dublin, 1969
osf 21
Set plan, Nottingham Playhouse, 1971
5.13
The Winslow Boy (Ryan Theatre, Harrow School, 1998). Cast photograph,
program, correspondence, notes, and script pages with annotations, 1998
5.14
Production photograph album with stills from The Long, the Short, and the
Tall, The Merchant of Venice, Baal, and Ride a Cock Horse (removed from binder), 1968
5.15, osb 4.3
Unidentified production photographs, undated
Series II. Film and Television, 1961-2012
Becket (1964)
6.1
Final Script, 1 May 1963
Photographs
6.2, osb 4.4
Production and publicity, 1963-1964
6.3
POT and Sian Phillips at New York premiere, 1964
osf 11
Poster (from Hampstead greenroom), circa
1964
osb 4.5
Program, circa 1964
6.4
The Bible: In the Beginning… (1966). Publicity photographs, 1966
Bright Young Things (2003)
6.5
Screenplay by Stephen Fry. Draft 3.0,
autographed by POT, 16 November 1999
6.6
Call sheet and correspondence regarding costumes, 2002
6.7
Production still, circa 2002
6.8
Brotherly Love (AKA Country Dance) (1970). Production photographs, circa
1969
Caligula (1979)
6.9
Journal titled On Gore Vidal/Caligula. Notebook and typescript with
corrections, 1976
6.10
Publicity still autographed by unidentified hand, circa 1976
Casanova (Television mini-series, 2005)
Screenplays by Russell T. Davies, autographed by POT
6.11
Episode 1, 12 July 2004
6.12
Episode 2, 16 August 2004
6.13
Episode 3, 12 July 2004
6.14
Casino Royale (1967). Stills of POT in uncredited cameo as Scottish piper,
2005
Civvies (Television series, 1992)
Screenplays by Lynda La Plante
6.15
Episode 1, undated
6.16
Episode 2, undated
6.17
Episode 3, undated
7.1
Episode 4, undated
7.2
Episode 5, 2 December 1991
7.3
Episode 6, 9 December 1991
7.4
Production and publicity materials, including correspondence, fabric
swatches for costumes, pay statements, call sheets and shooting schedules, book
cover mock-up for tie-in novel, and publicity flyer, 1992
7.5
Club Paradise (1986). Contracts, 1985
7.6
Coming Home (Television mini-series, 1998). Correspondence, publicity
materials, and clipping, 1997-1998
7.7
Creator (1985). Contract and publicity photographs, 1983-1985
The Dark Angel (AKA Uncle Silas) (Television mini-series, 1989)
7.8
Screenplay with call sheets, circa 1988
7.9
Correspondence, 1988-1989
7.10
PBS Mystery! publicity photograph, circa 1991
7.11
The Day They Robbed the Bank of England (1960). Production still,
undated
Decline of an Empire (2014)
7.12
Screenplay titled Katherine of Alexandria by Michael Redwood. Autographed
by POT, 5 September 2009
8.1
Call sheets, shooting schedule, and crew list, 2009-2010
FairyTale: A True Story (1997)
8.2
Correspondence and pay statements, 1996
8.3
Gala screening invitation and schedule, 1997
The Final Curtain (2002)
8.4
Screenplay by John Hodge, 29 February 2000, with POT's annotations, call
sheets, and storyboards, 2000
8.5
Production and publicity materials, including correspondence, storyboards,
script pages, fabric swatches for costumes, and production still,
2000-2001
8.6
Storyboards, 2000
For Greater Glory: The True Story of Cristiada (2012)
8.7
Screenplay by Michael James Love, revisions by Dean Wright, Shooting Script, 31 December 2009, autographed by
POT
8.8
Contract, 2010
Goodbye, Mr. Chips (1969)
osb 4.6
Lobby cards, 1969
8.9
Production and publicity photographs, circa 1968-1969
Great Catherine (1968)
8.10
Correspondence regarding rights to source material, 1966-1968
8.11, osb 4.7, osb 19.2
Production photographs, circa 1967
Gulliver's Travels (Television mini-series, 1996)
Screenplay, A television adaptation by Simon
Moore
8.12
Final draft, 1990
9.1
Revised 6 March 1995, autographed by POT
9.2
Contracts, clipping, and correspondence, 1995-2001
9.3
Heaven and Hell: North and South, Book III (Television mini-series, 1994).
Correspondence, 1993
Heavy Weather (Television movie, 1995)
9.4
Screenplay by Douglas Livingstone, third draft, 2 November 1994,
autographed by POT
9.5
Call sheet and photograph of cast, crew, and pig on location,
1995
9.6
Correspondence, deal memo, and pay statements, 1995
9.7
Note from Verity Lambert and draft of article about Heavy Weather by
unidentified author, 1995
High Spirits (1988)
9.8
Screenplay by Neil Jordan, autographed by POT, 1987
9.9
Legal documents and correspondence regarding copyright infringement
lawsuit, 1989-1991
9.10
Pay statements, 1987-1988
9.11
Publicity photographs, 1988
9.12
Hitler: The Rise of Evil (Television mini-series, 2003). Correspondence and
travel memos, 2003
9.13
How to Steal a Million (1966). Publicity photographs, 1966
Imperium: Augustus (Television movie, 2003)
9.14
Correspondence, 2002
9.15
Production photographs, 2002
9.16
Iron Road (Television mini-series, 2009). Contract and correspondence,
2007
Isabelle Eberhardt (1991)
9.17
Contracts and pay statements, 1989-1990
9.18, osb 4.8
Production photographs, circa 1990
Joan of Arc (Television mini-series, 1999)
10.1
Correspondence and pay statements, 1999
10.2
Production photographs and slides, circa 1998-1999
10.3
Kim (Television movie, 1984). Contract, 1983
King Ralph (1981)
10.4
Contracts, 1990-1991
10.5
Correspondence, pay statements, and fabric swatches for costumes,
1990-1991
10.6, osb 4.9
Publicity photographs, 1990
10.7
Royalty statements, 1991-1992
Lassie (2005)
10.8
Screenplays by Charles Sturridge
10.9
January 2005, autographed by POT
10.10
Draft production script, incomplete, with
POT's annotations, 13 April 2005
10.11
Contract and correspondence, 2005-2006
The Last Emperor (1987)
10.12
Call sheet, 1986
10.13
Contracts and correspondence, 1986-1988
10.14
Correspondence regarding royalties, 1994-1997
10.15
Journal, Macchew in China, tape
transcripts (two copies), circa 1986
10.16
Manuscript journal entries and research materials, 1986
11.1
Menu for cast dinner, autographed by cast, 26 August 1986
11.2
Production photographs, circa 1986
11.3
Photographs of China travel, circa 1986
11.4
Royalty statements and correspondence, 1988-1992
11.5
Trans-Siberian Railway travel, notes and printed materials,
1986
Lawrence of Arabia (1962)
11.6
Screenplay, autographed by POT, undated
11.7
Contract and correspondence, 1962, 1989
11.8
Final Unit List (crew list), 11 October
1962
Lobby cards
osb 6.1
1962, 1989
11.9
In French, circa 1970
11.10
Pre-Production Notes, typescript by
unidentified author, undated
11.11, 12.1-2, osb 6.2
Production and publicity photographs, 1961-1988
12.3
Related materials, including photographs of POT at Lawrence of Arabia: The
Life, The Legend exhibit, treatment for documentary titled Peter O'Toole: In the
Footsteps of Lawrence of Arabia, and booklet from 30th Anniversary Collector's
Edition VHS, 1992-2005, undated
12.4
Research materials, including correspondence and photographs of T. E.
Lawrence from T. W. Beaumont, and various images of Lawrence, 1961,
undated
osf 22
Scene painting of abandoned building at Suez Canal by production designer
John Box (from Hampstead greenroom),
undated
osf 12
Small French posters, circa 1963, circa 1989
The Lion in Winter (1968)
12.5
Screenplay by James Goldman, second draft, autographed by POT,
undated
12.6
Correspondence regarding royalties, 1994-1995
12.7
Photographs of POT at London screening, 2001
12.8, osb 6.3
Production and publicity photographs, 1967-1968
12.9, osb 6.4
Lord Jim (1965). Production and publicity photographs, 1964-1965
12.10
Man and Superman (Television movie, 1982). Correspondence regarding rights to
play, circa 1982
12.11, osb 6.5
Man Friday (1975). Production photographs, circa 1975
Man of La Mancha (1972)
12.12
Address book from Italian location shooting, with POT's notes on Don
Quixote, 1972
12.13
La Mancha Papers. Typescript journal with
correspondence, 1972-1993
12.14, osb 6.6
Production and publicity photographs, 1972
12.15
Masada (Television mini-series, 1981). Correspondence and production
photographs, 1980-1997
Molokai (1999)
12.16
Screenplay, Damien, with correspondence,
1998
12.17
Contracts and correspondence, 1998
Murphy's War (1971)
13.1, osb 6.7
Production, publicity, and travel photographs, 1970-1971
13.2
Venezuela location shooting correspondence and maps, 1970
My Favorite Year (1982)
13.3, osb 21.4
Production and publicity photographs including matted photographs (from
Hampstead greenroom), 1981-1982
13.4
Royalty statements, 1991
My Talks with Dean Spanley (2008)
Screenplays by Alan Sharp
13.5
Second revised draft, 11 April 2007
13.6
Draft, missing pp. 1-3, with POT's annotations, undated
13.7
Correspondence and contracts, 2007
13.8
Production photographs, undated
The Night of the Generals (1967)
13.9
Production and publicity photographs, 1966
13.10
Script notes and research materials, undated
osb 1
Teletype script notes on paper scroll, undated
13.11
The Nutcracker Prince (1990). Correspondence, 1990
One Night with the King (2006)
13.12
Screenplay by Stephan Blinn, second draft, autographed by POT, 17 August
2004
13.13
Production photograph, undated
Phantoms (1998)
Screenplays by Dean Koontz
13.14
Production draft, 6 September 1996
13.15
Revised production draft, with POT's annotations, 17 October
1996
13.16
Correspondence and notes, 1996-1997
The Pied Piper (Television movie, 1989)
13.17
Screenplay by Jerome Kass, fourth draft, 22 June 1989
14.1
Contracts, 1989
14.2
Correspondence, 1989-1990
14.3
Production photographs and correspondence, 1989
14.4
Present Laughter (Television play, 1967). Production stills, 1967
14.5
Pygmalion (Television movie, 1983). Contract and production photographs,
1983-1984
14.6
The Rainbow Thief (1990). Contracts, correspondence, and pay statements,
1989-1992
Ratatouille (2007)
osb 23
Anton Ego speech and portrait in frame, undated
14.7
Correspondence, character artwork, and script pages (removed from binder),
5 May 2006
14.8
Correspondence, script pages, character description, and artwork, 14 June
2006
Rebecca's Daughters (1992)
14.9
Clippings and screening invitation, 1991-1992
14.10
Correspondence, 1991
14.11
Pay statements, 1992
14.12, osb 6.8, osb 19.3
Production photographs, circa 1991
Rock My World (1992)
14.13
Correspondence and contracts, 2000
14.14
Production photographs (slides), circa 2000
Rogue Male (Television movie, 1976)
14.15
Correspondence regarding royalties, 2002-2004
14.16
Production photographs, circa 1976
Rosebud (1975)
14.17
Call sheet and notebook with POT's journal entries about production and
medical treatment in Paris, 1974
14.18
Production and publicity photographs, 1974-1975
The Ruling Class (1972)
Screenplays by Peter Barnes
14.19
Draft, undated
15.1
Revised second draft, autographed by POT, January 1971
15.2
Release script, with reel and scene
numbers, September 1972
15.3
Correspondence regarding VHS distribution, 1996-1997
15.4
Premiere invitation and ticket, and clipping of review, 1972
Publicity photographs
15.5
Black and white stills, 1972
15.6
Color stills and slides, 1972, 1983
The Seventh Coin (1993)
15.7
Correspondence, 1990
15.8
Production and travel photographs, circa 1990
15.9
Strumpet City (Television mini-series, 1980). German publicity photographs,
1981
The Stunt Man (1980)
16.1
Screenplay by Lawrence B. Marcus, autographed by POT, revised 9 February
1977
16.2
Correspondence regarding legal rights, 1991
16.3
Notebook with POT's transcription of lines, circa 1978-1979
16.4, osb 19.4
Production and publicity photographs, 1977-1980
Supergirl (1984)
16.5
Contract, 1983
16.6
Production and publicity photographs, 1983-1984
16.7
Svengali (Television movie, 1983). Contract and publicity photograph,
1982-1983
16.8
Thomas Kinkade's Christmas Cottage (2008). Screenplay by Ken LaZebnik,
incomplete, with POT's annotations, 24 February 2007
Troy (2004)
16.9
Working script, incomplete, with POT's
annotations, circa 2003
16.10
New York premiere invitations and photographs, 10 May 2004
16.11
Production and publicity materials, including photographs, pronunciation
guide, and press junket schedule, 2003-2004
16.12
Program, autographed by POT, 2004
The Tudors (Television series, 2008)
Pope Paul III Scenes, screenplay pages by
Michael Hirst, 2007
16.13
Copy one, with POT's annotations
16.14
Copy two, with clipping of article
16.15
Production photographs, 2007
osb 6.9
Season Two program, 2008
Under Milk Wood (1971)
16.16
Screenplay by Andrew Sinclair, first draft, autographed by POT,
undated
17.1
Contracts, 1971-1974
17.2
Publicity still, 1971
17.3
Up to Date (1989). Contract, 1989
Venus (2006)
Screenplays by Hanif Kureishi
17.4
Draft, autographed by POT, undated
17.5
Draft, with POT's annotation, call sheet, notes, and clipping, 2006,
undated
17.6
Draft, with POT's annotations, 16 June 2005, with notes, clipping, and
call sheets, 2005-2006
17.7
Draft, with POT's annotations, 15 August 2005
17.8
Title page autographed by Leslie Phillips and Jodie Whittaker, 10
February 2006
17.9
Correspondence and clippings, 2005-2007
17.10, osb 21.5
Production photographs, circa 2006
What's New Pussycat? (1965)
17.11
Correspondence regarding royalties and permissions, 1993-1998
17.12
Production and publicity photographs, 1965-1997
The Whole World at Our Feet (AKA Diamond Cartel) (2015)
17.13
Screenplay by Salamat Muhamed Ali and Magamed Bachayev, with
correspondence, 2011
17.14, 18.1
Travel to Kazakhstan, including tickets, notes, itineraries,
correspondence, business cards, Lucy Villiers's (POT's assistant) notepads,
photographs, medical records, and clippings, 2011-2012
1608028P_001
Photographs. 10 electronic files: JPG, 2011
18.2
Wings of Fame (1990). Contracts, correspondence, and production photograph,
1988-1989
Zulu Dawn (1979)
18.3
Letter from Sir Michael Edward Hicks Beach to His Royal Highness Prince
George, Duke of Cambridge (?) regarding Lord Chelmsford, 31 May 1879
18.4
Production and publicity photographs, 1978-1979
Series III. Projects, 1967-2011
The Best Exotic Marigold Hotel (2011)
Screenplays by Deborah Moggach and Ol Parker
18.5
These Foolish Things. Draft with POT's
annotations on back, 9 March 2008
18.6
Draft, 1 November 2009, with correspondence and POT's notes,
2009-2010
18.7
Bound volume of location photographs, undated
The Caribbean Tempest (1999)
Scripts
18.8
Draft two, October 1998
18.9
Production draft, December 1998
18.10
Script pages with POT's annotations, notes, and research materials,
1998
18.11
The Chessplayer (unproduced film). Correspondence, 1994-1995
18.12
Color of Night (1994). Script pages with annotations and POT's notes to
Richard Rush, 1993
19.1
Correspondence regarding rejected scripts, 1987-1991
Déjàvu (1992)
Script by John Osborne, 9 December 1988
19.2
Copy one, with correspondence, 1991-2005
19.3
Copy two, with correspondence and notes, 1991
19.4
Clippings, 1991
19.5
Correspondence, 1991
19.6
The Golden Compass (2007). Screenplay by Chris Weitz, revised shooting script, 11 July 2006, with
correspondence, 2006
19.7
Gore Vidal's Burr (unproduced film). Screenplay by Gore Vidal, second draft,
autographed by POT, 5 May 1991
19.8
Helena (unproduced film). Correspondence, 1988
19.9
Irving, an entertainment by Barry Turner and James
Roose-Evans. Script for Royal Theatrical Fund event at Garrick Club, with
correspondence, 1994-1995
19.10
Jeffrey Bernard Is Unwell (unproduced film). Screenplay by Keith Waterhouse,
second draft revised November 1990
20.1
Lenin's Testament: A Play in Two Acts by Robert Bolt. Typescript of
introduction (possibly related to Bolt's play State of Revolution),
undated
20.2
Mary Mother of Christ (unproduced film). Script pages and research clippings,
2011
Mr. Wonderful (unproduced television pilot)
20.3
Screenplays, first (The Peter O'Toole
Show) and second drafts, 1993
20.4
Contracts, 1992
20.5
Correspondence and notes, 1992-1993
20.6
Mysterious Island. Page from unidentified screenplay version,
undated
20.7
One Thing Always (unproduced film). Screenplay by Matthew Specktor based on
the novel The Transit of Venus by Shirley Hazzard, director's statement by Patricia
Rozema and script pages with POT's notes on back, 2006
20.8
The Pit and the Pendulum (1991). Contracts and correspondence,
1989-1991
20.9
Present Laughter. Correspondence and rights agreement for unrealized
production, 1988-1989
Quartet (2012)
Screenplays by Ronald Harwood
20.10
Draft, autographed by POT, 18 May 2011
20.11
White production draft, autographed by POT, with highlighting and sticky
notes, 8 August 2011
20.12
Correspondence and notes, 2011
20.13
The Quiet American (unproduced film). Screenplay by Peter Palliser and Daniel
Ferrelli, second draft, August 1984
21.1
The Scarperer (unproduced film). Screenplay by Hugh Leonard, first draft,
with notes in unidentified hand, January 1967
21.2
Shakespeare: The Actor (unproduced documentary). Correspondence and research
materials, 2000, undated
21.3
Shockerwick (unproduced television pilot). Screenplay Welcome by Phil Rosenthal, first draft, 28 April
2009
21.4
Untitled one-man show. Correspondence, photograph, clippings, and monologue
drafts, 1991-1998
21.5
Untitled screenplay about J. M. W. Turner. Research materials,
correspondence, notes, and outlines, 1987-1988
21.6
Wellington Unbound (unproduced film). Screenplay by Sean Finnigan and Robb
Royer, autographed by POT, undated
Series IV. Writings, 1968-2012
Loitering with Intent: The Child (1992)
Thus Far (earliest draft)
21.7
Fancied selections. Notebook, with
correspondence regarding Irish citizenship, 1972, undated
21.8
Notebook, 1977
22.1
Fancied selections. and The Gut File. Manuscript pages, research notes, tape
transcripts, and typescript pages, some with annotations, 1977-1979,
undated
Tape transcripts, undated
22.2
Decriminalisation
Tape—Peter
22.3
Dolphins and Fishermen
22.4
Father—Prison
22.5
Mother, with
correspondence
22.6
Peter and
Decriminalisation
22.7
Thus Far—Fancied Selections—The Gut
File
22.8
Unlabeled
22.9
Chapters 1-3, typescript (three copies), 19 June 1983
Chapter 1
22.10
Typescript and various copies, 19 June 1983, with manuscript page
inserts, 5 October 1983
22.11
Wastebasket revisited, typescript
pages, 19 June 1983, and manuscript pages, 10 July 1983
22.12
Chapter 1 inserts, manuscript, 19 June 1983, and Chapter 3 inserts,
manuscript, 10 September 1983
Chapter 2
22.13
Manuscript and typescript, 20 July 1983
22.14
Corrected typescript, 10 September 1983
23.1
Chapter 2 corrected typescript, 10 September 1983, and Chapter 4
manuscript, 22 October 1983
Chapter 3
23.2
Manuscript, 28 July-23 August 1983, with undated inserts
Typescript
23.3
1 August-4 October 1983
23.4
4 October 1983
Chapter 4
23.5
Part 1 To be edited copy, notebook,
24 August-22 September 1983, and typescript, 24 August-22 October
1983
23.6
Continued manuscript and typescript,
August-November 1985
23.7
Wastepaper basket revisited
manuscript pages, July-September 1985
23.8
Notions for My Memoirs manuscript, 24
September 1988, and typescript, 29 September 1988, with correspondence,
1988
1608028P_004,
1608028P_005
Fair Copy. 7 electronic files:
WordPerfect, 1995
First draft
Manuscript
23.9-10, 24.1-2
Original pages with inserts and rewrites, circa 1990
24.3
Photocopies, 1990
24.4-5
Corrected typescripts, 1991
24.6
Second draft, corrected typescript pages, undated
24.7
Third and finalish drafts, corrected
typescript pages, undated
25.1
Fair Copy Photocopy, undated
25.2
(Fair copy) Moelwyn version, with
corrections, and correspondence, 1992
25.3-4
Proof pages with corrections, The Welsh
version, and notes, 1992
osb 7
Oversize proof pages with corrections, Orme
version, 1992
25.5
Typescript with printer's annotations, 1992, with correspondence,
1993
26.1
Discarded original text, manuscript,
typescript, and photocopied pages, undated
26.2
POT's notes, with manuscript and
typescript pages, and correspondence, 1988-1992
osb 8
Book cover mock-up, 1992
Correspondence
26.3
With contracts, outline for Loitering With Intent: Volume II, postcards,
and proof pages, 1990-1992
26.4-5, 27.1
With sample of French translation, clippings of reviews, and Bookseller
magazine, 3 July 1992, 1992-1994
27.2
Regarding German translation, 1994
Photographs
27.3
Book snaps. Including production stills
and snapshots of POT with Princess Diana and others, with correspondence,
1986
27.4, osb 8, osb 9.1
Undated
27.5
Publishing agreement, 1992
Publicity
27.6
Photographs of POT at book signing, undated
27.7
Reviews, 1992-1993
27.8
South Bank Show interview, contract, correspondence, filming schedule,
and notes, 1992
Research
27.9
Heinrich der Hohenstaufe by Dietrich Eckart, photocopy (in German),
undated
27.10
Hunslet, notes, with manuscript and
typescript draft pages, undated
27.11
Misc.—M. Starkey—Poem, notes, 1977,
undated
27.12
Mother, notebook, notes, and tape
transcripts, undated
27.13
Notes and correspondence, 1991-1992, undated
28.1
Wiener Library, correspondence and printed materials,
1987-1991
Loitering with Intent: The Apprentice (1996)
Manuscript (removed from binders)
28.2-3
pp. 1-389, undated
28.4-5
pp. 390-778, 1993
28.6, 29.1
pp. 779-1110, 1994
29.2
pp. 1110B-1296, circa 1994
29.3-5
Rough typewritten 1, with handwritten
corrections, undated
30.1-2
Rough typewritten 2A, with handwritten
corrections, undated
30.3-5
Rough typewritten 2B, with handwritten
corrections, undated
31.1-2
Typescript, incomplete, with handwritten insertions, undated
31.3-4
Work in progress typescript, 13 January
1994
31.5
Work in progress typescript with
handwritten corrections, 13 January 1994
32.1-3
Work in progress typescript, 25 January
1994
32.4-5, 33.1
Fair copy typescript, July
1995
33.2
POT's final rewrites on fair copy,
undated
33.3
Newspaper sequence, manuscript and
typescript pages, undated
Typescripts with copy-edits
33.4-6
July 1995
33.7-8, 34.1
1996
osb 10
Oversize proof pages, incomplete, undated
34.2
Notes and typescript pages with corrections, 1996, undated
osb 8
Book cover image in mat, circa 1996
Correspondence
34.3
With book cover image and dust jacket mock-ups, 1993-1997
34.4
Regarding permission to reprint passage from LWI: The Apprentice in
introduction to The Collected Poems and Verses of Maurice Walsh (2003). With draft
of unpublished introduction, 1998
34.5
Dust jacket mock-ups, circa 1996
34.6
Edits to published book. List in unidentified hand, manuscript and
photocopy, undated
34.7
Errors in printing and corrections.
Correspondence and notes, 1996-1997
Photographs
34.8
Book snaps (originals), 1946-circa
1970s, undated
34.9
Book snaps 1 to 25 captioned, circa
1996
osb 9.2
Enlargements, undated
34.10
Hope Arthur, negative and print, undated
34.11
Originals, 1953-1954, undated
34.12
Prints with layout designs and instructions, circa 1996
34.13
Proof prints with annotations, 1996
Publicity
34.14
Foyle's Literary Luncheon. Correspondence, program, and speech,
1996
35.1
Reviews, 1996-1997
Research
35.2
Outline, notes, correspondence, and research materials,
1992-1993
35.3-6
Notebooks, research materials, and correspondence, 1992-1995
35.7
Loitering with Intent audiobook (unrealized). Correspondence and lists, 1996,
undated
Loitering with Intent: Volume III (The
Actor or The Professional)
(unfinished)
35.8
Photocopies of manuscript pages, circa 2008
36.1
Revisions and rewrites, manuscript pages, 2008
36.2
Typescript draft, pp. 1-43, with corrections and handwritten inserts, 22
December 2008
Research
36.3-4
Bristol Play Notes, Sept. '55-June '56,
2004
36.5, 37.1-2
Bristol Play Notes, Sept. '56-June '58 and
Oct.-Dec. '73, 2004-2012
37.3-4
Bristol Ramble. Maps and notes,
undated
37.5
Eva Griffith. Research correspondence, notes, printouts, and photocopies,
2006-2008
37.6
Eva's research. Correspondence, notes,
and photocopies (removed from binder), 2006-2007
37.7
General Research/Letters. Notes,
various Theatre Royal Bristol pamphlets, Regulations for Diploma in Dramatic Art
for RADA 1954-1955, Nat Brenner tribute program, Gate Theatre, Dublin chronology,
photocopy of 1963 Hamlet program, correspondence, and photocopy of German program
for Don Juan by Max Frisch at Schauspielhaus Zürich, 1948-2007
38.1
Mander & Mitchenson Theatre Collection research. Correspondence,
invoices, notes, and photocopies, 2004-2010
38.2
Moscow Arts Theatre. Correspondence, photograph, and photocopies,
2006-2007
38.3
National Theatre/John Gielgud. Correspondence, notes, and photocopies,
2007
38.4-5
Notes and clippings, 2008-2010
osb 24
Notes in frame, undated
38.6
Notes on Acting and Parts Played,
2002
Photocopies of programs from Bristol Old Vic Theatre Royal,
2002
38.7
1955-1956
38.8
1956-1957
38.9
1957-1958
38.10
1973
38.11
Theatre Royal Bristol. Correspondence, notes, articles, maps, and
artwork, 2004-2009
Other writings
38.12
Don Wilson, foreword to Mad Jack: An Autobiography by Don Wilson (1992).
Manuscript and typescript with corrections, 1992
39.1
Jack the Lad: Notes for a Novel. Typed and manuscript tape transcripts,
1996
39.2
Jeff, foreword to Reach for the Ground: The Downhill Struggle of Jeffrey
Bernard by Jeffrey Bernard (1996). Manuscript and typescript with corrections,
1996
39.3
Josh Lewsey. Manuscript and typescript, undated
Juno and the Paycock, screenplay by Frederick
Monnoyer
39.4
Treatment, typescript with sketch and daily itinerary, 25 March
1985
39.5
Draft (photocopy), revised 1 May 1985
Draft, revised November 1987
39.6
Copy one
39.7
Copy two
Correspondence
39.8
1979-1989
39.9, 40.1
1984-1985
40.2
1993-2002
40.3
Rights agreements, 1968-1995
40.4
Notes on drama. Manuscript and
typescript, undated
40.5
Pipestone, foreword to The Character Actor's Do's, Don'ts and Anecdotes by
Philip Bruns (2008). Manuscript and typescript, circa 2008
40.6
Poems, published as Three Sonnets for Moelwyn in A Gathering of Friends for
Moelwyn (1992). Manuscript and typescript, undated
40.7
This Little Pig (fiction). Manuscript and
typescript, 1988, undated
Series V. Personal and Career-Related, circa 1792-2015
Address books
Black leather
40.8
Circa 2000s
40.9
Undated
41.1
Office Address Book, July 1992
41.2
Red leather, undated
41.3
Photocopied pages, undated
Awards
Academy Awards
osb 9.3
Best Actor in a Leading Role for The Stunt Man (1980) and Venus (2006).
Certificates of Nomination, 1980, 2006
41.4
Honorary Award. Speech, correspondence, clippings, and photographs,
2003
41.5
Best Actor Nomination for Venus. Clippings, correspondence, invitations,
printed materials, program, and tickets, 2007
osb 19.5
79th Annual Academy Awards. Photograph of nominees, 2007
41.6
American Film Institute's 100 Years 100 Cheers. Certificate for Lawrence of
Arabia, circa 2006
osb 9.4
British Academy of Film and Television Arts Award Nomination, Performance
by an Actor in a Leading Role for Venus. Certificate, 2006
osb 9.5
Cleveland Critics Circle Award, Newcomer of the Year. Certificate,
1963
osb 9.6
Commander of the French Order of Arts and Letters, certificate (from
Hampstead greenroom) and photograph,
1988
41.7
Festival Cinemas d'Irlande et de Grande-Bretagne, jury prize for Best Actor
for The Final Curtain. Certificate, 2002
41.8
Hollywood Foreign Press Association Certificate of Nomination for Golden
Globe Award, Best Performance by an Actor in a Motion Picture—Drama for Venus.
Certificate, 2006
osb 19.6
Le Muse, International Prize awarded by the Commune of Florence.
Certificate (from Hampstead greenroom),
1972
41.9
Oldie of the Year award. Correspondence and speech, 2000-2008
41.10
Olivier Award for Outstanding Achievement for Jeffrey Bernard is Unwell.
Correspondence and speech, 2000
41.11
Screen Actors Guild Awards. Ballot and statement from POT on nomination for
Venus, 2007, undated
42.1
Ballyconrea. Correspondence, clipping, and
documents regarding house construction, 1973-1988
42.2
Biographical information, undated
42.3
Bristol Old Vic Company. Reminder postcard for audition, 1955
42.4, osb 2
Business cards, 1997, undated
Collected materials
42.5, osb 9.7, osb 18.3
Artworks and postcards, including colored engraving of Henry Irving as Don
Quixote (from Hampstead "greenroom"?), circa 1895, undated
42.6
Bible Story Viewmaster slides, 1947
42.7
Booksellers and publishers catalogs, 1997-2011, undated
42.8-9
Bruns, Philip. Photographs, writings, clippings, and correspondence,
2000-2008, undated
42.10, osb 11
Clippings, 1962-2013, undated
42.11
Coombs, Pat. Correspondence and photograph, 1988-2014
42.12
Friends of the University of Bristol Theatre Collection. Correspondence and
newsletters, 1986-1991
43.1
Hitler's Home (The Eagle's Nest). Postcards, undated
43.2
The London Library. Research guide, annual report, and magazine,
1990-2013
Magazines and newsletters
43.3
An Gael, Winter 1987
43.4
The Call-Boy, Journal of the British Musical Hall Society, November 1964,
and May and October 1965 [CAUTION: BRITTLE PAPER. Please ask for assistance with
handling]
43.5
Cue, 29 December 1962
43.6
The Garrick newsletter, May 2002
43.7
Leonard Maltin's Movie Crazy newsletter, Issue #1, Summer
2002
43.8
The Magnet, 4 June and 24 December 1938
43.9
Marylebone Cricket Club Magazine, 2013
Plays and Players
43.10
December 1962 and May 1963
43.11
January 1967 and August 1970
43.12
Theatre World, October 1957
43.13
Map of the Holy Land, 1970
43.14
McCann, Donal. Drawings, clippings, and photographs, 1987-1999,
undated
43.15
Merchant, Moelwyn. Correspondence, notes, article reprint, and
bibliography/catalog, 1966-1993, undated
osb 9.8
Music manuscripts, including The Ass, the King and Me, Music by Peter
O'Toole, and Songs for Baal, with printed sheet of Leadbelly song lyrics,
undated
43.16
Naval Stuff/Spies. Correspondence and
research materials, 2005-2008
43.17
Oliver, Patrick. Exhibition catalog, writings, correspondence, and
clippings, 1958-2010
44.1-3
O'Toole, Kate. Correspondence, script for radio drama starring Kate and
POT, photographs, artworks, tickets, programs, and clippings, 1980-2013
44.4
Photocopies, printouts, and typescripts of various collected materials,
1998, undated
44.5, osb 9.9, osb 18.4
Photographs, including production photographs from 1967 film The Tune,
publicity still of John Huston in The Cardinal (1963), production still from The
Shewing-up of Blanco Posnet at the Abbet Theatre, Dublin (1909), portrait of Noel
Coward as child actor, and photograph of Edmund Kean's tomb (from Hampstead greenroom?), 1909-1967, undated
Playbills (from Hampstead greenroom)
osb 18.5
Hamlet Travestie, Theatre Royal, Worcester, 1817, and The Merchant of
Venice, New Theatre Royal, Drury Lane, 1823
osf 23
Macbeth According to Act of Parliament, Strand Theatre, 1853
44.6
Poems and songs. Manuscript, typescript, and photocopies,
undated
osf 24
Posters. Including Peace Night for Ireland Concert poster autographed by
Francie Molloy and Gerry Adams, and Galeria Lepe poster autographed to POT by Manuel
Lepe, 1975, 1994
44.7
Printed materials. Including Oxford Union Murals booklet, Programa de Toros
(The Bull-Fight) pamphlet, RADA brochure, Royal Theatrical Fund annual report, and
Shambala Preserve brochure, 1996, undated
Programs
44.8
Abbey Theatre, Dublin, Anti-Christ by Frank J. Hugh O'Donnell, 1925, and
Performance in Commemoration of Easter 1916, 1946
44.9
Adolf (Guy Masterson Productions), 1999
44.10
Ain't Misbehavin', Tricycle Theatre, 1995
44.11
Arcadia, Theatre Royal, Haymarket, 1994
44.12
Art, Wyndham's Theatre, 1996
44.13
The Bad Soldier Smith, Jermyn Street Theatre, 1995
44.14
Blithe Spirit, Sam S. Shubert Theatre, New York, 2009
44.15
Bristol Old Vic Theatre Royal, Uncle Vanya, 1955, and The Rules of the
Game, 1958
44.16
Buddy: The Buddy Holly Story, Victoria Palace, 1989
44.17
Cabaret, Lyric Theatre, 2006
44.18
Carmen Jones, Old Vic, 1991
45.1
Carousel, Royal National Theatre, 1992
45.2
Cavalcade, Sadler's Wells Theatre, 1995
45.3, osb 12.1
Crazy for You, Prince Edward Theatre, 1993
45.4
Cyrano de Bergerac, Theatre Royal, Haymarket (two copies),
1992
45.5
The Dead Monkey, New End Theatre, 1998
osb 12.2
Eddie Izzard: Definite Article, Shaftesbury Theatre, 1996
45.6
The Entertainer, Old Vic, 1997
45.7
Fiddler on the Roof, London Palladium, 1994
45.8
Five Guys Named Moe, Lyric Theatre, circa 1990-1995
45.9
Flare Path, Theatre Royal, Haymarket, 2011
45.10
The Goat or Who Is Sylvia?, Project Arts Centre, 2005
45.11
Guys and Dolls, Piccadilly Theatre, circa 2005-2007
45.12
Hay Fever, Noël Coward Theatre, 2012
45.13
Heartbreak House, Theatre Royal, Haymarket, 1992
45.14
Henry V, Old Vic, 1955
45.15
The Iceman Cometh, Old Vic, 1998
45.16
In Extremis, Shakespeare's Globe Theatre, 2006
45.17
The Invisible Man, Vaudeville Theatre, 1993
45.18
Journey's End, Village Theatre, circa 1990s
45.19
The Judas Kiss, Duke of York's Theatre, 2012
45.20
A Letter of Resignation, Comedy Theatre, 1997
45.21
The Lion in Winter, Haymarket Theatre Basingstoke, 1994
45.22
Man and Boy, Duchess Theatre, 2005
45.23
A Moon for the Misbegotten, Old Vic, 2006
45.24
Peter Pan, Hackney Empire, 1994
osb 12.3
The Phantom of the Opera, Her Majesty's Theatre, 1986
45.25
The Plough and the Stars, Garrick Theatre, 1995
45.26
Pygmalion, Albery Theatre, 1997
45.27
Race, Hampstead Theatre, 2013
45.28
The Real Inspector Hound/Black Comedy, Comedy Theatre, 1998
45.29
The Risen People, Gaiety Theatre, 1994
45.30
Saint Joan, Strand Theatre, 1994
46.1
The School for Scandal, Abbey Theatre, Dublin, 2006
46.2
See How They Run, Duchess Theatre, 2006
46.3
Shadowlands, Theatre Royal, Windsor, 1995 (two copies); Wyndham's
Theatre, 2007
46.4
Son of Man, Royal Shakespeare Theatre, Stratford-upon-Avon,
1995
46.5
The Sound of Music, Sadler's Wells, 1992, with souvenir brochure,
1991
46.6
Starlight Express, Apollo Victoria Theatre, 1984
46.7
A Step Out of Time, Jermyn Street Theatre, 2002
46.8
The Steward of Christendom, Royal Court Theatre, 1995
46.9
Waiting for Godot, Roundabout Theatre Company, Studio 54, New York,
2009
71.1
The 47th Saturday, The Open Space, undated
71.2
A-B: Absent Friends, Garrick Theatre, 1975; Arcadia, Theatre Royal,
Haymarket, 1994; Antony and Cleopatra, Chichester Festival Theatre, 1969; Ardele,
Oxford Playhouse, 1967 and Queen's Theatre, 1975; Beethoven's Fifth, Vaudeville
Theatre, 1983; Belfry, Bush Theatre, 1991; Big Bad Mouse, Shaftesbury Theatre,
1966; Blithe Spirit, Neil Simon Theatre, New York, 1987; The Blue Macushla, Abbey
Theatre, Dublin, 1980 (two copies); The Boys in the Band, Wyndham's Theatre, 1969;
Bristol Old Vic Company, Spring Season and Autumn Season, 1969; Butley, Criterion
Theatre, 1971?
71.3
C: The Caretaker, Mermaid Theatre, 1972; Cat among the Pigeons!, Prince
of Wales Theatre, 1969; Cause Celebre, Her Majesty's Theatre, 1977; The Changing
Room, Royal Court Theatre, 1971 (two copies); The Cherry Orchard, Queen's Theatre,
1967; A Chorus Line, Theatre Royal Drury Lane, 1976; Christmas back in King
Street, Bristol Old Vic, 1972; Cinderella, Theatre Royal Brighton, 1960s;
Collaborators, Duchess Theatre, 1973; Come as You Are, Strand Theatre, 1970; Come
Spy with Me, Whitehall Theatre, 1966; The Communication Cord, Hampstead Theatre,
1983
71.4
D-F: The Dame of Sark, Wyndham's Theatre, 1974; Dandy Dick, Chichester
Festival Theatre, 1973; A Day in the Death of Joe Egg, Comedy Theatre, 1967; Dear
Octopus, Theatre Royal, Haymarket, 1967; Dirty Linen & New-Found Land, Arts
Theatre, 1976; Don't Just Lie There, Say Something!, Garrick Theatre, 1971; Drama
at Inish, Abbey Theatre, Dublin, 1983; The Duel, Duke of York's Theatre, 1968;
Electra, The Greenwich Theatre, 1971; Electric Man, Actors' Playhouse, New York,
1986; Enter Solly Gold, Mermaid Theatre, 1970; Experiment '73, Peacock Theatre,
Dublin, 1973; Fairy Tales of New York, Comedy Theatre, 1961; A Flea in Her Ear,
National Theatre, 1966; Frankie & Johnny in the Clair de Lune, Comedy Theatre,
1989
71.5
G-J: Getting On, Queen's Theatre, 1971; The Ghost Train, Tower Theatre,
1974; The Gingerbread Lady, Phoenix Theatre, 1974; Guys and Dolls, University
Theatre, New Haven, 1982; Habeus Corpus, Lyric Theatre, 1973 (two copies); Hadrian
VII, Mermaid Theatre, 1968; Hampstead Theatre Club, Christmas Season 1972; Hay
Fever, Duke of York's Theatre, 1968; How to Succeed in Business without Really
Trying, 46th St. Theatre, New York, 1962; The Jockey Club Stakes, Duke of York's
Theatre, 1971; Joey Joey, Saville Theatre, 1966; Julius Caesar, Library Theatre,
Manchester, 1959; Jumpers, National Theatre, 1972; Juno and the Paycock, National
Theatre, 1966
71.6
K-L: King Oedipus, Abbey Theatre, Dublin, 1973; Krapp's Last Tape/Not I,
Royal Court Theatre, 1972; Leningrad Gorki Theatre, Aldwych Theatre, 1966; Let's
Murder Vivaldi, King's Head Theatre Club, 1972; The Lionel Touch, Lyric Theatre,
1969; Lloyd George Knew My Father, Savoy Theatre, 1972; Long Day's Journey into
Night, National Theatre (at the New Theatre), 1971; Loot, Criterion Theatre, 1966;
Love's Labour Lost, Aldwych Theatre, 1975
72.1
M: Macbeth, Royal Court Theatre, 1966; Mademoiselle Colombe, Theatre Off
Park, New York, 1987; The Madness of George III, Royal National Theatre, 1991; The
Magistrate, Cambridge Theatre, 1969; Man and Superman, The New Arts Theatre, 1965;
Man Friday, 7:84 Theatre Company, 1973; A Man for All Seasons, Globe Theatre, 1960
and ANTA Theatre, New York, 1962; The Man in the Glass Booth, St. Martin's
Theatre, 1967; The Mirror Repertory Company, The Theatre at Saint Peter's Church,
New York, 1984; Move Over Mrs. Markham, Vaudeville Theatre, 1970; Mrs. Warren's
Profession, National Theatre, 1970; My Fat Friend, Globe Theatre, 1972
72.2
N-O: Noel Coward's Suite in Three Keys, Queen's Theatre, 1966 (three
programs); No Sex Please, We're British, Strand Theatre, 1971; Noises Off, Savoy
Theatre, 1983; Nottingham Playhouse Company, National Theatre at the Old Vic,
1970; Oh! Calcutta!, The Round House, 1970; On Approval, Yvonne Arnaud Theatre,
Guildford, 1967?; One Flew Over the Cuckoo's Nest, Gaiety Theatre, Dublin, 1979;
Othello, National Theatre, 1964; Otherwise Engaged, Queen's Theatre, 1975;
Ourselves Alone, Royal Court Theatre Upstairs, 1985
72.3
P: Passion Play, Wyndham's Theatre, 1984 (two programs); The Pay-Off,
Comedy Theatre, 1974; Peter Pan, Scala Theatre, 1965 and London Coliseum, 1971;
Philadelphia Here I Come!, Lyric Theatre, 1967; The Philanthropist, May Fair
Theatre, 1970; Play/Philoctetes, National Theatre, 1964; Poppie Nongena, Donmar
Warehouse, 1984; Present Laughter, Queen's Theatre, 1965; The Price, Duke of
York's Theatre, 1969; A Private Matter, Vaudeville Theatre, 1971; Pygmalion,
Albery Theatre, 1974
72.4
R: Rat in the Skull, Wisdom Bridge Theatre, Chicago, 1985 (two copies);
The Relapse, Aldwych Theatre, 1967; Relatively Speaking, Duke of York's Theatre,
1967; The Return of AJ Raffles, Aldwych Theatre, 1976; The Rivals, Theatre Royal,
Haymarket, 1966; The Royal Hunt of the Sun, National Theatre, 1964 (two programs);
The Ruling Class, Piccadilly Theatre, 1969
72.5
S: Safe Sex, Lyceum Theatre, New York, 1987; A Sense of Detachment, Royal
Court Theatre, 1972; Side by Side by Sondheim, Mermaid Theatre, 1976; Six Degrees
of Separation, Comedy Theatre, 1992; Sleuth, St. Martin's Theatre, 1970; Small
Craft Warnings, Comedy Theatre, 1973; The Snowdroppers, Watermill Theatre,
Newbury, 1974; Someone Who'll Watch Over Me, Hampstead Theatre, 1992; A South
African Season, Royal Court Theatre, 1974; Staircase, Aldwych Theatre, 1966;
Stripwell, Royal Court Theatre, 1975
72.6
T-V: That Championship Season, Booth Theatre, New York, 1972; There Was
an Old Woman…, Thorndike Theatre, Leatherhead, 1969; Three Sisters, Aldwych
Theatre, 1951; Travesties, Albery Theatre, 1975; Treasure Hunt, Apollo Theatre,
1949; Trelawny of the "Wells," National Theatre, 1965; The Two Character Play,
Hampstead Theatre Club, 1967; Una Pooka, Tricycle Theatre, 1992; The Unknown
Soldier and His Wife, New London Theatre, 1973; Vivat! Vivat! Regina!, Piccadilly
Theatre, 1970; A Voyage Round My Father, Theatre Royal, Haymarket,
1971
72.7
W-Z: A Walk in the Woods, Comedy Theatre, 1988; Wallensteins Tod,
Schauspielhaus Zurich, 1959; The Waltz of the Toreadors, Theatre Royal, Haymarket,
1974; West of Suez, Cambridge Theatre, 1971; The Winter's Tale, Cambridge Theatre,
1966 and National Theatre, 1988; Wise Child, Wyndhams Theatre, 1967; Yerma,
Aldwych Theatre, 1973 (three programs); Zykovs, Aldwych Theatre, 1976
46.10
Repertory Life (photocopies of Bristol
Old Vic Theatre Royal programs), 1993
46.11
Research materials and notes on indigenous peoples of California,
undated
46.12
Royal Court Theatre. Correspondence and photocopies of articles and
programs, 2004
46.13
The Society for Theatre Research. Membership cards, newsletters, and other
printed materials, 1986-2010
46.14
Theatre Royal, Bristol. Pamphlets and photocopies, 1943-1961,
undated
46.15
Union Jack Club. Correspondence and printed materials,
2000-2010
Works by others
46.16
Articles, book experts, and speech on Irish history and archaeology by
Michael D. Higgins, Michael Gibbons, Hugh Gough and David Dickson, and Robert Kee,
1976-1994, undated
46.17
Chronology of Edmund Kean. Typescript and manuscript in unidentified
hand, undated
46.18
Enchiridion Christianos by John Cayworth. Computer printout with
illustrations, undated
47.1
Hitler: A Chronology by Milan Hauner. Photocopy, 1983
47.2
Me Cheetah. Uncorrected manuscript with correspondence, 2008
47.3
Reminiscences. Typescript by Len Prout, with correspondence,
1990
47.4
Swift Burning the Library of Babel. Article by Daniel Eilon reprinted
from the Modern Language Review, autographed by author to POT, 1996
47.5
Clothing designs, measurements, lists, and receipts, with Lock and Co.
Hatters catalog, 1975, 2006, undated
Correspondence
47.6
1960-1979
47.7-8
1980-1989
47.9, 48.1-2
1990-1999
48.3
2000-2013
48.4
Undated
48.5-6
Outgoing, 1964-2012, undated
49.1
Brenner, Nat, with theater notes, 1973-1980, undated
49.2
Hall, Peter, 1960
49.3
Letters from Important People, 1961-1984,
undated
49.4-6
Letters from Notables,
1985-2010
49.7
Letters (Important), with insurance
documents, notes, poem by Desmond O'Grady, printed material related to Irish
Republican prisoners, invitation to Buckingham Palace, and list of measurements,
1959-1983
50.1
William Morris Agency, 1998-1992
Desk diaries
50.2
1991
50.3
1992
50.4
1993
50.5
1994
50.6
1995
50.7
1996
51.1
1997
51.2
1998
51.3
1999
51.4
2000
51.5
2002
51.6
2003
51.7
2004
52.1
2005
52.2
2006
52.3
2007
52.4
2009
52.5
2010
52.6
2011
52.7
2012
osf 25
Drawings of POT. Including cartoon by Jak of POT riding camel into RADA
Council meeting (from Hampstead greenroom) and
sketch by Simon Redington, 1993, undated
Events
52.8
Chicago Humanities Festival. Correspondence, itinerary, and photographs,
1997
52.9
Festival du Film Britannique de Dinard. Press kit with notes,
correspondence, and schedule, 1992
52.10
Foyles Literary Luncheons, A Tribute to Mr. Peter O'Toole. Program, 7
February 1990
osb 12.4
Galway Arts Festival. Calendar, 1998
52.11
Galway Film Festival. Clippings and correspondence, 2008
53.1
Savannah Film Festival. Photograph album, 2004
Financial documents
53.2
Allied Irish Banks Limited checkbook, 1981-1987
53.3-7
Financial correspondence and documents, with retirement statement and
codicil to will, 2004-2013
54.1
Financial records and notes, 1999-2003, undated
54.2
Lloyd's insurance policies, 1969-1977
Hampstead greenroom
54.3
Lists, notes, and photographs, 1976-1992, undated
Materials removed from greenroom
walls
55.1
Leeds from Holbeck engraving, circa 1870; Great Catherine production
still, circa 1967; Jeffrey Bernard Is Unwell, cast photograph, 1999; Certificate
of Nomination for Golden Globe Award, Best Performance by an Actor in a Motion
Picture—Musical or Comedy for Goodbye, Mr. Chips, 1969
55.2
Certificate of Nomination for Golden Globe Award, Best Performance by an
Actor in a Supporting Role, Television for Joan of Arc, 1999; photograph of Sir
Tim Ackroyd and Joyce Carey, 1983; Eric the Red at Ascot, circa 1966; POT as Dame
Widow Twankey?, Bristol, circa 1950s
55.3
Hamlet caricature by S. Braithwaite, undated; Hamlet playbill, Theatre
Royal, Covent Garden, 26 March 1814; photograph of POT and Dr. Slattery winning
the Clifden Pony Show, circa 1980s-1990s; caricature of POT and crew members from
Venus, 2005; production still from Isabelle Eberhardt, circa 1990; black and white
landscape photograph, View from Omey Island, undated; caricature of POT as
Macbeth, circa 1980; Great Catherine production still, circa 1967
55.4
Production photograph of POT as Hamlet, 1963; Man Friday party
invitation, circa 1975; caricature of POT as Shylock in The Merchant of Venice,
1960; ten shilling note souvenir from Great Catherine, 1967; small poster from
Baal, 1963
55.5
Playbill for Hamlet, Old Vic, 1937; theater cartoon, undated; photograph
of POT and Noël Coward, circa 1960s; Arthurus Severus O'Toole Nonesuch engraving,
circa 1792-1812; cartoon about POT encounter with paparazzi in Rome,
1964
55.6
Photograph of POT, Richard Burton, and crew of Becket, circa 1963;
photograph of Alec Guinness, Jack Hawkins, and Anthony Quail, circa 1960s,
photographs of Abbey Theatre, Dublin after its destruction by fire,
1951
55.7
Artwork, Mr. O'Toole as Harry MacLauder [Macbeth], 1980; photograph of
POT boxing, circa 1960s; production still from Waiting for Godot, 1969?; program,
Macbeth, Old Vic, 1980
55.8
Production stills, Great Catherine, circa 1967; program, The Plough and
the Stars, Abbey Theatre, Dublin, 1951; Lionel Barrymore engraving, undated;
production still from Waiting for Godot, 1969?; photograph of Jack Tanner's boots,
undated
55.9
‘Ride a Cock Horse,' drawing of beaver, circa 1965; photograph of Rudolf
Nureyev, undated; Certificate of Nomination for Golden Globe Award, Best
Performance by an Actor in a Motion Picture—Drama for The Lion in Winter, 1968;
photograph of unidentified man, undated; Certificate of Nomination for Golden
Globe Award, Best Performance by an Actor in a Motion Picture—Comedy or Musical
for Man of La Mancha, 1972; Certificates of Nomination for Golden Globe Award,
Best Performance by an Actor in a Motion Picture—Drama and Most Promising
Newcomer—Male for Lawrence of Arabia, 1962
55.10
Grammy Award Nomination plaque for Best Documentary, Spoken Word or Drama
Recording for Dialogue Highlights from Becket, 1964
osb 12.5
Photographs of HMS Montclare, undated
54.4
Horses and racing, 1985-2005
54.5-7
Invitations, programs, and tickets, 1963-2011
Itineraries
56.1-2
1984-1987
56.3
1991-1995
56.4
1996-1997
57.1
1998-2012
57.2
Keep Films Ltd. Inventories, legal documents, and correspondence,
1973-1996
Legal documents
57.3
Birth certificate and baptismal record for POT, and birth certificate for
Pat O'Toole, 1932, 1963
57.4-5
Correspondence, contracts, and other documents, 1991-2011
57.6-7
Correspondence, documents, notes for will, and retirement statement,
2009-2013
58.1
Correspondence regarding various film and book properties, including
Jeffrey Bernard Is Unwell, Rogue Male, The Ruling Class, The Stuntman, and Loitering
With Intent: Volume III, 2004-2013
58.2
Death certificates for Constance and Patrick O'Toole, and notes and
receipts for funeral arrangements, 1975-1992
58.3
Divorce decrees for Sian Phillips from first husband Donald H. Roy and from
POT, with correspondence, 1959-2008
58.4
Marriage certificate for POT and Sian Phillips, photocopy and certified
copy, 1959, 1977
Real estate
58.5
Correspondence and map, 1988-1999
58.6-7
Guyon House deeds and correspondence, 1840-1962
58.8
Ireland 2000. Property valuation and
correspondence, 1998-2007
58.9
Ireland. Land holdings, correspondence, legal documents, and invoices,
2006-2011
58.10
O'Toole House-Title Deeds,
1962-1977
58.11
Mexico, 1980-1981
59.1
New Jersey, 1993-1999
59.2
Weinstein, Jeffrey P., correspondence, 2008-2013
59.3
Letter of recommendation to RADA by W. T. Oliver?, circa 1954
59.4
The Man Who Would Be King (Lear), POT
bibliography by Michelle B. Graye. Typescript, 1982
Medical documents
59.5-6
Hospitalization, October-December 2011
59.7
Kazakhstan travel, 2011
59.8
Other medical records, 1962-2010, undated
59.9, osb 2
Membership cards, 1979-2013, undated
Memorials
POT
Celebration to Commemorate the Life and Work of Peter O'Toole
59.10
Correspondence, guest list, speech, and notebook, 2014
60.1
Photographs, including portraits and production stills,
2014
60.2
Memorial plaque, St. Paul's Church, Covent Garden, 2015
osb 13
Obituaries, 2013
60.3
Peter O'Toole Night, inaugural fundraiser for Peter O'Toole Prize, Bristol
Old Vic, 2015
60.4-6
Programs, invitations, correspondence, clippings, and speeches for various
other funerals and memorials, 1975-2012
60.7
A Modest Proposal by Jonathan Swift. Facsimile and script (for reading at
Gaiety Theatre, Dublin, 1984?)
Notes
60.8
1985-2013, undated
61.1
Ideas for Lorcan, undated
61.2
Notes on various Shakespeare plays, undated
Notebooks
61.3
With journal entries including some notes on Caligula, clippings, and
note from dry cleaner, It distresses us to return work
which is not perfect, 1975-1976
61.4
With sonnets and notes, fragment of script page for Dead Eyed Dicks, call
sheet for Caligula, and clipping, 1976, undated
61.5
With memoranda, schedule for touring production of Macbeth,
correspondence regarding Strumpet City contract, agenda for meeting between POT
and Timothy West, Old Vic Company staff list, casting notes for Macbeth,
typescript essay by Malinche Verdugo?, review of Zulu Dawn, and contract for
Masada, 1978-1981
61.6
With correspondence and artwork, 1978-1983
61.7
1979-1981
61.8
1980
61.9
With clippings and correspondence, 1980-1981
61.10
1981
62.1
With notes for Loitering With Intent: Volume III, 2008
62.2
Circa 2009-2013
62.3
Undated
62.4
Peter's notebooks. Loose pages with
typescript poems and script pages for Uncle Vanya, 1976-1981, undated
osb 2
Small notepads. Including travel notes, notes for Loitering with Intent,
and notes on Lawrence of Arabia, 2002-2010, undated
osb 12.6
O'Toole Family Research plaque, International Ancestry Guild (from Hampstead
greenroom), undated
Passports and driver's licenses
Passports
POT
62.5
British, 1956
Irish
62.6
1972, 1982
62.7
1992, 2001, 2004
62.8
Photocopied passport pages, undated
63.1
Pat and Lorcan O'Toole, 1965, 1984
63.2
British driver's license, 1960, and Irish driver's license,
2003
63.3
Personal appearances. Invoices, 1991-1996
Photographs
63.4, osb 19.7
Bernard, Jeffrey and Bernard brothers, 1995-1997, undated
63.5
Childhood and early adulthood, circa 1930s-1950s
63.6, osb 18.6
Claude (POT's cat), undated
63.7-9, 64.1-4, 70.5, osb 14, osb 19.8
Family, circa 1930s-2010s
64.5, 65.1, osb 12.7, osb 19.9
Head shots and portraits, circa 1930s-2000s
65.2
Ireland, undated
65.3
Oliver, Patrick, 1952, undated
osb 15
POT death mask, photograph mounted on wooden frame, undated
65.4
POT playing cricket in Jodhpur, India, 1983
65.5, osb 19.10
POT and David Lean with Queen Elizabeth II, 1962
osb 19.11
POT and Geoffrey Household, with note from John and Jen Ackroyd (from
Hampstead greenroom?), 1980
osb 25
POT and Lorcan O'Toole, album, circa 1990s
65.6
POT with Prince Charles and Richard Attenborough at the Royal Film
Performance, 2008
65.7
POT with Queen Elizabeth the Queen Mother and Princess Margaret,
1965
65.8
POT with Tippi Hedren at Shambala Preserve, circa 1970s
65.9
Photographs from Hope Arthur, circa 1950s-1960s, undated
65.10, 66.1-4, 67.1-2, osb 16, osb 19.12
Snapshots and travel, 1949-circa 2010s
Travel
67.3-4
Black Sea, Ukraine, and Greece, undated
67.5
Ireland, photocopies, undated
67.6
Japan, photographs and film stills, 1964-1965
67.7
Unidentified country, undated
Publicity clippings
67.8, osb 20
With correspondence, circa 1960-2013, undated
68.1
Vanity Fair, November 2005
68.2
RADA annual meeting agendas and minutes, 1988-1991
68.3
Retirement Statement, 23 May
2012
osb 3
Rolodex, undated
68.4
Royalty statements, 1994-2013
68.5
Screen Actors Guild and American Federation of Television and Radio Artists
documents, 2004-2011
Scrapbooks
osb 26
Photographs and correspondence from disbound scrapbook (removed from
scrapbook leaves), circa 1940s-1987, undated
68.6
Scrapbook of articles and reviews (removed from binder),
1962-1970
68.7-8
Scraps (clippings), 1957-1991
68.9
Scrapbook of Japanese publicity clippings created by unidentified fan,
undated
68.10
Social Security and Visa cards, 2006-2012
68.11
Speeches. Including annotated typescript of remarks on establishing Leeds
Playhouse, circa 1968, handwritten speech in French on being named Commander of the
Order of Arts and Letters, circa 1988, and Tax Free World Exhibition gala,
presentation script (two copies), 1991
69.1-2
Stationery. Including letterhead and blotter book, undated
Television appearances and commercials
69.3
Ed Sullivan Show, still photographs, 1963
Japanese commercial, Nagasaki Holland Village
69.4
Correspondence and printed material, 1991-1992
69.5
Jigsaw puzzle Thank you note,
1992
69.6
Sunday Times commercial script, 2008
69.7
Television appearances. Correspondence,
contracts, and pay statements, and correspondence regarding permissions,
1990-1997
69.8
You Can Zurich Financial Services
advertisement. Photograph, 2001
1608028P_003
Theatre Royal, Bristol. Hurd Rolland blueprint. 1 electronic file: JPG,
2008
69.9
Travel tickets and receipts, 1992, undated
Turner Classic Movies
1608028P_002
Event photographs. 8 electronic files: JPG, 2010
69.10
Press kit and correspondence regarding interview for web site relaunch,
1998
70.1, osb 12.8
Classic Film Festival. Photographs, correspondence, program, schedules,
invitations, and contracts, 2011
70.2
Vaughan Library, Harrow School. Correspondence and printed materials,
1996-2000
70.3
Venezuelan pottery donation to British Museum. Deposit receipt and
photographs, 1970
70.4
Book, audio, and video withdrawals. Including correspondence, notes, and
postcards, 1969-2001, undated
Index of Selected Correspondents
- Ackroyd, John, Sir (Dewsbury)--4.10, 39.9, 40.1,
44.2, 49.4-5, osb 19.11
- Ackroyd, Timothy, 1958- --48.5
- Actors' Equity Association--47.8
- Adare, Amanda--48.1
- Aitken, Victoria (Victoria Spencer)--26.5, 49.4
- Algar, Michael (Irish Film Board)--39.9, 40.1
- Allen, Lucy--48.1
- Allen, Miriam (Galway Film Fleadh)--52.11
- Allison, Henry--19.1
- Almond, Paul S. (New World Pictures)--39.9
- American International Pictures (Firm)--57.2
- Anderson, Ernest (Ernie)--47.8
- Anderson, Lindsay, 1923-1994--49.7
- Andrew, Neale--47.9
- Andrews, Eamonn--68.7
- Anouilh, Jean, 1910-1987--49.7
- Ansart, Stéphanie (Editions Julliard)--26.4
- Archer, Jeffrey, 1940- --48.2, 49.5
- Armstrong, William (Macmillan London)--34.3
- Arthur, Hope--34.3, 35.6, 48.2-3
- Ashton, Geoffrey--48.1
- Ashton, Tony--3.8
- Association du Festival du Film Britannique--52.9
- Atkins, Robert, 1886-1972--49.7
- Auden, Isabelle (Pan Macmillan)--26.4
- Augustin, Bill (Zarem Inc.)--53.6, 57.6-7
- Avedon, Richard--4.10
- Ayoub, Fouad--3.8
- Ayres, Alan (BBC Television)--7.4
- Bachir, Salah (Premiere)--48.1
- Baker, Ellen, Lady--47.7
- Balsam, Mark (Westchester Entertainment)--58.1
- Barclays Bank--58.10
- Barnicle, Cathy (Embassy of Ireland)--59.10
- Barnicoat, Allie--48.2
- Barr-Smith, Adrian (Denton Hall & Burgin)--39.8-9
- Barry, Kevin--19.1
- Bates, Kathy, 1948- --48.1 (to Salah Bachir)
- Battsek, Daniel (Miramax Films)--41.5
- BBC Enterprises Data Enquiry Service--26.3, 27.13
- BBC Wales--2.6, 7.4, 69.7
- Beach, Michael Hicks, 1837-1916--18.3
- Bean, Douglas J. L. (Douglas Jeyes Lendrum)--47.9
- Bearn, Emily (The Sunday Telegraph Magazine)--2.11
- Beauchamps Solicitors--57.4
- Beaumont, Thomas W.--12.4
- Belmont Riding Centre--54.4
- Bentinck, William (Will)--48.2
- Berkoff, Steven--49.5
- Berkowitz, Adam C. (William Morris Agency)--20.5
- Bernard, Isabel--2.11
- Bernard, Jeffrey--3.8, 49.4
- Bernard, Oliver--3.8, 48.3
- Beuselinck, Oscar A. (Wright & Webb, Syrett & Sons)--57.2
- Binchy, Maeve, 1940-2012--3.8, 49.5
- Bingham, Charlotte, 1942- --49.5
- Black, Samantha--20.12
- Blackman, Honor, 1925- --2.11, 3.8, 49.5
- Blair, Angus--59.5
- Blair, Tony, 1953- --47.9 (to Kenneth Griffith)
- Blakemore, Michael, 1928- --49.5
- Blessed, Brian--47.9, 48.5
- Boeuf, Dorothee--14.3
- Bolt, Robert--49.4
- Bolton, Joan--69.4
- Bomford, Nicholas Raymond (Nick)--5.13
- Boulting, Roy, 1913-2001--48.4
- Boyland, Peter (University Philosophical Society, Dublin)--49.6
- Bozzo, Freddy (Festival Internationale du Film Fantastique de Bruxelles)--47.9
- Brabourne, John--49.4
- Bradley, Derek L.--3.8
- Brady, Candida (Daily Mail)--47.9
- Brady, Terence--49.5
- Brainard, Donna L. (Columbia Pictures)--69.7
- Brando, Marlon--49.7
- Brenner, Nat--19.5, 47.8-9, 48.5, 49.1, 49.5
- Brest, Martin, 1951- --58.1
- Brewer, Sophie (Macmillan London)--26.4
- British Broadcasting Corporation--39.8-9, 40.1, 48.3, 50.1
- British Film Institute--56.4, 58.1
- British Horseracing Board--54.4
- British Library. National Sound Archive--39.8
- Broadbent, Ann--3.8
- Brochhagen, Ulrich, 1961- --26.3
- Brodzky, Horace, 1885-1969--49.7
- Brooks, Mel, 1926- --48.1
- Browne, Maria (Chief State Solicitors Office, Dublin)--57.4
- Brownlow, Kevin--47.9, 48.1
- Bruning, Herbert F. (Buzz)--47.6
- Bruns, Philip--41.5, 42.8, 48.3
- Bruyere, Christian--9.9
- Bryan, Dora--49.5
- Buck, Joyce--57.2
- Buck, Jules, 1917-2001--8.10, 39.8, 47.6, 49.2, 49.7, 57.2, 58.10, 59.8, 68.7
- Buckley, John--48.1
- Bullen, Sarah--61.9
- Bullock, Mike and Frances--48.3
- Bunche, Ralph J. (Ralph Johnson), 1904-1971--49.7
- Burchett, Sue--26.3, 26.5, 44.2, 47.9, 48.1-2, 50.1
- Burge, Stuart--19.2
- Burton, Philip, 1904-1995--49.7
- Butler, Jon (Macmillan London)--58.1
- Buxton, Susannah--8.5
- Cairnduff, Ian--39.9
- Calvin, Wyn (Grand Order of Water Rats)--47.9
- Campbell Hooper--9.9, 13.7, 14.13, 18.11, 41.4, 44.2, 48.1, 48.3, 48.5, 57.4,
57.5
- Carey, Joyce, 1898-1993--47.8, 49.4-5, 49.7
- Cariaggi, Pier Quinto (Merit of Achievement Award)--48.1
- Carpenter, Fiona (Macmillan London)--34.3
- Cary, Roger (British Broadcasting Corporation)--60.6
- Cass, Ronald, 1923-2006--49.5
- Castle, Anina (Hill and Knowlton)--47.9
- Castle, John, 1940- --49.7
- Catto, Gillian--21.5
- Catto, Peter--21.5-6
- Celtic Film Festival--50.1
- Cerni, Horst (UNICEF)--48.1
- Chalkley, Kate--48.1
- Chapman, Ian S. (Pan Macmillan)--27.1, 34.3
- Charnley, Richard L. (Deems & Carpenter)--9.9
- Chatterton, B.--48.5
- Chicago Humanities Festival--52.8
- Chittell, Christopher--48.5
- Chomat, Anne--49.7
- Circle in the Square (Organization: New York, N.Y.)--44.2
- Clare, Phillipa--2.11
- Clark, Andrew (Eldorado Productions)--50.1
- Clark, Barry Ord--48.1
- Clarke, Warren, 1947-2014--49.7
- Clayton, Stan--49.7
- Cleveland, Frank (Hurd Rolland Partnership)--38.11
- Collard, P. J. (Ascent 142)--58.1
- Collins, Douglas L. (Harrow Development Trust)--70.2
- Collins, John D.--19.1
- Conville, David--19.1
- Cook, Catherine--10.5
- Cook, Roderick--48.1
- Cooke, Jane--38.11
- Coombs, Derek--47.8
- Coombs, Fiann--48.3
- Coombs-O'Toole, Patricia, 1930- (Pat)--2.8, 2.11,
34.3, 42.11, 48.1-2, 48.4, 59.6
- Coopers & Lybrand--40.1
- Corran, Isabel Dunjohn--2.11
- Corri, Adrienne--48.2
- Cosmo, James--49.4
- Costigan, John (Gaiety Theatre, Dublin)--48.1
- Cotton, Anne--57.6, 59.5
- Cotton, Brian (Stoy Hayward & Co.)--2.6-7, 4.10, 23.8, 26.3, 39.8, 47.8, 48.1,
50.1, 57.2, 58.8, 61.5, 68.5, 69.4
- Coulson, Norman--3.8
- Courtenay, Tom--49.4
- Court-Mappin, Brian--3.8, 48.5
- Cowles, Fleur--47.8, 49.6
- Cox, Anthony--35.3, 47.8
- Cox, Paul, 1940-2016--12.17
- Cromer, Crissi--69.7
- Crossley, Jack, 1929- --48.5
- Crow, Angela--35.6
- Cuppage, Alex (Campbell Hooper)--48.6, 57.4
- Curragh Bloodstock Agency Ltd.--54.4
- Daily Telegraph (London)--49.2
- Daneman, Paul--48.2
- Davenport, Nigel--49.5
- David, Hugh (Wildacre Productions)--39.9
- Davies, Herbert--3.8
- Davis, Bruce (Academy of Motion Picture Arts and Sciences)--41.4
- Davis, Caredic--19.1
- De Blieck, Jan (Theater Impresariaat International Ltd.)--61.5
- De La Rue, Ann (Macmillan London)--34.3
- De Laurentiis, Veronica--48.1
- Dean, Christine (Otley Museum)--34.3, 35.6
- DeCola, Joseph (Joe)--47.8
- Deeley, Michael--39.9, 40.1
- DeFranco, Casey--59.6
- Denison, Michael--4.10, 49.5
- Deusbury, Ken (Macmillan London)--35.7
- Dewhurst, Colleen (Actors' Equity Association)--47.8
- Dickenson, Frances (South Bank Show)--26.3, 27.8, 48.1
- Dickerson, Chris--42.8
- Dicks-Mireaux, Odile--20.12
- Dictionary of International Biography--48.3
- Dilbert, Bernard--19.1, 50.1
- Dillon, Michael (Gerry's Club)--3.8
- Dilworth, Niamh--53.7
- Dobtcheff, Vernon, 1934- --3.8, 48.1, 49.5
- Dominguez, Luis (The Spectator)--49.5
- Donner, Clive, 1926-2010--48.1, 49.5-6
- Douglas Cox, Tyrie & Co., Ltd.--58.10
- Douglas, Kirk, 1916- --9.9
- Dowler, Jonathan--59.8
- Dowling, Charles (Coopers & Lybrand)--39.9
- Doyle, Anne Marie (Hat Trick Productions)--47.9
- Doyle, Maggie (La Nouvelle Agence)--26.4
- Doyle, Mary--48.2
- Drummond, Claire--14.3
- Dudley, Robert--48.2
- Dunlop, Frank, 1927- --48.2
- Dwyer, Finola--20.12
- Dyson, Tony (Swan Hellenic)--48.6
- Easterby, Jilly (Macmillan London)--26.4
- Ebony, David--19.1
- Ede, Nic, 1950- --6.6
- Edgar, Nick (Oxford Union Society)--47.9
- Edzard, Christine--50.1
- Elliott, Paul--61.6
- Elsworth, Jo (University of Bristol Theatre Collection)--38.1, 38.11, 42.8
- Elton, Charles--21.6
- Emmens, Stewart (Science Museum)--35.6
- Evans, B. Ifor (Benjamin Ifor), 1899-1982--49.7
- Everist, Robyn--47.8, 48.5
- Fahrmeier, James A. (The Gorgeous Mosaic)--47.9
- Fairbanks, Douglas, Jr., 1909-2000--48.1 (to Salah Bachir)
- Falconer, Sovereign--48.1
- Fallon, Gabriel--49.7
- Fallow, Jordan--69.4
- Fallowell, Duncan--49.6
- Farhi, Roslyn--9.9
- Farnes, Norma--53.7
- Faulkner, Trader--19.1
- Feldman, Gene (Wombat Productions)--50.1
- Ferriter, John (William Morris Agency)--41.5
- Festival de Lille--47.9
- Film Production Association of Great Britain--57.2
- Film Trustees (Firm)--11.4, 50.1
- Fiorillo, Antonella--47.7
- Firstenberg, Jean (American Film Institute)--47.9
- Fisher, Jennifer (US News & World Report)--47.9
- Forbes, Bryan, 1926-2013--19.1, 49.4, 49.7
- Forbes, Meriel (Lady Richardson)--49.3
- Forsyth, Frederick, 1938- --48.2, 49.5
- Forsyth, James, 1913-2005--48.2
- Foster, Neal--19.1
- Fournier, B. M. (Bill) (Campbell Hooper)--12.15,
21.6, 39.8-9, 40.1, 40.3, 47.7-8, 48.5, 57.2, 61.5, 61.9
- Fox, Louisa Lane--34.3
- Fox, Robert, 1952- --47.8
- Foyle, Christina--34.14, 48.5, 49.5-6
- Fozounmayeh, Mehdi C.--48.4
- Francis, Clare--49.6
- Francis, Clive, 1946- --34.3, 49.5
- Franklyn, William, 1925-2006 (Bill)--48.1
- Freed Stone Goodman--47.8
- Friedman, Zoe Lane (Late Show with David Letterman)--70.4
- Friends of the University of Bristol Theatre Collection--42.12
- Fry, Minna (Macmillan London)--34.3
- Fryer, Jonathan--70.4
- Fullerton, W. J. (Cardew-Smith & Ross)--49.2
- Fulton, Mary (Town House Publicity)--69.7
- Gallagher, Francis X. (Business Traveler International)--47.9
- Ganis, Sid (Academy of Motion Picture Arts and Sciences)--4.15
- Garner, Sondra (to John Kenny)--47.7
- Garrick Club (London, England)--49.7, 56.2
- Gee, Albion (Albion Gee & Co.)--14.6
- Geels, Laurens--18.2, 48.1
- Geltzer, Jeremy, 1969- (Turner Classic Movies)--69.10
- George, Prince, Duke of Cambridge, 1819-1904 (recipient?)--18.3
- Geraghty, Brian G.--58.10
- Gernon, Ed--10.1
- Getty, Paul, 1932-2003, and Victoria--49.4
- Gibson, Anna, 1963- --26.4
- Gibson, Robin (National Portrait Gallery)--47.8, 48.5
- Gielgud, John, 1904-2000--49.4, 49.7
- Gill Branston & Associates--60.6
- Gillis, Kevin--13.11
- Ginna, Robert Emmett--47.8
- Gish, Sheila, 1942-2005--49.5
- Glickman, Dan (Motion Picture Association of America)--41.5
- Global Asset Management Limited (England)--20.9
- Gold, Jack, 1930-2015--3.8
- Goldberg, Sheri (Miramax Films)--41.5
- Goldman, James (Jim)--49.7
- Goodman, John, 1952- --49.4-6
- Gottlieb, Sydney--44.2, 47.6
- Grade, Lew, 1906-1998--19.1
- Grade, Michael Ian, 1943- --47.9
- Great Britain. Meteorological Office--43.16
- Green, Benny, 1927-1998--49.6
- Greene, Sally (The Old Vic Theatre)--3.1-2, 3.8, 48.3
- Gregory, John--19.1
- Gregus, Diana--19.1
- Griffith, Eva--21.2, 37.5-6, 38.2-3, 70.4
- Griffith, Kenneth, 1921-2006--2.8, 26.5, 47.6, 47.8-9
- Griffiths, Sally (Zakiya and Associates)--47.9, 52.9
- Guinness, Alec, 1914-2000--49.7, 68.7
- Guttenberg, Steve, 1958- --49.4
- Hal Leonard Publishing Corporation--34.3
- Haldi, John (Zarem Inc.)--67.8
- Hall, John--4.10
- Hall, Peter, 1930-2017--48.5, 49.2-3, 49.7
- Hall, Willis, 1929-2005--48.5
- Halliday, Simon (Anscombe & Ringland)--58.5
- Hallinan, Richard--47.6
- Hambling, Brett--48.1
- Hamill, Pete, 1935- --49.7
- Hammond, David--44.2
- Hammond, Keith--3.8
- Hancock, Sheila, 1933- --49.4
- Hansen, Kris (Sofa Entertainment)--69.7
- Hardwicke, Edward and Prim (Ted and Prim Harbottle)--48.1, 49.4
- Harper, Gerald, 1929- --48.5, 49.5
- Harris, Ralph--48.2, 48.5
- Harris, Rosemary, 1927- --19.1
- Harrow, Gustave--39.9, 40.1
- Hart, Josephine--48.5
- Hartley, Fred and Glory--9.9
- Harwood, Ronald, 1934- --49.4
- Hastings, Max--3.1
- Havelock-Allan, Anthony--49.7
- Hawkins, Doreen--47.8
- Hawkins, Jack, 1910-1973--49.3
- Hecht, Deborah--44.2
- Hedley Saunders, Mrs. F.--49.4
- Hedren, Tippi--48.5
- Heller, Paul (Paul Heller Productions)--39.9, 40.1
- Hepburn, Katharine, 1907-2003 (Aquitaine,
Nag)--26.5, 49.3, 49.7
- Herring, John--49.4
- Hersh, Rick--57.4
- Hettrich, Darcy (Turner Classic Movies)--69.10, 70.1
- Hickes, Rene--47.8
- Hicks, H. D. (English-Speaking Union of the Commonwealth)--48.5
- Higgins, Michael D., 1941- --47.8, 48.3, 49.7
- Hill, Gladys, 1916?-1981 (Glades)--47.6
- Hilton-Johnson, Christopher, Jan, and Oliver--2.8
- Hirsch, Barry L. (Hirsch Wallerstein Hayum Matlof & Fishman LLP)--58.1
- Hobbs, Amanda--27.8
- Hobbs, Betty--49.7
- Hobbs, Bruce, 1920-2005--48.5, 49.7
- Hobson, Harold--49.7
- Hodge, John, 1964- --8.5
- Hoffman, Dustin, 1937- --49.3-4
- Hoffman, Gary, 1946- --20.5, 50.1
- Holden, Anthony, 1947- --3.8
- Holdsworth, Christine--47.6
- Holland, Merlin--19.1
- Holroyd, Michael--48.2
- Holt, Hilary (Larri)--40.1, 44.2, 47.7-8, 48.5,
50.1, 56.1-2
- Honan, Corinna (The Daily Telegraph)--2.11
- Hope, Susan (You Magazine)--26.3
- Household, Geoffrey, 1900-1988--49.7
- Howard, Dorian (Dori) (Miramax Films)--3.8,
48.2
- Hudd, Roy--49.4
- Hughes, Brian (Connemara Chamber of Commerce)--48.3
- Hughes, Megan (Lionsgate)--57.5
- Hughes, Ted, 1930-1998--49.3
- Hulme, Nick--3.8, 48.2
- Humphry, John (Actor)--47.8
- Hunter, P. D. (Vaughan Library, Harrow School)--70.2
- Hurley, Catherine (Macmillan London)--34.3
- Hussey, Alison--53.6, 57.6-7, 59.10
- Hussey, Nick--43.16
- Huston, John, 1906-1987--49.7
- Hutchinson, Philippa--59.6
- Hyde, Byron M.--57.6
- Hyman, Bruce--20.9
- Hyman, Sue--2.9, 49.5
- Imison, Michael, 1935- --20.9
- Ingrams, Richard (The Oldie)--48.3
- Inoue, Mamoru (Dentsu, Inc.)--69.4
- Institute of Contemporary History and Wiener Library Limited--26.3
- Irons, Jeremy, 1948- --49.5
- Isaacs, Jeremy, 1932- (Channel Four)--39.9
- Jackson, Anne, 1925-2016--49.4
- Jackson, Edward (Edward Oliver) (Ted)--35.3, 35.5,
48.2, 49.4, 49.6
- Jagger, Bianca (Asia Society)--49.5
- James B. Joyce & Co.--48.2, 58.8
- James, Peter (Lyric Theatre Hammersmith)--50.1
- Jamieson, Renee--3.8, 48.3
- Jason, Geoffrey (Jewish National Fund)--47.9
- Jefferies, Catherine--44.2
- Jenkins, Claudia (Personal Secretary to Prince Michael of Kent)--49.5
- Jenkins, Gordon--48.5
- Jennings, Carolyn--3.8, 21.6, 48.5
- Jex, Graham--43.16
- Joachimsthaler, Anton--26.3
- Joel, Bertie (Royal London Society for the Blind)--47.9, 48.5
- John, Elton--48.3
- Johnson, Frank, 1943-2006--48.1
- Jones, Ashley (The Museum Bookshop Ltd.)--47.8
- Jones, Beryl (Ffilm Cymru Wales)--69.7
- Jones, Dedwydd--60.7
- Judge, Edward, 1922- --34.4
- Kashmir Palace (Firm)--47.7
- Kass, Jerome, 1937-2015--14.3
- Katzenberg, Jeffrey, 1950- --41.5
- Katzin, Olga, 1896-1987--47.6
- Kean, Marie, 1918-1993--39.9, 40.1
- Kearns, Niall J.--42.1
- Keene, Sara (Corbett & Keene Ltd.)--48.5
- Keep Films (Firm)--12.10, 49.2, 57.2
- Keevil McIntosh Gibson Limited--58.5
- Kelleher, John (Film producer and director)--19.1, 49.6, 61.5
- Kellogg, Robert K.--49.7
- Kelly, David, 1929-2012--39.9, 40.1
- Kenis, Stephen M. (William Morris Agency)--1.11, 2.5-7, 2.11, 4.10, 7.6-7, 7.9, 8.2,
8.5, 9.12, 9.16, 10.1, 10.5, 10.13, 11.4, 12.16-17, 13.4, 13.16, 14.2, 14.6, 14.10, 14.13,
15.9, 17.4, 17.11, 17.13-14, 18.1-2, 18.6, 19.1, 19.5, 19.8, 20.5, 20.8, 20.12, 26.5,
34.3, 39.8, 40.1-2, 41.4, 44.2, 47.9, 48.1, 48.3, 48.5, 50.1, 53.3, 53.5-7, 57.4-7, 58.1,
59.5, 68.5, 68.10, 69.4, 69.6-7, 69.10
- Kennedy, Ludovic, 1919-2009--48.3
- Kenny, John--47.7
- Kenny, Nicholas--48.2
- Kenwright, Bill, 1945- --19.5
- Kershaw, Richard, 1934-2014 (Lord's Taverners)--47.9
- Kessler, Linda (Esquire)--48.5
- Kett, Thomas--19.1
- Khan, Aleema (Imran Khan Cancer Appeal)--47.9
- King, David, 1943-2016--27.3
- King, Nicola (Coutts & Co.)--57.6
- Kinninmont, Tom--2.11, 3.1, 48.5
- Kinstler, Everett Raymond--70.4
- Kirkup, John--35.6
- Kitei, Lisa (Hyperion)--27.1
- Koenig, Kathy (City National Bank)--68.10
- Kolvekar, Shyam K. (Heart Hospital, London)--48.6
- Koontz, Dean R. (Dean Ray), 1945- --13.16
- Korner, Vickie--3.8, 48.2
- Kot, Rick (Hyperion)--34.3
- Kress, Alaric (Munich Botanical Garden)--26.3
- Kueven, Kirsten--26.4, 27.2
- Kureishi, Hanif--17.4
- La Plante, Lynda--49.5
- Lafford, Anita--47.9
- Lambert, Verity--9.7
- Lang, Jack, 1939- (Ministere de la culture, de la communication, des grands travaux et
du Bicentenaire, France)--48.2, 50.1
- Lange, Gudrun--26.4, 27.2
- Lapotaire, Jane--49.6
- Latimer, Sue (Artists Rights Group Ltd.)--48.6
- Lavictoire, Nicola (Chesterton Global Ltd.)--59.5
- Lawrence, Philippa, 1938-2015--2.9, 3.8
- Lawson, Lillian--49.7
- Lawson, Wilfrid, 1900-1966--68.7
- Lazarusians Cricket Club--48.1
- Le Mesurier, Joan--3.8
- Lean, Sandra, 1940- --49.5
- Leeming, Jan--49.5
- Lees, Eric (Stoy Hayward & Co.)--4.10, 11.4, 39.8, 40.1, 44.2, 48.5, 50.1, 54.1.
57.2, 59.1
- Lefever, Robert, 1937- --3.8
- Leicester Environment City Promotions--47.9
- Leigh, Andrew (Old Vic)--48.2
- Lennard, Valerie--43.17
- Lester, Adrian--48.3
- Leventon, Annabel--3.8, 4.10, 49.5
- Lever, Peter (Rochdale Rugby Union Football Club)--47.9
- Levete, Michael J.--48.1
- Levine, Joseph E.--49.7
- Lewenstein, Oscar, 1917-1997--48.5
- Lewin, David--14.2
- Lewis, Brad (Bradford)--14.7-8
- Lewis, Kenneth, 1928 June 22- --35.6, 59.8
- Lewis, Michael--48.2
- Lewis, Roger, 1960- --3.8
- Lewis, Tony, 1938- --3.8
- Liddell Hart, Basil Henry, Sir, 1895-1970--49.3
- Liles, Grahame--48.5
- Lim, Frederick T. K. S.--59.5
- Lloyd, Olivia--20.12
- Loader, Kevin--17.4
- Lodge, Janine--10.5
- Lomath Brothers--57.2
- Lord, Graham, 1943-2015--47.9
- Loren, Sophia, 1934- (Scicolone)--49.7
- Losey, Gavrik--39.9
- Losey, Joseph--49.7
- Lotos Club (New York, N.Y.)--48.3
- Ludwig, Eugene Allan, 1946- (Covington & Burling)--50.1
- Ludwig, Marla (MGM Music)--17.11
- Lutyens, Sarah (Macmillan London)--26.5, 34.3, 35.6
- Lydon, Martin--49.7
- Lynch, Joseph--9.9
- Mac Aree, Noel--42.1
- Mac Dermott, Felim (Galway Film Fleadh)--52.11
- Mac Liammoir, Micheal, 1899-1978--49.7
- Mac Manus, Rhoda (The Hawk's Well Theatre)--39.9
- MacDonald, Peter James (Seaforth Highlanders' Regimental Association)--48.1
- Machado, Luis Alberto--13.2
- Macmillan London--25.2, 25.5, 26.3, 26.5, 34.4, 34.7
- Macmillan, David (Pan Macmillan)--26.4, 34.3, 34.7
- Macnaughton, Patricia (MLR Limited)--40.2
- Madden, Freddie (Global Visions Limited)--40.2
- Mahon, Martin (Yellow Asylum Films)--19.1
- Malfait, John and Janet--49.5
- Malleson, Miles--49.7
- Malynn, Patrick--19.1
- Mangan, Richard (Mander and Mitchenson Theatre Collection)--34.3, 35.2-3, 36.3-4,
37.7, 38.1, 38.11, 46.12-13
- Mar, Countess of, 1940- --57.6
- Marx, Maxine--48.1
- Mason Hayes & Curran (Firm)--42.1
- McCann, Donald--48.5
- McCartney, Stella, 1971- --3.2
- McDonald, Charles (Premier PR)--17.4, 41.5
- McDowell, Nick (Macmillan London)--26.2-5, 27.1
- McGowan, Rose, 1973- --48.1
- McKay, Malcolm--19.1
- McKeand, Martin--47.9
- McKenna, Siobhan, 1923-1986--39.9, 40.1
- McLane-Iles, Betty, 1951- --19.1
- McLennan, Colin--21.4
- McNeill, Lindsay (Embassy of the United States of America)--68.10
- McShane, Ian, 1942- --49.4
- Meeson, Andrew A.--59.5
- Meola, Jack F. (Amper Politziner & Mattia)--57.5, 68.10
- Merchant, W. Moelwyn (William Moelwyn), 1913-1997--35.6, 43.15, 47.6-7, 48.5, 61.9,
70.4
- Merriam, Joy (Joy Merriam & Co.)--48.1
- Michell, Roger, 1956- --17.4
- Mickelson, Jean M.--47.7-8
- Mickelson, Kathy--48.1
- Middlemass, Frank--48.4
- Miles, Bernard, 1907-1991--49.7
- Miles, Sarah, 1941- --49.4
- Millbank, Mark--48.5
- Miller, Clare (Macmillan London)--35.7
- Miller, Danny (Hirsch Wallerstein Hayum Matlof + Fishman LLP)--58.1
- Miller, Hugh, 1889-1976--49.7
- Miller, Marie--49.4
- Milligan, Spike, 1918-2002--49.3
- Mills, Royce--3.8, 49.5
- Milner, Richard (Macmillan London)--58.1
- Milton, Ernest, 1890-1974--68.7
- Mintz, Israel (Zionist Central Council of Greater Manchester)--47.9
- Mirvish, Ed, 1914-2007 (Old Vic)--49.6
- Mishon, Barry J.--47.9
- Mitchell, Adrian, 1932-2008--49.5
- Mitchell-Hedges, Anna--47.8
- Molloy, Robert, T.D.--47.6
- Monnoyer, George F. (Fred)--48.2, 49.4
- Montagu, Helen--19.5, 50.1
- Morgan, Nancy Ellen--47.8
- Morrell, Penny--48.2
- Morris, Michael (The Old Vic Theatre)--3.2
- Morris, Tom, 1964- (Bristol Old Vic)--48.3
- Morrison, Martha (Miramax Films)--17.4
- Mortimer, Penelope, 1918-1999--49.4-5
- Mountbatten of Burma, Patricia Edwina Victoria Knatchbull, Countess,
1924-2017--49.4
- Mughal Sheraton (Tajganj, India)--47.7
- Mulcahy, Patricia (Hyperion)--26.4-5, 27.1
- Muldoon, Claire (Hackney Empire Theatre)--47.9, 48.2
- Mullin, Lawrence--19.1
- Mulvey, John L.--44.1, 54.4, 58.8-9
- Munton, Sally--48.2
- Murphy, Carol (Irish Famine Commemoration Fund)--48.2
- Myers, Laurence--2.11 (recipient), 3.1
- Narizzano, Silvio--19.1
- National Film Trustee Company--10.13
- National Theatre (Great Britain)--1.8
- Neal, Patricia, 1926-2010--48.1 (to Salah Bachir)
- Neeson, Liam--41.5
- Neville, John, 1925-2011--68.7
- Neville, Oliver (Royal Academy of Dramatic Art)--47.8
- Newman, Nanette--49.4
- Newman, Paul, 1925-2008--49.5
- Nexus Network--69.4, 69.7
- NiFhatharta, Treasa (Teach Synge)--48.1 (to Kenneth Griffith)
- Nichols, Dandy--49.7
- Nichols, Luther (Doubleday & Company, Inc.)--9.9
- Niven, David, 1942- --50.1
- Nixon, Simon (Cambridge Union Society)--47.9
- Noad, Tom--3.8, 5.13
- Noble, Peter (Screen International)--48.5
- Norman, Steve (AmeriCares)--47.9
- North, David (Pan Macmillan)--58.1
- Nunn, Trevor--49.4
- Nyman Libson Paul & Co.--47.6, 58.10
- O'Brien, Michael V.--48.4
- O'Casey, Eileen--39.8
- O'Donovan, Fred--3.8, 3.11, 39.8-9, 40.1-2, 48.1-2, 49.5-6
- O'Donovan, Sally Ann--70.4
- O'Toole, Constance Jane (Jane O'Toole)--68.7
- O'Toole, Kate--2.11, 38.1, 42.11, 44.1-3, 47.6-7, 48.2-3, 48.5-6, 52.11, 58.1, 59.5,
59.10, 60.1
- O'Toole, Lorcan--2.8, 3.8, 5.13, 48.6, 59.6
- O'Toole, Michael (Brown's Hotel, Laugharne, Wales)--49.7
- O'Toole, Pat--3.8, 47.6, 48.1, 48.3
- O'Toole, Patrick (Pop)--47.6, 48.5
- O'Toole, Peter, 1932-2013 (outgoing)--2.11, 3.2, 7.9, 8.5, 11.7, 13.7, 13.16, 14.2,
14.6, 17.4, 18.6, 19.1, 19.3, 19.5, 20.5, 20.9, 20.12, 21.4, 21.6, 23.8, 26.3-4, 28.1,
34.3-4, 34.7, 35.2-3, 35.6-7, 37.5-6, 38.1, 39.8-9, 40.1-2, 41.10, 42.11, 43.15-16,
44.1-3, 46.15, 47.7-8, 48.1-2, 48.5-6, 49.4-7, 52.8, 53.3-7, 57.2, 57.4, 57.6-7, 58.1,
58.11, 59.2, 59.6-7, 68.5, 70.1
- Olavarria, Jorge--13.2
- Old Vic Theatre (London, England)--2.8
- Oliver, Patrick, 1933-2009--43.17, 47.6, 47.8, 48.2-3, 48.6
- Oliver, W. T. (?)--59.3
- Olivier, Laurence, 1907-1989--49.3
- Olson, Dale C.--47.9
- Orme, Hazel (Macmillan)--26.4, 34.3
- Osborne, John, 1929-1994--19.3, 19.5, 48.5, 57.4
- Owens, Greg--19.1
- Paer, Ronni L.--50.1
- Paige, Elaine (AIDS Crisis Trust)--47.9
- Papoutsakis, Manolis--49.7
- Pardell, Frances--14.10
- Parker, Liz--48.2
- Pearson, Nicholas (Fourth Estate)--47.2
- Pearson, Noel--39.9, 40.1
- Pepper, D. Stephen--47.8
- Percy, Henry, Duke of Northumberland, 1953-1995 (Harry
Hotspur)--48.2
- Philip, Prince, consort of Elizabeth II, Queen of Great Britain, 1921- --49.7
- Phillips, Caroline (Evening Standard)--50.1
- Phillips, Leslie, 1924- --49.4
- Phillips, Sian, 1933- --3.8, 57.2
- Pick, Charles--26.3, 34.3
- Pick, Martin--37.7, 48.3
- Pierson, Frank R.--41.4
- Pierson, Heldring & Pierson N. V.--18.2
- Pigott-Smith, Tim--48.2
- Pinter, Harold, 1930-2008--49.3
- Pizzey, Jane (Macmillan London)--34.3
- Planco, Johnnie (William Morris Agency)--3.8, 19.1, 48.3, 50.1, 58.9, 68.5,
70.1
- Players (Club)--48.6
- Playfair, David--26.3
- Plowright, Joan--48.5
- Powell, Charity--47.6
- Powell, Henry (I-Spy Tours)--47.9
- Powell, Robert William (Bob)--47.6
- Pringle, Bryan, 1935-2002--49.5
- Pringle, John (Consolidated Productions Limited)--40.1
- Prout, Len--47.3
- Quarmby, Kevin A.--3.8
- Raidio Teilifis Eireann--39.8, 40.1-2, 48.5
- Raskin, Lawrence--47.9
- Rattigan, Terence (Terry)--49.7
- Ray, Andrew, 1939-2003--49.4
- Redgrave, Vanessa, 1937- --39.8, 48.6
- Redington, Michael--2.5-6, 4.9-10, 21.4, 26.5, 41.10, 49.4-5, 50.1
- Rees, John (Harrow Development Trust)--70.2
- Reisz, Karel--48.5
- Rhomberg, Vince (Public Theatre of Greater Fort Lauderdale, Inc.)--47.9
- Rhymes, Rupert (Society of London Theatre)--41.10
- Rice, David G. (Leukaemia & Cancer Children's Fund)--47.9
- Richards, Alun, 1929- --47.6, 47.8
- Richards, Keith, 1943- --49.4
- Richardson, Ralph, Sir, 1902-1983--49.7
- Rickards, Jocelyn, 1924- --47.8, 49.5
- Ringling, Jean (Al Ringling Theatre)--47.9
- Roberts, John (Stratford Memorial Theatre)--49.2
- Robinson, Chris (Telluride Film Festival)--58.1
- Robinson, Christopher (University of Bristol Theatre Collection)--35.6
- Robinson, Sugar Ray, 1920-1989, and Millie--48.4, 49.3
- Rogers, Ginger, 1911-1995--48.1 (to Salah Bachir)
- Rohr, Tony--47.8
- Roose-Evans, James--19.9
- Rose, Mitchell--47.9, 48.2, 50.1
- Rout, Jackie--3.8
- Royal Theatrical Fund (Association)--48.1
- Rozner, Gina (Macmillan London)--35.7
- Rubinstein, Felicity (Macmillan London)--26.2-3, 26.5, 27.13, 48.5
- Rush, Richard, 1930- --47.6
- Russell, Charles (Charles Russell & Co.)--8.10
- Russell, Dudley--21.4
- Sarah, Duchess of York, 1959- --49.5
- Sasage, Shoji (Dentsu Inc.)--69.4
- Savannah (Ga.) Film Festival--48.3
- Schenbaum, Gail (WitzEnd Productions)--50.1
- Schmidt, Leah (Lemon Unna & Durbridge Limited)--48.1
- Scofield, Paul, 1922-2008--3.8, 49.7
- Scott, Angus--3.8
- Scott, Dora (“Dee”)--3.8, 4.10, 47.7, 48.2, 48.4
- Screen Actors Guild Producers Health Plan--68.5
- Seader, Richard--39.8
- Sée, Denise--8.10, 42.1, 47.6, 49.2, 49.7, 57.2, 58.6
- Semple, David (Thorn EMI)--39.9, 40.1
- Sewell, Brian--48.5, 49.4
- Shah, Tahir--48.1
- Shaw, Bernard, 1856-1950--35.3
- Sherak, Tom (Academy of Motion Picture Arts and Sciences)--49.4
- Shergold, Brian--58.1
- Sherrin, Ned--2.8, 3.8
- Sheth, R. K. (Ravi K.)--48.2
- Sievernich, Chris--50.1
- Silverstone, Alicia--49.5
- Sim, Alastair, 1900-1976--49.3
- Simkins, Michael (The Simkins Partnership)--11.4
- Simpson's-in-the-Strand--41.9
- Sinclair, Andrew, 1935- --48.5
- Sinden, Donald (Royal Theatrical Fund)--48.1
- Slattery, J. M.--59.8
- Smith, Carey (Macmillan London)--34.3
- Smith, Greg (Elstree Company)--40.2
- Smith, Peter--47.8
- Snapes, Michelle (National Film Archive)--48.5
- Snell, Gordon--49.5
- Society of Authors (Great Britain)--8.10, 12.10, 39.8-9, 40.3
- Solomkina, Svetlana--18.1
- Sone, Kyoko--69.4
- Spacey, Kevin--49.4
- Speed, Sasha (Coutts & Co.)--57.6, 59.5
- Spencer, Charles Spencer, Earl, 1964- --48.1, 49.4-7
- Spencer, Edward John Spencer, Earl, 1924-1992 (John)--49.4
- Spencer, Raine--49.4-5
- Spiegel, Sam--49.7
- St. Johnston, Lady [Charlotte]--3.8
- Standing, John, 1934- (Bletchley)--47.6, 47.8
- Standing, Sarah--54.1
- Stavis, Barrie--47.8, 48.2
- Steele, Tommy--49.4
- Stetler, Karen (Criterion Collection)--58.1
- Stevens, George, Jr., 1932- (American Film Institute)--49.6
- Stevenson, Adlai E. (Adlai Ewing), 1900-1965--48.5, 49.7
- Stevenson, Wilf (British Film Institute)--47.9
- Sting (Musician)--49.5-6
- Stone, Norman--14.2, 19.1
- Stone, Philip, 1924-2003--48.1
- Stoy Hayward & Co.--2.6-7, 4.10
- Strahan, David J. (Barretstown Gang Camp Fund Ltd)--48.1-2
- Sturridge, Charles--8.2, 9.2, 49.4
- Styler, Trudie--49.5-6
- Suzy Vaughan Associates, Inc.--12.15
- Swift, Clive--49.4
- Takashima, San (Nexus Network)--69.5
- Tallman, Frank G. (Tallmantz Aviation, Inc.)--49.7
- Tant, Russell B.--48.5
- Tarbuck, Jimmy--3.8
- Terry, Nigel--49.5
- Thant, U, 1909-1974--49.3
- Thaw, John, 1942-2002--49.4
- The Friends of the British Theatre--4.10
- The Oldie (London, England)--48.3
- The Spectator--41.5, 47.9
- Thomas, D. D. (Uncle Dai)--49.7
- Thomas, Jeremy--10.13
- Thompson, Peter (Peter Thompson Associates)--2.11, 3.1
- Thorburn, Cliff (Essex Association of Boys' Clubs)--47.9
- Tickner, Martin--47.9
- Tisdall, Ben--41.9
- Todoroff, Tom, 1957- --35.3
- Tomasin, Jenny--3.8
- Towb, Harry, 1925-2009--49.5
- Toye, Wendy, 1917-2010--2.8, 3.8
- Tracy, John P. (Saint Lawrence O'Toole Rectory)--48.5
- Travers, Ben, 1886-1980--49.3, 49.7
- Trevor-Roper, H. R. (Hugh Redwald), 1914-2003 (Lord
Dacre)--26.3
- Trussell, Samuel (Thomas T. Anderson & Associates)--9.9
- Tufano, Jason (Cineserve)--58.1
- Tunnicliffe, Neil (Kingswood Press)--48.2
- Turner Classic Movies (Firm)--41.5
- Turner, Sue (BBC Archive Services)--58.1
- Tutin, Dorothy, 1930-2001--49.5
- Uesugi, Ken (Dentsu Inc.)--69.4
- Union Jack Club--46.15
- USA Film Festival (Dallas, Texas)--47.9
- Ustinov, Peter (peadarh'
o'usteannoiagh)--49.7
- Vaughn, Matthew, 1971- --49.4
- Ventura, Viviane (Ventura Promotions)--50.1, 69.7
- Verdugo, Malinche--47.6
- Vernon, Frank, 1876-1940--34.3
- Vilanch, Bruce--21.4
- Villiers, Lucy--4.10, 17.14, 18.1, 20.12, 38.1, 38.11, 41.4, 42.8, 43.16, 44.1-2,
48.3, 48.5-6, 52.11, 53.5, 53.7, 57.4-7, 58.1, 59.2, 59.5-6, 68.5, 68.10, 70.1
- Virgilio, Robert (Chevrolet Celtic Classic)--47.9
- Von Halle, Sarah--47.9
- Vuille, Georges-Alain, 1948-1999--19.8
- Waddington, Ann--48.1
- Walford, John (Multiple Sclerosis Society of Great Britain and Northern
Ireland)--47.9
- Walker, Nina--35.3
- Wallach, Eli, 1915-2014--48.3, 49.4
- Wallis, Larry--3.8
- Walsh, Leo--34.3, 47.6, 48.2
- Walsh, Mary (Coopers & Lybrand)--39.9
- Walsh, Steve (Consolidated Productions Ltd.)--40.1
- Walsh, Thomas P. (Tom) (Eamonn Andrews Studios
Ltd.)--21.8, 42.1, 47.6
- Wanamaker, Sam, 1919-1993 (International Shakespeare Globe Centre)--48.5
- Wardle, Bernard--48.5
- Washbourne, Mona, 1903-1988--49.7
- Waterhouse, Keith--2.6, 2.11, 4.6, 4.10, 49.5
- Waters, Joe (BBC Television)--7.9
- Watling, Jack, 1923-2001--3.8
- Webb, Tom (London Tourist Board)--47.9
- Weinstein, Jeffrey P. (Weinstein Snyder)--2.8, 20.12, 48.6, 53.5, 53.7, 57.4, 59.1-2,
59.6, 68.10
- Weinstein, Ronnie--3.8, 59.2
- Weitz, Chris, 1969- --19.6
- Wells, Dee--47.8, 48.5
- Wells, John R. (Saturday Evening Post)--68.6
- West, Timothy--47.8
- Westmore, Wally, 1906-1973--49.7
- Whiteing, David--47.8
- Whitemore, Hugh--3.1
- Whittaker, Jodie, 1982- --49.4
- Whittingham, Selby--21.5
- Wieder, Catherine--26.5
- Wiener Library--28.1, 48.5
- Wildman, Ian (Peace Arch Entertainment)--58.1
- William Morris Agency--7.4, 7.9, 9.9, 11.4, 50.1, 60.5, 69.7
- Williams, David Hedley--47.9
- Williams, Emlyn, 1905-1987--49.7
- Willmotts Chartered Surveyors--57.4
- Willoughby, Bob--47.6
- Wills, David M. (Campbell Hooper)--2.11, 3.1-2, 4.9, 7.4, 7.9, 8.5, 9.2-3, 9.6, 9.9,
9.14, 9.16-17, 10.1, 10.5, 10.10, 10.12-13, 11.4, 11.7, 12.6, 14.2, 14.6, 14.10, 14.13,
14.15, 15.3, 16.2, 17.4, 17.11, 17.14, 18.2, 18.11, 19.1, 19.3, 19.5, 19.8, 20.5, 20.8-9,
20.12, 21.4, 26.3-5, 27.2, 27.8, 34.3, 35.2, 35.5-7, 38.4, 39.8, 40.2, 43.16, 47.9,
48.1-3, 48.5-6, 50.1, 52.11, 53.3-7, 57.4-7, 58.1, 58.3, 58.8-9, 59.2, 59.5-7, 67.8,
68.10, 69.4, 69.7, 69.10
- Wilson, Don (St. Alban Centre, York)--49.5
- Wilson, Paddy--2.11 (recipient)
- Winner, Michael--49.4, 49.6
- Wise, Robert, 1914-2005 (Academy of Motion Picture Arts and Sciences)--48.5
- Wise, Woody--53.7, 57.6, 58.1
- Wogan, Terry--41.9
- Wolfit, Donald, 1902-1968--47.6, 49.7
- Woolf, Henry, 1930- --49.7
- Woolley, Stephen--49.6
- Wordley, Vivienne--26.4
- Wren, Christopher, 1947-1999--47.9
- Wright, Margaret (People Weekly)--48.1
- Yadin, Orly, 1949- --48.2
- Young, Christopher, 1960- --8.5
- Zarem, Robert M. (Bobby )--47.9, 53.6, 57.6-7
- Ziegler, Philip--53.6
Barcode Index
- 1--059188000144081
- 2--059188000144099
- 3--059188000144145
- 4--059188000144170
- 5--059188000144200
- 6--059188000144234
- 7--059188000144285
- 8--059188000144293
- 9--059188000144102
- 10--059188000144111
- 11--059188000144153
- 12--059188000144188
- 13--059188000144218
- 14--059188000144242
- 15--059188000144277
- 16--059188000144307
- 17--059188000144129
- 18--059188000144137
- 19--059188000144161
- 20--059188000144196
- 21--059188000144226
- 22--059188000144251
- 23--059188000144269
- 24--059188000144315
- 25--059188000144323
- 26--059188000144374
- 27--059188000144382
- 28--059188000144471
- 29--059188000144480
- 30--059188000144501
- 31--059188000144528
- 32--059188000144536
- 33--059188000144331
- 34--059188000144366
- 35--059188000144391
- 36--059188000144463
- 37--059188000144498
- 38--059188000144510
- 39--059188000144544
- 40--059188000144552
- 41--059188000144340
- 42--059188000144358
- 43--059188000144404
- 44--059188000144412
- 45--059188000144421
- 46--059188000144439
- 47--059188000144447
- 48--059188000144455
- 49--059188000144561
- 50--059188000144579
- 51--059188000144625
- 52--059188000144676
- 53--059188000144684
- 54--059188000144731
- 55--059188000144749
- 56--059188000144757
- 57--059188000144587
- 58--059188000144617
- 59--059188000144633
- 60--059188000144668
- 61--059188000144692
- 62--059188000144722
- 63--059188000144765
- 64--059188000144773
- 65--059188000144595
- 66--059188000144609
- 67--059188000144641
- 68--059188000144650
- 69--059188000144706
- 70--059188000144714
- 71--059188000144781
- 72--059188000144790
- osb 1-3--059188000145087
- osb 4--059188000145281
- osb 5--059188000145273
- osb 6--059188000145141
- osb 7--059188000145150
- osb 8--059188000145168
- osb 9--059188000145176
- osb 10--059188000145184
- osb 11--059188000145192
- osb 12--059188000145125
- osb 13--059188000145117
- osb 14--059188000145109
- osb 15--059188000145133
- osb 16--059188000145257
- osb 17--059188000145222
- osb 18--059188000145214
- osb 19--059188000145206
- osb 20--059188000145249
- osb 21--059188000145311
- osb 22--059188000145303
- osb 23--059188000145290
- osb 24--059188000145231
- osb 25--059188000145095
- osb 26--059188000145265