Norman Bel Geddes Database
Job 33, King Lear, 1917
Summary: Bel Geddes's designs for this planned Winthrop Ames production of William Shakespeare’s King Lear, although never realized, are nevertheless significant and were exhibited frequently. They reveal that by age 23, Geddes had already formed many of his vital concepts about the theater, articulated in his own remarks on his designs. Geddes described his visualization of the play as “in a mood of pitiless shadow and tempestuous motion, where the primary forces of nature are tearing things from their proper places.” By removing all but a few massive rocks as backdrops and scenery in this rotating theater-in-the-round concept, Geddes sought to highlight the action and actors, rather than the set.
Hunter Code: DR 24
Hunter Guide: page 61