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Scope and Contents |
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The primary focus of the collection is on Skaaren's work as a
screenwriter in the late 1980's. Included are drafts, revision pages,
treatments, synopses, story analyses, outlines, charts, memos, notes,
clippings, bibliographies, transcripts, maps, newsletters and other printed
matter, shooting schedules, continuity notes, storyboards, memorabilia,
photographs, negatives, slides, stills, posters, correspondence, business
cards, brochures, audio and video cassettes, invoices, receipts, distribution
statements, agreements, and certificates of authorship, all ranging in date
from 1946-1991 (bulk, 1970-1990). Arrangement is in three series: Film and
Theatre Projects; Research Files; and Technical Files. The Research Files
series is arranged in three subseries: Story Ideas, Various Subjects, and
Technical Files. While Skaaren's works have been arranged alphabetically,
Research and Technical Files have been reordered by subject. Materials within
folders remain in the order in which they arrived. |
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All of Skaaren's significant works are represented in the collection,
including his first projects,
Breakaway and
Fire with Fire, and his most successful
films,
Top Gun,
Beverly Hills Cop II,
Beetlejuice,
Days of Thunder, and
Batman. Early script drafts by other
authors, Skaaren's own multiple drafts, revision pages, notes, memos, final
shooting scripts, and credit arbitration documents reveal the changes made to
screenplays over time. Although Skaaren was known for his ability to rewrite
scripts by other authors, he also wrote original screenplays, poetry, and songs
that were never produced or published. Among scripts that were never produced
are
Flawless,
The Crimson Eagle, and
Lillie and Beck. Skaaren's final works, a
play he wrote for Heloise Gold entitled
Maggs: The 10,000-Year-Old Woman and the
unproduced screenplay
Beetlejuice in Love, are also present in the
collection. |
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Because Skaaren kept letters and memos with the manuscripts of his
works, correspondence is scattered throughout the collection. Among notable
correspondents are producers Jerry Bruckheimer, Jon Peters, Don Simpson, and
Doug Wick; writer, producer, and director Ted Flicker; directors Tim Burton and
Tony Scott; actors Tom Cruise and Michael Douglas; Grace Reiner of the Writer's
Guild of America; personnel at Paramount Pictures and Warner Brothers; and Mike
Simpson at the William Morris Agency. |
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Series Descriptions |
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Series I. Film and Theatre Projects, 1973-1990, undated (54 boxes) |
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Skaaren's film and theatre projects include projects which produced
a script and projects on which Skaaren served in some capacity other than as a
writer. Research material, drafts, revision pages, notes, memos, production
material, photographs, stills, posters, articles and reviews, contracts,
financial records, credit arbitration documents, and similar material relating
to Skaaren's film projects comprise the largest series in the archive.
Arrangement is by the final title given to a project (with variant titles
supplied in brackets in the folder list), and thereunder by material relating
to the writing of a script, including drafts and research files; information
about the film's production, publicity, and release; agreements and payments;
and screenwriting credit arbitration. |
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Books, notes, clippings, and other research material compiled by
Skaaren and his research assistant, Linda Vance, reveal the amount of research
behind Skaaren's work. Multiple drafts, outlines, and scene revisions of a
screenplay, including those by other authors, trace its evolution, while memos
and notes, including details of meetings and telephone calls, reveal the
dynamic involvement of the studio, producers, director, actors, and writers in
the revision process. Character motivation charts, action flow charts, and
script outlines show Skaaren's particular concern with character and story
structure. |
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Arbitration materials provide insight into the contributions of
various script writers on a single project, the determination of credit by the
Writer's Guild, and the importance of that formal credit. The financial aspect
of projects can be seen in contracts, agreements, payments, clippings from
Variety, and distribution payments. |
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Skaaren's first projects, the documentary
Breakaway which he wrote and directed; a
screenplay about University of Texas football player Freddie Steinmark; and
Fire with Fire, which began Skaaren's
career as a "script doctor," are represented in the
archive. Because Skaaren suggested the title of
The Texas Chainsaw Massacre, was hired
to sell its distribution rights, and acquired its sequel rights, material
relating to that film is also present. Of particular interest are the original
drawing on which Skaaren first wrote the title and material concerning problems
with the movie's distributors. |
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Extensive materials for Skaaren's most successful projects,
Top Gun,
Beverly Hills Cop II,
Beetlejuice,
Days of Thunder, and
Batman, are present. Original film
projects that never reached the production stage include
Flawless, created for actress Jane
Fonda;
The Crimson Eagle, a third installment
in the
Romancing the Stone series; and
Lillie and Beck, a story set against the
Spanish Civil War.
Spooks, written with Grant Fehr, was to
be a film about two men's encounter with a ghost. Plans for making a film about
Norwegian immigrant Cleng Peerson resulted only in correspondence and research
material. Treatments, notes, and a list of potential titles for
Cora's Nightcaller, about the
terrorization of a babysitter, are present.
Electric Death was to be a film about
lightning, based upon Lloyd Ritchey's script
The Night of the Electric Death, to
which Skaaren acquired the rights; the project resulted in much research on
man-made and natural lightning and electrical effects.
Hijo was a film project begun with Bill
Wittliff. Plans were made with Michael Douglas for a movie version of the
television series
Missiojn Impossible. A project to adapt
Bill Brett's novel
The Stolen Steers for film produced
several scripts. Skaaren's final work was an original screenplay for a sequel
to the popular
Beetlejuice, entitled
Beetlejuice in Love. |
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In addition to his film work, Skaaren wrote a play for Heloise Gold,
Maggs: The 10,000-Year-Old Woman, which
was performed at Capitol City Playhouse in Austin in May 1990. Typescripts,
photographs, and a review of the play are present as well. |
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Skaaren's folder titles, as well as those made by his assistant
Linda Vance, who printed and labeled some of Skaaren's files after his death,
have been retained and are indicated in the folder list by single quotation
marks. Indications of draft sequences are transcribed from the title pages,
spines, and covers of manuscripts, with those written in Skaaren's hand being
enclosed in single quotations. Because screenwriting credits changed
frequently, author information is also transcribed from the title pages of the
screenplays. |
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Series II. Research Files, 1970-1990, undated (4.5 boxes) |
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The series is divided into three subseries: Story Ideas, Various
Subjects, and Technical Files. |
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Story ideas are those which never produced a script; among these are
undeveloped ideas for screenplays about U. S. Customs agents, the Galveston
hurricane of 1900, consumerism, and other subjects. |
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A small group of clippings and notes about ranch technology,
psychology, owls, and many other subjects of research or personal interest to
Skaaren are also present. Cartoons and articles about unusual subjects that
appealed to Skaaren reveal his sense of humor. |
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Technical aids include materials from a comedy writing workshop
taught by Danny Simon, notes on writing techniques, interviewing, film
financing, and production, as well as on directors, writers, actors, and
producers. Skaaren also gathered travel resource information and business cards
of providers of a variety of services. |
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Series III. Works by Other Authors, 1978-1990, undated (5 boxes) |
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Arranged alphabetically by title, the series includes drafts of the
screenplays
Backdraft,
Edward Scissorhands,
The Killing Fields,
Kramer Versus Kramer,
Rain Man, and
Tender Mercies, among others. Many of
these manuscripts are annotated by Skaaren. A folder labeled
"Script Synopses and Info" also contains notes by
Skaaren and others on treatments, synopses, and scripts written by Skaaren and
other authors. |