The Greenwich Village Bookshop Door: A Portal to Bohemia, 1920-1925
SIGNATURES

Identified individuals are represented by a biographical sketch, a list of connections to other signatures, and, in most cases, an artifact from the Ransom Centers collections. Help us identify more signatures by submitting your suggested identification.

 

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Franklin Abbott

Achmed Abdullah

Mary Aldis

George William Amis

Sherwood Anderson

Egmont Arens

Mary Austin

Eugene S. Bagger

Bardar

Winslow M. Bell

William Rose Benét

Florence Blackstone

Paul J. Blackstone

David William Bone

Albert Boni

Charles Boni

Ernest Augustus Boyd

Will Bradley

Berton Braley

Max M. Breslow

Heywood Broun

Albert Brush

Arthur Caesar

Henry Seidel Canby

Jonathan Cape

Gene Carr

Oscar Edward Cesare

Christine Challenger

Betty Ross Clarke

Helen Louise Cohen

Alta May Coleman

Seward Collins

Frank Conroy

George Cram Cook

John Cournos

Bosworth Crocker

J. Vincent Crowne

Homer Croy

Mary Carolyn Davies

Helena Smith Dayton

Fred Erving Dayton

Floyd Dell

S. A. DeWitt

Roy Dickinson

Charles Divine

Alice Willits Donaldson

John Dos Passos

Theodore Dreiser

Joseph Drum

Robert L. Eaton

Laurie York Erskine

Wilfred Ewart

Henry Guy Fangel

John Chipman Farrar

Hugh Ferriss

Arthur Davison Ficke

John Bernard Flannagan

Dwight Franklin

James Earle Fraser

Joseph Lewis French

Robert Frothingham

Barney Gallant

Porter Garnett

Susan Glaspell

Montague Glass

Joseph Gollomb

Herbert S. Gorman

Stephen Graham

Dorothy L. A. Grant

Harry Wagstaff Gribble

William Gropper

Louise Closser Hale

Harry Hansen

Sadakichi Hartmann

Josephine Herbst

John Herrmann

W. E. Hill

Elisabeth Sanxay Holding

Robert Cortes Holliday

Terence Holliday

Guy Holt

Holland Hudson

Peter Lord Templeton Hunt

Frank Townsend Hutchens

Lewis Jackson

Norman Jacobsen

Rutger Bleecker Jewett

Orrick Johns

Merle De Vore Johnson

Jeanne Judson

Harry Kemp

Bernice Lesbia Kenyon

John G. Kidd

William A. (William Albion) Kittredge

Eastwood Lane

Lawrence Langner

Christian Leden

Courtenay Lemon

Sinclair Lewis

Ludwig Lewisohn

Max Liebermann

Nicholas Vachel Lindsay

Preston Lockwood

Hendrick Willem Van Loon

Lingard Loud

Pierre Loving

Orson Lowell

C. R. Macauley

Kenneth Macgowan

Lawton Mackall

Hector MacQuarrie

John Albert Macy

Jane Mander

Don Marquis

H. A. Mathes

William McFee

Alexander McKay

Hawley McLanahan

Charles M. McLean

Ada Jaffray McVickar

Scudder Middleton

George Middleton

John Mistletoe

Roy Mitchell

Christopher Morley

Robert Nathan

Dudley Nichols

Robert Nichols

Charles Norman

Joseph Jefferson O'Neil

Florence O'Neill

Ivan Opffer

Martha Ostenso

Lou Paley

Edmund Lester Pearson

Basil H. Pillard

Ethel McClellan Plummer

Alexander Popini

William MacLeod Raine

Ben Ray Redman

Charles J. Reed

Lola Ridge

Felix Riesenberg

W. Adolphe Roberts

Edwin Arlington Robinson

Edwin (Ted) Meade Robinson

Bruce Rogers

L. Stuart Rose

Herb Roth

Edward Royce

Tony Sarg

Jacob Salwyn Schapiro

Walter Schnackenberg

Thomas Seltzer

Fern Forrester Shay

Margaret Badollet Caldwell Shotwell

Emil Siebern

Upton Sinclair

John Sloan

Thorne Smith

David Tosh Smith

Robert A. Smith

Charles Somerville

Vincent Starrett

Vilhjalmur Stefansson

Donald Ogden Stewart

Gordon Stiles

Emily Strunsky

Genevieve Taggard

Gardner Teall

Sara Teasdale

Lloyd M. Thomas

Basil Thompson

Paul Thompson

Helen Thurlow

Adolph Treidler

Peter Underhill

Harvey P. Vaughn

Walter Vodges

C. A. Voight

Mary Heaton Vorse

Webb Waldron

J. Leeming Walker

Foster Ware

John V. A. Weaver

Luther E. Widen

Edward Arthur Wilson

Lily Winner

Robert L. Wolf

Cuthbert Wright

Zorach

Theodore F. Zucker

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THE DOOR
Location on door: front, panel 2
CONNECTIONS

Artists

Critics

Film

Journalists

Poets

Teachers

Tramping

Travel Writers

NICHOLAS VACHEL LINDSAY

Though he is little known today, the poet Vachel Lindsay (1879-1931) was a major figure in the literary landscape of his time. His early training was as an artist, but his teacher, Robert Henri, helped him recognize that poetry was his true calling. Brought up in a deeply religious and political home in Springfield, Illinois, Lindsay was strongly influenced by mystical visions, his deep love of the American landscape, and the rhetorical power of the spoken word. Early in his career he took long walking trips—the first from Florida to Indiana—supporting himself by trading performances of his poems for food and shelter. After self-publishing broadsides and pamphlets for many years, he published his first book of poetry with a commercial press in 1913 and published frequently until his death in 1931. In 1915, he published the first ever study of film as an art form, The Art of the Moving Picture, which was received well by film-makers and critics alike. By 1920, he was widely known and respected among literary audiences, and was able to insist that his published verse be accompanied by his drawings. Intense emotional attachment had long been a difficulty for Lindsay, who had fallen deeply in love with Sara Teasdale and several other women over the course of his life. He married in 1925, but struggled with suicidal thoughts. In 1931, depressed over his work and the financial worries brought on by the financial crash of 1929, he committed suicide.

 
 
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    Creator: Harrington & Smelser, Springfield, Illinois

    Title: Photograph of Stephen Graham and Nicholas Vachel Lindsay

    Item Date: Undated

    Material Type: Photographs

    ADA Caption: Photograph of Stephen Graham and Nicholas Vachel Lindsay


    Curatorial Department: Photography Collection

    Collection Name: Christopher Morley Literary File

    Stack Location: Box 8, Folder P813

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A photograph of Vachel Lindsay and Stephen Graham, undated

In 1921, Lindsay and the English writer Stephen Graham hiked the Rocky Mountains together, resulting in Graham's spiritual memoir, Tramping With a Poet in the Rockies (1922), illustrated by Vernon Hill. Lindsay created a "sequel and response" in the form of his own illustrated work about the voyage and other topics, Going-To-The-Sun (1923). The inscription on to this photograph reads, "Stephen Graham exhorting Vachel Lindsay to quit drinking coffee before it is everlastingly too late." Graham's book includes a long description of Lindsay's special method for brewing "stone coffee" in the morning, high in the mountains. Graham describes the brew as follows: "It is black, it is good, it has a kick like a mule; it searches the vitals and chases out the damps; it comforts the spine and gives tone to the heart."